Never-Before-Seen Early Concept Video Of The “Raptors In The Kitchen” Sequence From ‘Jurassic Park’!

Ever since ‘Jurassic World’ put a spotlight back on the ‘Jurassic Park’ franchise, things from the productions of the original films that were long buried in the depths of files, folders, and boxes have been unearthed. Scripts, storyboards, original artwork, and now a previously unseen concept video presented by Jurassic Time!

One of the scenes from ‘Jurassic Park’ that the production spent a lot of pre-planning was the famous “Raptors In The Kitchen” sequence near the climax of the film. It went through many variations as evidenced in the scripts, storyboards, and animatics. However, this newly-revealed concept video shows yet another variation on the entire sequence with a key difference that sets it apart from anything previously known.

The concept video (which Jurassic Time has enhanced with resources and added music from the ‘Rick Carter’s Jurassic Park’ score to make it more watchable) begins with a series of storyboards that depict Dr. Alan Grant, Tim, and Lex entering the Visitor Center after they have trekked through the park. And unlike every known version of the sequence, Grant leaves them in the restaurant with a park worker who just happens to still be in there. After Grant leaves to find the others, the worker goes into the kitchen to prepare a meal for the hungry kids.

Previously unseen storyboard of a park worker meeting with Grant and the kids in the Visitor Center.

Shortly after, a raptor’s shadow grazes over a mural against a restaurant wall that features its likeness. The kids retreat into the kitchen to hide. As the raptor approaches the door to the kitchen and opens it, the storyboards change into actual video footage of an unfinished raptor suit worn by John Rosengrant from Stan Winston Studios. He walks into a makeshift version of the kitchen set, using a collection of tables, real items, and even some hand-drawn representations. But he isn’t alone; he is quickly joined by another raptor represented by a life-size cardboard cutout! Together, the two “raptors” stalk Tim and Lex; played by the production’s Art Director John Bell and Art Department Coordinator Caroline Quinn. From here, video footage becomes intermixed with additional storyboards.

Carboard cutout raptor in foreground with raptor suit in background.

Head of the raptor suit looking toward the camera.

Lex (Caroline Quinn) and Tim (John Bell) crawling and hiding from the raptors.

Together, the two “kids” avoid the raptors by crawling around the kitchen floor between the long tables, similar to the final version of the film. However, in this version both kids climb into the cubby that is reflected against the shiny cabinetry (or in this video’s case, an actual mirror is used to sell the idea) as a raptor charges into it instead of them. The kids crawl away once again, but before the raptors can make another move, the park worker enters the kitchen from the pantry where he had been preparing the kids’ meal. The park worker, played by set designer John Berger, sees the raptors and drops the meal.

The park worker (John Berger) emerges from the pantry with the kids’ meal in tow, surprised by the sight of the raptors.

To protect himself and the children from the raptors, the park worker grabs a pair of knives that are nearby. Unfortunately, he is no match for the teeth and claws of the raptors as they both leap on top of him! The kids watch as the park worker is maimed by the vicious dinosaurs, but then take advantage of the distraction to escape from the kitchen. Of course, the raptors spot their exit… and it is only a matter of time before they catch up to them. (It is interesting to note that the freezer is not featured at all in this concept, despite it being used in some form in all the other versions.)

Knives can’t stop the raptors as the park worker meets his demise.

This storyboard/video hybrid was created by the film’s art department for director Steven Spielberg to see. It is unclear exactly when in the production this was made, but a good portion of the storyboards used were from later incarnations of the sequence (while also including some that have never been seen before). The raptor suit used is also unfinished, so this may have also been a concept to show off how it looked in the sequence for feedback on any desired tweaks. It’s also interesting that the pantry was once part of the set, as evidenced by blueprints that have been finding their way online; and this concept of the sequence shows why it was once included.

Section of blueprint featuring where the pantry was, beside the freezer.

Just when a fan, such as I, thinks they know all the production’s ideas that were brought to the table… something like this is found! Whether one agrees with the ideas in this concept or not, it is thrilling to see yet another variation of what could have been in the film. ‘Jurassic Park’ had a monumental production team, and this video proves once again just how free their ideas were allowed to shape the classic film we have today.

Be sure to also check out Jurassic Time‘s illustrated audio drama series, Rick Carter’s Jurassic Park, that explores an entirely different version of the film as envisioned by its production designer!

What do you think of this concept video? Do you think this would have been a better version of the sequence? Just who was this park worker? Share your comments down below!

See An Early Version Of ‘Jurassic Park’ With Concept Art & Storyboards In An EPIC Audio Drama

Experience an early version of ‘JURASSIC PARK’ through production designer Rick Carter’s adaptation of Michael Crichton’s final draft screenplay, brought to life in an entertaining audio drama with visual enhancements!

