‘Walking With Dinosaurs’ Celebrates 25th Anniversary With New Soundtrack Release!

BBC’s 1999 TV mini-series ‘Walking With Dinosaurs’ is one of my favorite dinosaur media productions that has ever been made. It became “the most-watched factual science programme on British TV of the 20th century,” spawning an entire genre of dinosaur documentaries where we truly felt like we were part of their world. I remember watching its broadcast on the Discovery Channel and being absolutely blown away. Despite its outdated science, the original ‘Walking With Dinosaurs’ remains the pinnacle of how to tell these stories in a way that is completely alluring, realistic, and genuinely moving. It’s a cinematic classic that is personally unrivaled, although next year a new series with the same name will be released.

To celebrate the original program’s 25th anniversary, composer Ben Bartlett is reissuing his majestic and memorable score on digital platforms! Performed by the BBC Concert Orchestra, this score was the winner of the BAFTA for “Best Original Television Music” in 2000, and its legacy has been lovingly endured by its fans ever since.

Composer Ben Bartlett says:

“I am super excited to be re-releasing my music for Walking With Dinosaurs after 25 years, and to revisit my musical roots in orchestral music. Listening to these tracks again I am struck with how fresh they sound. I feel I am coming full circle after living a quarter of a century in TV and Film music production, and liberating a musical spirit from its amber mould.”

“Over the years I have received heartwarming messages from both aspiring composers and paleontologists. Some now mature scientists have expressed gratitude for the music for the iconic show Walking With Dinosaurs, as during their childhood it tapped into emotions beyond the reach of pure science, and driving a passion for paleontology. I am incredibly touched that over the years Composers have frequently got in touch to connect about how the music led them to pursue careers in music for picture, and the score has been used at music colleges around the world.”

The score is available on various digital platforms, including Spotify, Apple Music, Amazon Music, YouTube, & Qobuz (high resolution audio).

Before I go any further about the music in this release, I have to address the elephant in the room: the cover. For whatever reason, AI art has been used and does not represent the show well at all. My only guess is that images from the show itself couldn’t be used for copyright reasons, but I personally feel anything other than AI should have been considered. Thankfully, Ben Bartlett has been pointed out this issue and appears to be rectifying it with a call for paleo artists. If interested, reach out to him via this e-mail. When the cover is updated, this article will be as well.

As for the music itself in this new release, it appears to be remastered and is a tad louder than before. In terms of music that was previously unreleased, there are really only two tracks.

The opening track “Walking With Dinosaurs” omits the Kenneth Branagh dialogue that played over the original CD version from 1999 (he was the narrator on the original program) in favor of simply the music. While some may miss that edit, I personally am happy to finally have this piece of music without it. Interestingly, the opening brass statement (and perhaps the rest) sounds like a different performance as well.

The second track with unreleased music comes near the 2:50 mark of the aptly renamed “Torosaurs Lock Horns Plus,” providing about a minute of new material.

A few tracks from the score actually appear to have slightly less music compared to the original CD release, but in minor ways that may not be detected by most in the form of micro-edits. The biggest example of this is “Cruel Sea,” which is over 40 seconds shorter than its CD counterpart. It seems to mostly remove some of the track’s repetition in parts, but it is curious such an edit was made for a digital release when length is not relevant. I can only assume this was done by Ben Bartlett for his own personal preferences, but completists may want to hang onto their CDs to retain the minor omissions. Because of this, and other music from the show that is still missing from this release, I hesitate to refer to this as a “complete” release myself.

After the “End Credits” track, there are three additional tracks from the ‘Walking With Dinosaurs’ special ‘The Ballad Of Big Al’ (aka ‘Allosaurus’). These were previously on the CD release for the ‘Walking With Dinosaurs’ sequel production from 2001, ‘Walking With Beasts.’ It’s more appropriate to now have them included on this release, featuring some of the most rousing action music of the entire saga in “Battle Of The Salt Plains.”

Despite the mentioned issues, it is still great to have a new release of this soundtrack and to have it widely available again for everyone to hear. I think every ‘Jurassic Park’ fan should give this score a listen (and perhaps throw Bartlett’s name in the ring to score ‘Jurassic World: Rebirth?’). Hopefully a Blu-Ray release of the original program itself is also on the way to celebrate the anniversary!

‘Walking With Beasts’ will also have a new soundtrack release on October 10th. This new release of the equally fantastic score will include seven never-before-heard tracks from the show, performed by the BBC Singers. It will be available on the same platforms as ‘Walking With Dinosaurs.’ A vinyl release of both scores will also be released in the future. Sadly, CD collectors, like me, appear to be omitted from all releases (the format isn’t dead yet!).

Do you remember the original ‘Walking With Dinosaurs’ mini-series and its sequels/spinoffs (including ‘Prehistoric Park‘ starring Nigel Marvin)? Reminisce in the comments below, and stay tuned to Jurassic Outpost for the latest!

Jurassic World: Chaos Theory Soundtrack Album Now Available Digitally

Film Music Reporter has shared the exciting news that the score for season one of Jurassic World: Chaos Theory is receiving a digital release from Back Lot Music! The album will feature selections from the show’s original music by Emmy award-winning composer Leo Birenberg.




Now available to stream on Netflix, Chaos Theory (the sequel series to Camp Cretaceous) debuted Friday, May 24th to fan and critical acclaim. The show is great, thanks in no small part to Birenberg‘s excellent underscore.

Are you excited about the release of the music from Jurassic World: Chaos Theory? It’s especially exciting after Camp Cretaceous’ score never received an official release. Be sure to listen wherever you stream your music!






Jurassic to be Included in NEW Universal Orlando Shows Coming this Summer!

On Monday, April 29th, Universal Orlando officially announced a plethora of new attractions and entertainment offerings coming to the resort this summer, several of which will include Jurassic characters and scenes.

Three new shows, one new themed land, and an all-new tribute store are all set to open throughout this summer. On June 14th, 2024 there is the simultaneous opening of an all-new DreamWorks-inspired land, the CineSational: A Symphonic Spectacular (both on the Universal Orlando side,) and Hogwarts Always nighttime show (on the Islands of Adventure side.) Then, on July 3rd, Universal will debut its newest parade, the Universal MEGA MOVIE Parade.

At the new DreamWorks Land, you’ll ‘let your imagination soar as your favorite characters from Shrek, Trolls and Kung Fu Panda come together in one colorful new land at Universal Studios Florida. Meet Shrek and splash in his swamp. Scream with laughter on the Trollercoaster. Learn kung fu with Po. Plus, ignite your sense of wonder with the new live show DreamWorks Imagination Celebration.’

For Hogwarts Always, guests will experience ‘a journey through iconic moments of a year at the beloved school of witchcraft and wizardry, all set against the majestic background of Hogwarts™ castle in The Wizarding World of Harry Potter – Hogsmeade™. On select nights.’

The CineSational: A Symphonic Spectacular lagoon show will feature 228 fountains that reach heights up to 131 feet, new 4K projection mapping, an original composition featuring newly arranged scores meticulously crafted to each scene, and more than 600 drones. The show will also highlight past, present, and future Universal attractions including “Jurassic World,” “Jaws,” “Shrek,” “Ghostbusters,” “Trolls,” “Back to the Future,” “Universal Monsters,” “Transformers,” “How to Train Your Dragon,” “E.T.,” “Fast and Furious,” “The Super Mario Bros. Movie,” “Minions,” “The Mummy” and “King Kong, and “Harry Potter and Fantastic Beasts” films.

Capping off the summer fun in July, the highly anticipated new parade show debuts. At the Universal MEGA MOVIE Paradeyour favorite characters will leap off the screen and onto the streets for a daytime parade. Feel the roar of the T.rex, enjoy the adventure of E.T., embrace your true colors with Trolls, and more. On select days.’ The parade is said to be Universal’s biggest daytime parade to date, combining 13 brand new floats, nearly 100 performers – including dancers, skaters, stilt walkers, performers and more – and special effects to create a jaw-dropping experience where guests can relive classic film moments in a whole new way.

While we don’t have official images of any of the floats or characters that will be present, we encourage everyone to check out videos online of past parades from Universal parks in Japan and Singapore.

In conjunction with the new parade will be this summer’s tribute store, themed to the various movies and characters that will be brought to life in the show. Will this mean that, for the third time, Jurassic will be present in a tribute store? Time will tell!

Tell us, are you excited about the new summer offerings coming to Universal Orlando? What scenes and moments from the Jurassic franchise do you hope to experience in the new parade and nighttime show?

Who Should Compose the Music for Jurassic World 4?

Jurassic World 4 is stampeding its way into theaters next year on July 2, 2025! Gareth Edwards is directing, David Koepp is writing, Steven Spielberg and Frank Marshall are executive producing, Scarlett Johansson is in talks to star, but there are still some unknowns…

Who’s going to shoot this film? (Greig Fraser?)

Who will create the visual effects?

Who’s going to fill the rest of the cast?

Who’s going to be creating sound?

Who… will compose the music?

Music – both orchestral and otherwise – is an integral bone in the Jurassic skeleton, and an irreplaceable part of the art and filmmaking that go into creating all of the films we love. When it comes to the narrative mediums of film and television, fans of Jurassic have experienced scores from the greatest film composer of all time, John Williams, the amazing Double D Don Davis, the inimitable Michael Giacchino, and incredibly gifted newcomers like Amie Doherty and Leo Birenberg. Whoever is brought on board by Gareth Edwards and producers to create the musical world for the next Jurassic film will be joining some pretty fantastic dinosaur music company. Will it be someone familiar, or someone new? My hope and my bet is on some new blood, but… we shall see!

Let’s talk about who we think should be the composer for the next Jurassic movie!


John Williams

The obvious choice! And while we know the GOAT Johnny Williams coming back to Jurassic isn’t too likely to happen, we had to take the time to mention it and dream for a second about John Williams Jurassic music. Jurassic Park? The Lost World? Near the top of his most iconic scores! Imagine if he came back, even just to write a new theme or piece of music like he did exceptionally well for SOLO? He has returned to other franchises to continue his musical legacy before, so it wouldn’t be unheard of. The circumstances, timing, and story would all have to line up… Regardless, we’ll always have Malcolm’s Journey as the underscore to one of the best Jurassic moments.