Watch the entire illustrated audio drama series, plus its introduction and teaser trailer, below.

RICK CARTER’S ‘JURASSIC PARK’ was an epic project born out of the dire 2020 pandemic lockdown. Author Derrick Davis, the creator of JURASSIC TIME and writer at JURASSIC OUTPOST, had acquired many rare and previously unseen selections of concept art, storyboards, scripts, and other materials related to the original ‘Jurassic Park’. One of the most interesting items he acquired was a unique script that had many elements that would eventually be scrapped, but would also shape the final film, and beyond.

The official history behind Jurassic Park’s screenwriting process had always included Michael Crichton, Malia Scotch Marmo, and David Koepp. During this time, the film’s production designer, Rick Carter, took on a bigger role than normal.

“I was brought onto ‘Jurassic Park’ about two years before we finally started shooting […] On most shows, the production designer is brought in and handed a script and asked to visualize it. Not so on this one. I was in on many early meetings with Steven where we would break down the scenes in the book and discuss which ones would work best for the film.”

-Rick Carter

In the beginning, Michael Crichton had provided several drafts of the screenplay for his novel before passing the pen to whoever would take a crack at future drafts. Director Steven Spielberg went on to film ‘HOOK’, as Jurassic Park’s production team continued to work.

“While Spielberg was doing ‘HOOK’, I would go to him with all these different ideas of how to make things work. It was a very managed production.”

-Rick Carter

One of the ways Rick Carter displayed his ideas was by crafting an entirely new script using much of Crichton’s as the backbone.

“After our last script meetings, I began collecting together my notes. I realized that the only way for me to see how the ideas might actually play out in the story was for me to “collage” them into Michael’s latest script. Well, one thing led to another and I found myself going through the entire story.”

-Rick Carter

Out of all the scripts written for ‘Jurassic Park’, Carter’s version is perhaps the most interesting. It includes the early process of making John Hammond a more sympathetic character, the sick triceratops replacing the sick stegosaurus, and other changes from Crichton that will feel more familiar to how the film ended up. At the same time, the script introduces some interesting changes that would not carry over. This includes using the opening of the novel at the Costa Rican clinic, a condensed version of the river sequence, the removal of Donald Gennaro, Hammond’s idea of recruiting Grant and Sattler to work at the park, the discovery of a raptor den secretly nestled far beyond their pen, trees that are deforested by the giant dinosaurs, and the inclusion of lava fields. There’s even an umbrella designed to look like a “spitter” that is used as a distraction against a velociraptor; an idea similarly used in ‘Jurassic World’.

A “spitter” umbrella from the gift shop, used in defense against a velociraptor.

It’s not every day that a production designer writes a screenplay to get his ideas across in order to make the film a success. But Rick Carter was a special production designer. While his version of the script would not end up being used for the film, it wasn’t his intent anyway. He simply wanted the best way to further continue the production progress of ‘Jurassic Park’, and he felt altering the script was the best way to do it.

But what if it had been made? What would it have been like? Would it have felt just as grand, just engaging, and just as memorable? Or would it have had its own unique flavor that no one else could have concocted?

Lava fields that Grant and the kids must traverse through.

After nearly 30 years since it had been written, Derrick Davis had discovered the script and wanted to know the answers to all of those questions. He decided the best way to experience this early version of the film was to bring it to life. This led to him teaming up with another fan of the franchise, music composer Bernard A. Kyer. Derrick presented him with the idea of creating an audio drama experience from the script. He would do this by using concept art, storyboards, and other official artwork to illustrate it; many of which had never been seen before. Bernard took the script and adjusted it to flow in this format, while Derrick went to several fans of ‘Jurassic Park’ that could perform various roles, including himself as Tim Murphy and John Hammond.

One of those fans suggested by Bernard was artist, filmmaker, and actor Joshua Malone; the voice of Ed Regis, Dr. Alan Grant, and Lex Murphy. He also provided the narration for the program’s teaser trailer and further consultation throughout. Other cast members include Jurassic Outpost’s Samantha Endres as Dr. Ellie Sattler, and Caleb Burnett as Dr. Ian Malcolm; as well as designer Casey Wayne Cook, Jr. as Dr. Henry Wu and others.

Within almost a year’s time, Bernard assembled all the character performances while providing the script narration and additional voices, such as Dennis Nedry. The process included mixing a vast library of sound effects, many obtained from the film itself to instill further authenticity. Once that was completed, he composed a fantastic music score to bring it all to life; inspired not only by John Williams but other composers like Jerry Goldsmith, James Horner, and Danny Elfman.