Amie Doherty

The next choice on our list is the composer of Jurassic World short film Battle at Big Rock, which was a hit with pretty much every Jurassic fan – it was a great display of the awe and terror that comes with dinosaurs being loose in the world, solidified by Amie’s use of Jurassic musical themes both classic and new. Musically she goes from the Jurassic World theme, to utter terror, to the Jurassic Park and Lost World themes, all within about 10 minutes. Her Jurassic experience combined with her work since then on projects like Spirit Untamed, Undone, and She-Hulk demonstrate her command of the orchestra and thematic skills, making her a perfect choice for a future Jurassic movie.


Sarah Schachner

Composer of the Predator franchise film Prey Sarah Schachner is next on our list. She also created the scores for The Lazarus Effect, Call of Duty: Modern Warfare I & II, Assassins Creed: Valhalla, Anthem, and multiple other video games and series. She has experience adapting previous thematic material into new projects with Prey while simultaneously creating something fresh and new. On top of her experience in the science-fiction realm, her video game music is top-notch, emotional, and action-packed – she could be a great musical fit for the next Jurassic.


Leo Birenberg & Zach Robinson

Jurassic World: Camp Cretaceous composer Leo Birenberg would be a solid talent to call upon for the next Jurassic film. His work over 5 seasons and 50 episodes of the show contain some excellent Jurassic music, fitting in perfectly with the island settings and dinosaurs throughout. He and his scoring partner Zach Robinson have worked recently on Cobra Kai, Twisted Metal, and Weird: The Al Yankovic Story. Their modern style with familiar orchestral elements could work well with a modern Jurassic story, not to mention, having another composer with a bit of Jurassic experience would be great!


Hans Zimmer

The next composer finds himself on our list in part because he has experience working with director Gareth Edwards on his latest feature The Creator. No doubt you’ll recognize the name of legendary musician and film composer Hans Zimmer! He’s created countless iconic scores for films like Pirates of the Caribbean, The Lion King, The Dark Knight, Inception, Interstellar, Dune, and Gladiator (to name only a few). His music from Backdraft was used in an incredible trailer for The Lost World: Jurassic Park, so technically he has touched Jurassic before! His connection to Gareth and iconic, engrossing music are big upsides, and while his more modern style doesn’t really fit Jurassic at all in my opinion, his more orchestral music in the past would give me hope if he were chosen to score the next Jurassic.


James Newton Howard

James Newton Howard: composer for amazing films like Disney’s Dinosaur, Atlantis, The Hunger Games, Signs, and the 2005 King Kong remake – has a strong musical argument to score a Jurassic film. Howard’s music exudes adventure and suspense in its brass fanfares, sweeping strings, and the overall power he provides the orchestra with his writing. He’s written breathtaking music for dinosaurs more than once already, but is also clearly able to create chilling and exciting music for science fiction, fantasy, and adventure stories. Listening to his score for Dinosaur recently… I would be very excited at the prospect of his take on a Jurassic score.


Kara Talve and Anže Rozman

Composers Kara Talve and Anže Rozman are no strangers to creating music for dinosaurs in wild global habitats. Their score for the AppleTV+ series Prehistoric Planet is massive, grand, and majestic, and they even created their own dinosaur instruments to add to the orchestra! Outside of dinosaurs their work, both separately and together, ranges from The Simpsons to Faraway Downs to BBC’s The Planets. Kara and Anže enjoy creating excitement and wonder with their music, and the vast emotional and stylistic range in their Prehistoric Planet score alone provides an intriguing foundation should they ever get the opportunity to score a Jurassic project.


Natalie Holt

Another composer who has followed in John Williams’ footsteps while also paving a path of her own is Natalie Holt. She took on the Star Wars universe with her score for the Obi-Wan Kenobi series, and has also scored exciting projects like The Princess, Marvel’s Loki series, Knightfall, and a project unfortunately shelved by idiot execs at Warner Brothers, Batgirl. Regardless, she did a fantastic job carrying on John Williams’ styles and themes in Obi-Wan Kenobi. That and her engaging, mysterious style on Loki would have me very intrigued to hear her take on some Jurassic music.


Joe Kraemer

Mission Impossible: Rogue Nation, Jack Reacher, and The Man Who Killed Hitler and Then The Bigfoot all boast music by composer Joe Kraemer. While those titles may not sound too related to Jurassic, their music certainly is. Kraemer’s grasp of traditional orchestra and use of brassy motifs and rhythmic strings could be great for a Jurassic adventure. His somewhat old-school approach to huge action set pieces and more intimate moments of espionage in Mission Impossible followed by the danger and uncertainty his music aids in Jack Reacher could pair very well with a science fiction dinosaur story likely filled with international intrigue and suspense.


Alexandre Desplat

Last on our list, but certainly not least, is Alexandre Desplat – a solid orchestral composer who is extremely creative thematically and in his choice of instruments. Not to mention, he’s worked with the man, the myth, the Gareth on a reptile movie before! His score catalog speaks for itself with intense and bombastic action music for Godzilla, sweeping, emotional music for the final two Harry Potter film installments, and quirky, tunes for many Wes Anderson films. He also created suspenseful, yet poignant music for The Shape of Water, and engaging thriller music for Argo. My gut says the next Jurassic score has a good chance of coming from the mind of Desplat – his experience with director Gareth Edwards is valuable, and his ability to work an orchestra to create captivating, thematic music no matter the genre could make a flawless pairing with Jurassic.


So, that’s our list of the top composers we think could score the next Jurassic – Jurassic World 4. However, there are a few honorable mentions who may also find their way to a new Jurassic project in the future: 

Jongnic Bontemps (affectionately know as JB), composer of Transformers: Rise of the Beasts.

Henry Jackman, Marvel and Jumanji composer.

Ludwig Goransson, known for his sweeping hybrid scores for Black Panther, The Mandalorian, and Oppenheimer.

Christophe Beck, composer of Marvel projects and other great orchestral works.

John Powell of How to Train Your Dragon, Bourne, and Solo: A Star Wars Story fame.

And of course, a name that could still happen for Jurassic, Michael Giacchino, whose bombastic, sweeping, and epic music left a large dinosaur footprint on the Jurassic World trilogy. Giacchino has been the Jurassic composer for three films in a row – would it make sense for him to simply continue? He started out in the world of Jurassic by scoring The Lost World and Warpath: Jurassic Park video games before making his way onto bigger things. Similarly, Amie Doherty and Leo Birenberg have composed music for smaller Jurassic projects, and it could be a perfect time for them to move onto bigger projects as well. While I’m hoping for some new blood in the Jurassic musical world, Giacchino’s experience with Jurassic and Gareth Edwards keeps him in the possible conversation going forward.

But, we’ll have to see which composer nature (or the producers and studio) chooses to create the music for the next Jurassic story.

Who do you think should be the composer for Jurassic World 4? Who did we miss on our list? Let us know your thoughts in the comments!

‘The Lost World: Jurassic Park’ Soundtrack By John Williams Gets A New 2-CD Release!

‘The Lost World: Jurassic Park’ may not have the same cultural impact as ‘Jurassic Park,’ but it features one of composer John Williams’ most intense and exciting music scores. Loaded with percussive action, memorable jungle rhythms, and alluring atmosphere, this score holds a strong identity for the entire franchise. Now, over 25 years after it premiered, this incredible music score gets a definitive release in a brand-new 2-CD set from La-La Land Records. But how definitive is it, and what sets it apart? To find out, let’s embark to this “lost world” together!

In 1997, the soundtrack was released on CD in the form of a 69-minute album via MCA records (also available on audio cassette). John Williams assembled this 1-CD release himself, combining some cues together to form certain tracks, and arranging it all in his own personal sequence. While this album featured a large chunk of the score it did leave off several cues that were heard in the film. Some of these were favorites of those who had seen the film, expecting to find them on the album but ending up disappointed.

Interesting to note is that the CD version of this album featured a pop-up foldout display and housed the CD within its cardboard assembly. It was called, fittingly, a “3D Dinorama”. Collectors often criticized the packaging due to it falling apart easily, but worst of all, it would scratch the CD if not removed carefully. The cassette version had a 2D paper foldout-only version of the same scene as well. A Taiwan CD release also included a digital “Tamagotchi-styled” dinosaur pet. While the 1997 CD Album is now out of print, it can at least be bought for relatively cheap prices in the secondary market and is also easily available for digital purchase.

This same music program was replicated in the year 2000 for a CD re-release of the score. It was included in a neat “Collector’s Edition” set with the films and soundtracks for ‘Jurassic Park’ & ‘The Lost World: Jurassic Park.’ It featured unique cover art that mimicked the DVD release at the time. Unlike the 1997 version, there is no 3D Dinorama and it is instead housed in a typical jewel case. For a long time, many collectors would seek this version of the album for this reason alone.

Finally, in 2016, La-La Land Records released a 2-CD expanded and remastered edition for the first time, as part of a 4-CD collection that had included John Williams’ score to ‘Jurassic Park’ (also expanded and remastered). Apart from the remastering, La-La Land Records also went back to the original elements and provided every cue of the score for the very first time. This was a godsend for fans after yearning for the missing cues for so long. This included “On The Glass”, when Sarah Harding is terrifyingly on the glass portion of the Mobile Lab as it hangs over a cliff; “Ripples”, when the T-Rex parents make their attack on the hunter’s camp; and the intense conclusion in the abandoned village as the raptors’ chase after our heroes in “High Bar and Ceiling Tiles”.

While many units of the 2016 set were produced, it did eventually go out of print. This led to second-hand sellers taking over the reins of offering this CD release to people online, often selling for well over $100. The perfect sound quality and the complete score presentation it contained was otherwise hard to find for fans of the score that wanted more than the 1997 or 2000 albums had to offer.