After the audio was completed, Derrick assembled all the artwork he could find to match what was described, while enhancing it for high definition. Despite obtaining rare materials for years, including an entire binder of storyboards from ‘Dinosaur Supervisor’ Phil Tippett‘s collection, there was still much more that he needed. One of the people he had been in contact with over the years that had a great source for artwork and storyboards from the film was fellow collector and fan Astríd Vega of The Jurassic Park Collection and its YouTube channel. Derrick had shared and discussed the Rick Carter script with her long ago, and had even offered her various voice roles in an earlier-proposed version of the audio drama. Tragically, Astríd passed away in May of 2019… almost a year since Derrick had finally met her in-person at Universal Studios Hollywood’s Jurassic Park 25th Anniversary Event in May of 2018. Without her collection that she had shared, large portions of the video for this audio drama would not have been possible. The production is dedicated in her memory.

From Jurassic Park’s 25th Anniversary Event at Universal Studios Hollywood, 2018. From left to right: Roberto Díaz, Matthew Danczak, Derrick Davis, Astríd Vega, & Brian Belukha.

Despite amassing quite a collection of original and official materials, there was still a need for additional artwork. This task was completed by fellow fan and artist Felipe Humboldt. Felipe created several character sketches and scenic paintings based on descriptions in the script, which sometimes differed greatly from how they ended up in the final film. It should also be noted that character appearances changed even during the process of the original production itself, creating unavoidable inconsistencies throughout. Felipe also illustrated some additional moments from the script where no official artwork existed or could be found.

Felipe Humboldt’s depiction of Dr. Alan Grant wearing a makeshift papoose with a baby raptor; Lex and Tim at his side.

The end result is a one-of-a-kind experience that was an ultimate labor of love from everyone involved. While the debate can rage forever if this early version of the film would have been better than what we got, it is still fascinating to see it performed in such a dramatic way. It is also great to finally have an engaging way of presenting the art from those who worked on the film, such as Art Director John Bell, instead of having it locked away or forgotten forever.

Derrick Davis thanks everyone in the production for bringing his dream to life and realizing the imaginations of those who worked so hard to create our cherished, classic film: ‘JURASSIC PARK’.

An early “raptor pen” concept by John Bell, which was also seen briefly in the background of Jurassic Park in the film; during the lunch scene, projected on a wall.

Learn more about Bernard’s process of crafting the sound design and music score for the illustrated audio drama by checking out each of his four in-depth articles from his site. Be sure to also hear Bernard’s album release of his music score for the project!

Be sure to watch the entire series for the ultimate experience of this early version of ‘JURASSIC PARK’! Also check out everything else available at JURASSIC TIME, including the John Hammond Memoir!

Poster Created by Casey Wayne Cook Jr.

Would this earlier version of the film have been better, or are you glad we ended up with the film we got? Share your thoughts in the comments below!

This article includes quotes and information from ‘The Making Of Jurassic Park’ book, ‘Starlog’ and ‘Cinefantastique’ magazines, and additional public and private collections.

Jurassic Park’s Art Director John Bell Posts Unseen Art From The Original Films & Jurassic World!

Jurassic Park had an army of artists that helped shape the visual look of the film. Pre-production began in the summer of 1990, a full three years before its 1993 release date. During that time, the scripts changed pens between different writers, but the art department kept churning out images that didn’t necessarily match anything from them. Ideas were freely explored using Michael Crichton’s novel as the main source, while the artists injected their own personalities.

Leading the art department was Jurassic Park‘s Art Director John Bell, who we interviewed back in 2015. He also worked on the sequels: The Lost World: Jurassic Park, Jurassic Park 3, and Jurassic World. Despite his involvement in the franchise beginning almost 30 years ago, there are still many pieces of artwork he created that have yet to see the light of day. There was so much that his team created that it would likely fill an entire library!

That is why we are elated with the new posts John made on his website of previously unseen art from Jurassic Park!

Below are a small sample of what you will see:

His site also features some new amazing artwork from The Lost World: Jurassic Park! The amount of detail and ideas he had for the film’s various vehicles is astounding; including a “life pod” used as protection against big predators such as Tyrannosaurs Rex!

John has also shown, for the first time, artwork he created for Jurassic Park 3! This is especially fascinating to see since Jurassic Park 3 never had a “Making Of” book like the first two films did; leaving insights on its filmmaking process only on DVD/BLU-RAY bonus features, magazine articles, and other websites from those involved. His new page features impressive unused vehicle designs and early versions of the incubators!