Now seven years later, La-La Land Records returns with a brand-new 2023 re-release. Only this time, it is focusing on just ‘The Lost World: Jurassic Park,’ with some additional improvements to truly make this be the definitive release of this thrilling score:

La-La Land Records, Universal Pictures and Amblin Entertainment, Universal Music Group and Geffen Records present THE LOST WORLD: JURASSIC PARK, a limited 2-CD re-issue presentation of maestro John Williams’ (JAWS, E.T., JURASSIC PARK) original motion picture score to the 1997 blockbuster THE LOST WORLD: JURASSIC PARK, the first sequel in the legendary JURASSIC PARK franchise, starring Jeff Goldblum, Julianne Moore and Pete Postlethwaite and directed by Steven Spielberg. Maestro Williams’ sensational and powerful orchestral score thrills and awes, ranking as one of the composer’s most celebrated and unique works. Produced, edited and mastered by Mike Matessino, the 96k/24 bit master files utilized in our previous 2016 collection have been newly output and remastered, including minor sonic improvements throughout. Newly added to this 2-CD expanded reissue are never before released takes of “On The Glass,” “Rescuing Sarah” and “The Raptors Appear,” all featuring alternate instrumentation, plus the unique film version of “Ripples.” The 28-page CD booklet features liner notes by Matessino (adapted from our 2016 collection) and the new art design is by Jim Titus. This is a limited edition of 5000 Units.

This release’s additional new bonus tracks make or an appealing reason for super-fans of the score to seek it out! The first new track is a partial alternate (the second half) of “On The Glass.” It covers the section where Eddie is arriving and trying to figure out how to save the characters hanging over the cliff. It’s mostly just an alternate performance with some other unique touches. The alternate for “Rescuing Sarah,” the sequence where Eddie uses his car to pull the trailer as Sarah and the others attempt to climb the rope, is not only a quite different performance but also feels more subdued and eerie. The percussion feels less active, and features what the sheet music calls “a low animal moan” and “synth breaths” in prominent ways that add to this unique version.

The film version of “Ripples” is an interesting one. The middle of this cue is where the alterations happen, but not from an alternate performance. It was created editorially, using isolated elements of the orchestra and synths to create a unique version that removes most of the active percussion and instead builds on a rhythmic pulse-pounding escalation with strings into the T-Rex’s attack at the campsite. While John Williams apparently did not create this alternate version, it was memorable in the film for many people and was included this time since there is no viable way to re-create it without having access to isolated elements of the score. Lastly, the alternate for “The Raptors Appear” is a completely different performance and features unique mixing, the removal of certain elements (like the swelling gong when the first raptor attacks), but the additions of others (different wild percussion, slashing strings, and a different “crying sound”).

Overall, these new additions give fans of the score incredible new insight into the process of its creation! It is also noteworthy that some of these alternate versions have been featured at Universal Studios Islands Of Adventure theme park in Orlando! The overall sound quality of the entire release also sounds slightly better (although not as punched-up in the mastering, which may be a positive or a negative depending on how loud one likes the quieter moments of the score), and features some smoother transitional edits such as “To The Island” and the mid-section of “Rescuing Sarah.”

The booklet included in this release is very much the same as the one from the 2016 release, but only focuses on ‘The Lost World: Jurassic Park’ this time. The cover is of course different (with a striking cityscape against the Rex skeleton!), making it unique enough to stand on its own. There are some additional credits this time as well, including a special thanks to Jurassic Outpost friend Bernard A. Kyer!

By far the most important aspect of this release isn’t what is new, but simply the fact that it is available again. Generations of old and new film score fans, and even those who would like to study such a masterful score as this, should have a comprehensive presentation that is accessible. As good as the previous releases were for their time, having every single cue available, and now different variations of them, is integral for preserving this important milestone of music.

If you have never purchased the music score to ‘The Lost World: Jurassic Park’ before, this release is a massive no-brainer. It is a fantastic release, finally back in print and with some great new inclusions. If you only have the 1997 Album (on CD or digital), the additional music alone makes it worth the price. For those that have the 2016 CD set paired with ‘Jurassic Park’… I can understand skipping this, despite the improvements and some new alternate tracks. Those extra perks may not be enough to fully justify shelling out more money for it again, but that will just depend on who you are.

Since this is one of my favorite music scores of all time, from my favorite film franchise… the choice was pretty easy. This new edition is a must-have. And who knows, perhaps ‘Jurassic Park 3’ will similarly be revisited next? We can only hope!

But don’t just take my word for it. Listen to some of the clips for yourself below! Then, be sure to order your copy today from La-La Land Records!

TRACK LISTING (with select sound clips):

DISC 1

SCORE PRESENTATION

1. The Lost World 3:33

2. The Island’s Voice 3:34

3. Revealing the Plans 2:17

4. To the Island 3:39

5. The Stegosaurus (Extended Version) 5:28

6. Fire at Camp and Corporate Helicopters 3:20

7. The Hunt 3:35

8. Big Feet 1:40

9. Spilling Petrol and Horning In 5:06

10. Up in a Basket 3:24

11. In the Trailer 2:20

12. On the Glass 4:04

13. Rescuing Sarah (Extended Version) 5:09

14. Reading the Map 3:07

15. The Trek 5:24

16. The Compys! 4:29

17. Ripples 5:50

18. The Long Grass 2:29

Disc 1 Total Time: 68:58

DISC 2

SCORE PRESENTATION (Continued)

1. Finding Camp Jurassic 3:04

2. The Raptors Appear 3:42

3. High Bar and Ceiling Tiles 4:10

4. Heading North 2:12

5. Ludlow’s Speech 3:14

6. The Wrecked Ship 2:22

7. Monster on the Loose 2:36

8. Visitor in San Diego (Extended Version) 7:40

9. Ludlow’s End 2:51

10. Tranquilizer Dart 3:00

11. Jurassic Park Theme (End Credits) 5:30

Total Score Time: 109:25

ADDITIONAL MUSIC

12. The Lost World (Alternate) 3:34

13. On the Glass (Alternate Excerpt) * 2:18

14. Rescuing Sarah (Alternate) * 5:07

15. Ripples (Film Version) ** 5:51

16. The Raptors Appear (Alternate) * 3:41

17. Tranquilizer Dart and End Credits (Film Version) 4:53

Disc 2 Total Time: 66:00

Total Additional Music Time: 25:33

Total Two-Disc Time: 2:15:00

*previously unreleased

**contains previously unreleased material

Still available from La-La Land Records is their 2-CD remastered/expanded reissue of ‘Jurassic Park! Don’t miss your chance to own the ultimate version of that score as well, and if you haven’t already: check out my review on that soundtrack & its release history!

NOTE: At the time of posting this article, the soundtrack is temporarily out of stock directly from La-La Land Records. They are awaiting for the next pressing of discs to arrive. If temporarily unavailable there, it can also be purchased from other reliable soundtrack CD venues, such as Screen Archives and The MovieMusic Store.

Are you going to get this new release of music from ‘The Lost World’? Would you like La-La Land Records to tackle ‘Jurassic Park 3’ next? Share your thoughts in the comments below, and as always stay tuned to Jurassic Outpost for the latest!

Universal Re-Releases Islands of Adventure Soundtrack

When Universal’s Islands of Adventure opened to the public in 1999, guests experienced fully immersive lands with unique characters, stories, and rides. Guests were literally thrown into unique and captivating adventures with many of their favorite characters and stories. An incredibly important part of the journey that the guests experience is the unique music for each land that could only be heard in the parks, or if you were lucky to snag a physical copy of the soundtracks (regular or the 2000 special edition.)

Until now, that is!

After teasing the release for several days, Universal officially released their Islands of Adventure soundtrack online for everyone to enjoy! Their playlist includes twenty songs, all of which serenade guests as they make their way through the various islands and attractions at the theme park. This includes specialty music written and composed for the Jurassic Park portion of the park!

The tracklist is as follows:

1. “The Call to Adventure / Main Theme”
2. “Confisco’s Grill”
3. “Ocean Trader Market”
4. “Welcome to Seuss Landing”
5. “The Cat in the Hat”
6. “Circus McGurkus Cafe Stoo-Pendous”
7. “The Lost City”
8. “Sinbad Bazaar”
9. “Merlin Woods Plaza”
10. “Jurassic Park Calypso
11. “Camp Jurassic
12. “Thunder Falls Terrace”
13. “Toon Walk”
14. “The Wacky World of Jay Ward”
15. “Popeye’s Sweethaven”
16. “The Funny Business” 2:00
17. “Marvel Super Hero Island Main Street” 2:47
18. “Doctor Doom” 2:31
19. “Banner’s Science Park” 2:07
20. “The Adventure Lives On” 3:39

While the digital album/playlist includes [most] of the original music that was made specifically for Islands of Adventure, it does not include licensed ambient music that is also present in the park. So, the music surrounding rides and lands like Reign of Kong, or the Wizarding World are absent, as well as all of the extended Jurassic Park and The Lost World tracks heard in and around the Jurassic area.

There is also no word, as of yet, if Universal plans on releasing the album on other digital outlets like iTunes or Spotify, or if they plan on having a physical copy re-release. We surely hope for all of the above! Especially with the very successful collectible Halloween Horror Nights vinyls that have been released over the last few years, a physical copy seems like a no-brainer!

Would you get a copy of the Islands of Adventure soundtrack if Universal released physical copies? Are you hoping that it comes to Spotify or iTunes? Let us know in the comments below!

Jurassic World Primal Ops Composer Nominated for SCL Award

Released in early 2022, Jurassic World Primal Ops is an action-combat mobile game filled with dinosaurs. Almost a year later, composer Winifred Phillips‘ musical score for the game has been nominated in the “Outstanding Score For Interactive Media” category at the 2023 SCL (Society of Composers & Lyricists) Awards!

Original Video Game Score composed by Winifred Phillips

“A listening experience that’s both fun and sophisticated!”

– Film Score Monthly

“Video game composer extraordinaire Winifred Phillips has composed an exciting score for the game!”

– BuySoundtrax

Winifred Phillips is an award-winning, BAFTA nominated composer whose credits include titles in six of the biggest franchises in gaming: Assassin’s Creed, God of War, Lineage, LittleBigPlanet, The Sims, and Total War.

Click here to listen to the entire score, which is exciting, fun, and very Jurassic!

Jurassic World Primal Ops – Score by Winifred Phillips

Click here to read more about the Jurassic World Primal Ops game.

Are you a Jurassic World Primal Ops player? What do you think about the music? Let us know in the comments!