And finally, we have additional artwork John created for Jurassic World, or as it was simply known to him at the time as Jurassic Park 4. We now have an incredible look at some of his more futuristic designs meshed with his older ideas for Jurassic Park in a way that would have been incredible to have seen on film!

It’s amazing that after all this time we are still getting never-before-seen material from the older films of this franchise! No matter how any of the films turned out, it goes to show just how much time and effort went into the creation of them. And who knows, maybe more will be seen someday?

In a darkened room, in an empty building with a dirty floor, it waits…

Be sure to visit John Bell’s site for additional art and browse his very own shop where you can buy some of his original work!

Jurassic World: Dominion’s Pandemic Production Inspires A Netflix Comedy In Judd Apatow’s “The Bubble”

Thanks to Collider & The Hollywood Reporter, we have discovered a very strange result of Jurassic World: Dominion‘s production during the pandemic: apparently it’s rife for comedy.

If you weren’t aware, the film’s production was halted at the start of the pandemic last year. When filming resumed, it was under a much stricter regiment than any of the film’s cast and crew had likely ever been part of. They were all forced to quarantine with each other at the UK production location and… well everyone’s seen The Shining, right? Perhaps no one chased anybody with an axe (that we’re aware of), but you can imagine the dread of isolation mixed with plenty of COVID tests. Not sure which would be scarier.

Apparently, an unnamed member of Jurassic World: Dominion‘s production told all the delicious details of the quarantine to actress Leslie Mann (Cable Guy, This Is 40). She just happens to be the wife of comedy writer/producer/director icon Judd Apatow (Knocked Up, Freaks & Geeks, Undeclared), who of course also heard what she had been told. Well, something went off in Judd’s mind that led him to believe the situation was funny enough to be made into a Netflix comedy.

(Photo by Michael Tullberg/Getty Images)

The film is titled: The Bubble. No doubt it is in reference to the bubble everyone was forced to be in during the production. Directing from a script Judd co-wrote with Pam Brady (Hamlet 2), the film has an impressive all-star cast, featuring:

Pedro Pascal (The Mandalorian, Wonder Woman 1984), Karen Gillan (Guardians Of The Galaxy, Jumanji: Welcome To The Jungle), Maria Bakalova (Borat 2), Fred Armisen (SNL, Anchorman), David Duchovny (X-Files, Twin Peaks), Peter Serafinowicz (Guardians Of The Galaxy, Shaun Of The Dead), and Keegan-Michael Key (Toy Story 4, Parks & Recreation). Leslie Mann will also star, along with her daughter Iris Apatow (This Is 40, Love, Funny People).

According to The Hollywood Reporter, the film will be about a fictional film production where:

“Gillan and Pascal will play the made-up franchise’s stars while Mann and Duchovny will play a once-married acting duo now forced to quarantine under one roof. Netflix insiders, however, say the movie has no connection to Dominion.”

While neither the story nor the cast are directly related to any of the Jurassic films, it is interesting to note that David Duchovny was once married to Jurassic Park 3 actress Téa Leoni (Amanda Kirby) from 1997-2014. The fact that he is playing part of a “once-married acting duo now forced to quarantine under one roof” is already amusing just by knowing this fact alone. While no one from Jurassic World: Dominion was ever married to one another (as far as I can investigate), Laura Dern (Ellie Sattler) and Jeff Goldblum (Ian Malcolm) were once engaged between 1995-1997. Could Mann and Duchovny’s characters be inspired by some uncomfortable scenarios between Dern and Goldblum? The fire is stoked!

While there is no release date yet set for Judd Apatow’s new comedy, The Bubble, rest assured we will be curious to see just how much is real and just how much is simply good, tasty fiction.

(Some information obtained from IMDB)

Sam Neill On Jurassic World: Dominion Feeling Like A “Six-Hour Movie” Plus More About Grant & Sattler

In Variety’s new article, Sam Neill (Alan Grant) reveals a juicy comment about the length and scope of the upcoming Jurassic World: Dominion film:

It’s going be a big film. [Director] Colin Trevorrow has that childlike sense of wonder, playfulness and inventiveness that [Steven] Spielberg has. We really shot a six-hour movie. We were all very gung-ho.”

Before you start spreading the news that Jurassic World: Dominion will be a six-hour movie, let’s remember that this film has had a lengthy and unusual production, which Neill touches on later in the article:

No one knew whether ‘Jurassic’ would continue, be postponed or be abandoned altogether […] [When we resumed] it was somewhere between rehab, summer camp and Easter break. We were compulsorily in each other’s company and much richer for it. If we were shooting in L.A., we’d go off to our different caves every night, but we got to know each other so much better.”