“Jurassic World: The Ultimate Visual History” Book From Insight Editions Dazzles With Fantastic Images & Recollections!

Last year, ‘Jurassic Park’ fans were gifted with the “Jurassic Park: The Ultimate Visual History” book from Insight Editions. While it may not have entirely lived up to what die-hard fans were hoping for, it was overall a great summation of the behind-the-scenes stories for the original ‘Jurassic Park’ trilogy. The entire book was also illustrated with loads of pre-production artwork & rare photographs from all three films, making it a beautiful (but deadly?) addition to any fan’s collection. They also produced a very cool cookbook & children’s book that are also worth checking out.

On October 25th, Insight Editions will release a brand-new book showcasing the making of the ‘Jurassic World’ trilogy with “Jurassic World: The Ultimate Visual History“.

Celebrate one of the most thrilling franchises of all time with this in-depth look at the making of the Jurassic World trilogy. Following the release of director Colin Trevorrow’s smash hit Jurassic World in 2015, the dinosaurs of Isla Nublar once again dominate the public imagination. Jurassic World: The Ultimate Visual History is the definitive account of the franchise – and a companion book to Jurassic Park: The Ultimate Visual History (released in 2021) – delivering a comprehensive look at the making of the first hit film as well as its thrilling sequels Jurassic World: Fallen Kingdom (2018) and Jurassic World Dominion (2022). Through rare and never-before-seen imagery and exclusive interviews with key creatives, the deluxe volume explores the entire creative process, from the films’ stunning dinosaur designs to the epic location shoots and the creation of the films’ incredible visual effects.

The book also includes sections on the DreamWorks Animation animated series ‘Jurassic World: Camp Cretaceous’, various games, toys, theme park attractions, and even the short film ‘Battle At Big Rock’. This is the first time any of the ‘Jurassic World’ films have received a behind-the-scenes book, which already makes it vital for this reason alone. But is it truly a “definitive account of the franchise” for this trilogy of films, or is it met with some the same (perhaps nitpicky) issues found in the previous book? Let’s have a look!

WHAT’S GOOD?

               VISUAL & WRITING STYLE

Just like in the previous ‘Jurassic Park’ version, this book is visually pleasing. It’s filled with as much colorful artwork and photographs as possible. The text is neatly placed within it all, and nothing ever feels too crammed or out of place. The previous book had more going on with the borders around each page, whereas this ‘Jurassic World’ version has a more barren approach. It simply features gray tabs on the sides with gray/amber-tinged headlines for each new section. This simpler approach feels appropriate with the sleeker look of the films themselves, particularly the first ‘Jurassic World’ and its park’s design.

The writing itself is clear and precise, which is vital in stitching together different information from different sources. James Mottram, who also penned the previous book, weaves the information into a distinct fabric to tell its story.

               EXCLUSIVE INTROS/OUTROS

This book includes a foreword by Bryce Dallas Howard (“Claire Dearing” in the trilogy), introduction by Colin Trevorrow (director of ‘Jurassic World’ & ‘Jurassic World: Dominion’, writer of the trilogy), preface by J.A. Bayona (director of ‘Jurassic World: Fallen Kingdom’), & an afterword by Frank Marshall (producer of the trilogy). Mysteriously absent from this list is Chris Pratt, but I suppose he is too busy voicing Mario these days. These exclusive passages are great bookends for the entire presentation, with each person adding their own personal tribute. They even reveal fun information, like J.A. Bayona as he details Michael Giacchino‘s fantastic music score for ‘Fallen Kingdom’:

One of my most cherished memories from making Fallen Kingdom was working with composer Michael Giacchino. We spent hours talking about film music and listening to soundtracks. There was one specific piece of music we paid attention to: Bernard Herrmann’s work for Mysterious Island (Cy Endfield, 1962). Our common goal while venturing into the musical tapestry of our movie was expressing our love for this kind of film. When I listen to Michael’s music for Fallen Kingdom, I sense our mutual desire to travel back in time and bring back the same unparalleled fascination and heartwarming happiness that those movies gave us.

               FANTASTIC COLLECTION OF IMAGES

While many of the book’s images have been revealed online over the years by various concept artists who worked on the films, it is still great to have them all cobbled together in one book as the trilogy’s history is told. Even better, there are some art and photographs that have never been seen before! Here is just a tease of what to expect!

               NEW & OBSCURE INFORMATION

Making a book like this requires many sources for quotes, stories, and other information. Website articles, television interviews, Blu-Ray bonus features; everything was sifted through to collect the data. While some, maybe even a lot, of the details could be considered “old news” to people deeply invested in this trilogy’s history, it is all well-arranged while even including new details sprinkled throughout. [NOTE: I will be honest and admit I am not as familiar with the history of the ‘Jurassic World’ trilogy as I am with the ‘Jurassic Park’ trilogy, so forgive me if any of this is not truly “new”.]