Given the delays and incredible circumstances, it is quite easy for everyone on the production to feel like they had made such a long film. As any Jurassic fan will also tell you, things always end up on the cutting room floor as a film is shaped into its final form. However, given the scope of this “big” film and his statement, this could mean Jurassic World: Dominion will likely be the longest film of the series. And on the chance Neill is being entirely literal, then will we see the film split in two, ala Avengers: Infinity War/Endgame? It’s entirely possible.

The article also lightly touches upon Neill’s character of Alan Grant and the relationship (or lack of) between him and Ellie Sattler (performed by Laura Dern):

“[Alan Grant is the] same character, but different world, different times. Dr. Grant and Dr. Sattler haven’t seen each other for some time, so you’ll see how that pans out.”

This likely nixes the fan theories of Grant and Sattler somehow ending up together before the start of the film. At the beginning of Jurassic Park 3, it was clear that Grant and Sattler did not stay together or raise their own family as it was set up to happen in the first Jurassic Park. This creative choice on the franchise’s story upset many fans, but director/co-writer Colin Trevorrow appears to not be retconning it for Jurassic World: Dominion based on Neill’s comment. Still, there is a chance that the story of the new film could play out in favor of what fans wanted all along, or perhaps it really will stick to what some consider as a realistic endgame of their relationship.

More information leads to more questions than answers about the story and length of Jurassic World: Dominion. Given that we have over a year to wait for this epic installment of the series, expect more tantalizing details to come!

Check out the rest of Variety’s article for more details about filming during the pandemic and Sam Neill’s new film, Rams!

John Hammond Was Killed by Velociraptors in These Newly Unearthed Jurassic Park Storyboards

Although Jurassic Park is now over 26 years old, new stories, art, and secrets continue to be unearthed by its incredibly dedicated and passionate fanbase. This Jurassic June, Jurassic Time has uncovered yet another long-forgotten storyboard from the original Jurassic Park film. It is part of what Jurassic Time dubs as “The Many Deaths Of John Hammond”.

In this newly revealed storyboard page, John Hammond is in Jurassic Park’s control room during the climax when the Raptors have broken out of their pen and have entered the Visitor Center. John Hammond, with an incubator of eggs he plans to take with him upon leaving the park to “save it”, hears Lex screaming downstairs. He opens the door to the control room to help, but is greeted by a Raptor. Hammond falls backward, crashing on a tabletop model of Jurassic Park that is on display in the control room (which was to be very similar to the one we see in Jurassic World: Fallen Kingdom), as the Raptor digs its claws deep into his chest. The incubator shatters to the floor, breaking one of the eggs while another remains unharmed.

Later on, Grant finds Hammond in the control room, barely alive, as he tells Grant that he always knew the “first batch of DNA was too unstable” and that he was looking forward to working with him at the park. He then dies as the two men are framed by the destroyed model of Jurassic Park. Then, the one unharmed egg from before cracks open, revealing an infant Triceratops.

This was one of the many deaths originally planned for John Hammond. In the novel, John Hammond dies while falling down a hill then killed by Compies. In Michael Crichton’s first draft of the screenplay, Hammond is in the Visitor Center when he falls into the destroyed scaffolding after being startled by the twitching corpse of a Raptor. Then, he is finished off by Compies like in the novel. Jurassic Time showed an illustration from this depiction some time ago.

This was then followed by Crichton’s final draft, which featured Hammond being killed by a Raptor while the “Welcome Video” of him is being played behind him, stuttering in an eerie effect as he is being attacked. The next version of his death is the one just described with the tabletop model; originating from a script revision actually tackled by someone else no one has ever known to have penned. But that is another story that will be told another time.

The other versions of his death are of Hammond simply being left behind on the island, either by his choice or by accident. Some art and storyboards of this idea were done by Art Director John Bell, with a version of this scripted in Malia Scotch Marmo’s screenplay that followed both Crichton’s and the one the tabletop Raptor death was from.

However, once David Koepp entered into the picture, it was decided Hammond no longer needed to die. Whether it was because Richard Attenborough was cast or the filmmakers decided it didn’t fit their ever-evolving take on the character remains to be seen. It seems to be a good choice for the version of the character they ended up crafting, but it will always be interesting to see just how his many deaths were once going to be played out.

You can find more rare art and storyboards from Jurassic Park at Jurassic Time, along with an audio memoir of John Hammond read by Richard Attenborough that was adapted from the Lost World game Trespasser. It includes a video version with art by Felipe Humboldt, as pictured above, who also has been uncovering many lost relics of the Jurassic Park films via Behind The Gates.

Note: Updated with new video.