For ‘Jurassic World’, some of these fun new details include Derek Connolly never having seen a ‘Jurassic Park’ movie before when he was tasked with co-writing the script with Colin Trevorrow; production designer Ed Verreaux had sent his art department team to the Universal Studios theme park in Hollywood to photograph everything (including signage) to see what they wanted their fictional park to resemble; and concept artist David Lowery came up with an unused idea for a “Pteranodon Terrace” where guests traveled in glass gondolas hanging from a huge cable that stretched across a vast expanse of jungle (and included “food Frisbees” that would be shot out of the gondolas and snapped up midair by the flying reptiles.). However, one of the most exciting new details for me was a little more about the script written by Rick Jaffa and Amanda Silver right before Trevorrow & Connolly were brought in to pen their draft.

Spielberg also wanted to revisit the idea of a hero character capable of training and commanding dinosaurs. These ideas manifested in the character Vance who, in the Jaffa/Silver draft’s opening scene, is seen jumping out of a helicopter with a pack of trained raptors and landing in a compound belonging to a Colombian drug dealer. Although [John] Sayles used the bipedal Deinonychus in his draft, Spielberg felt that the physically similar Velociraptors, first seen in Jurassic Park, would be a better fit for the role. The story also focused on a Chinese paleontologist who visits the now-open Jurassic Park with her sons. The scientist has a secret agenda, believing that the park’s owners have stolen DNA from bones she unearthed of a previously undiscovered dinosaur—the Malusaurus. The corporate side of the park is run by Whitney, a female manager who views the dinosaurs as commodities and nothing more. Inevitably, the Malusaurus created using the stolen DNA escapes from its enclosure, and Vance must use his raptors to hunt it down.

‘Fallen Kingdom’ includes interesting tidbits, such as Benjamin Lockwood originally having very little connection to John Hammond and the past of ‘Jurassic Park’; in its original draft they went from Isla Nublar to England where a small village gets destroyed by dinosaurs (until Steven Spielberg told them there was no credible way to make that journey happen); and the film’s fantastic opening sequence was originally just over a single page in the script, with Bayona fleshing it out further with an extended climax on the helicopter ladder while also adding Jurassic staples (like the pouring rain and the yellow raincoat worn by the tech that resembles Nedry’s apparel from Jurassic Park). The film’s title itself (along with the next film’s) proves to also have its own unique history:

“I wanted to call [the first film] Jurassic World. And the second one was Jurassic Earth, and then the third Jurassic Kingdom. The studio was like, ‘You can’t keep changing the title of the movie. You already did it once.’” Taking Universal’s feedback into consideration, Trevorrow decided to combine the overall franchise name with a subtitle, taking the word kingdom from his proposed third film and adding it to fallen, suggesting the decline of the dinosaurs’ domain.

Even the small section on the short film ‘Battle At Big Rock’ gets a nice detail on its inspiration: a YouTube video titled “Battle at Kruger“, in which tourists witness a water buffalo being attacked by lions and an alligator.

The section on ‘Dominion’ reveals that a scene featuring Daniella Pineda (Zia Rodriguez) had to be recast with another actor, Varada Sethu, when COVID restrictions kept her from being able to leave another production she was on; production designer Kevin Jenkins ensured that the equipment seen in BioSyn’s abandoned amber mines displayed 1990s-style Biosyn logos, a detail reminiscent of the old rivalry between the company and InGen (although I suppose footage containing it must have been cut, because I can’t seem to spot it in either version of the film); and animatronic creature effects artist John Nolan took inspiration from Frontier Developments’ 2018 video game ‘Jurassic World: Evolution’ to get a better sense of the Dilophosaurus’s locomotion for the film. In fact, Nolan’s team had created a device that would allow the animatronic version of the dinosaur to travel on a dolly track with eleven puppeteers following behind it using levers, rods, and cable controls to create the dinosaur’s walk. However, Trevorrow was not happy with the result. But perhaps one of the biggest pieces of interesting information involved our favorite clone girl, Maisie.

When it came to casting the role of Maisie’s mother, Charlotte Lockwood, Trevorrow considered using digital tools to graft Isabella Sermon’s face onto a body double and age her features appropriately. However, during a casting section for the body doubles, he made a remarkable find. “I had been given a set of faces whose bone structure was similar enough to Isabella Sermon’s,” says Trevorrow. Among those faces was Irish-born Elva Trill. As Trill began reciting lines with the director, he quickly came to realize that she would be perfect as Charlotte and abandoned the digital augmentation idea. “I’ve never seen an actor come in and just grab a role by being so good,” says Trevorrow.

The section near the end of the book that details ‘Camp Cretaceous’ scored some of its own interesting details, such as the showrunner’s original plan to feature Owen Grady and Claire Dearing; there was an early version of the story where Ben doesn’t survive past Season 1; and most interestingly how the originally intended final shot of the film trilogy was instead used as the final shot for this series:

Camp Cretaceous also brought Trevorrow full circle, back to his early meetings with Steven Spielberg when he pitched the arc of the Jurassic World franchise, which would ultimately lead to dinosaurs entering our everyday lives. Specifically, the image of a child looking out his window on a suburban street and seeing a traffic jam caused by a Brachiosaurus at an intersection. “We actually ended up making that the very last shot of the entire [Camp Cretaceous] series,” says Trevorrow. “After nine years, that idea found its way back into the story.”

               THE INSERTS

As usual with Insight Edition’s Visual History books, there are numerous “inserts” on certain pages that feature unique items. While some are still applied with an adhesive per the previous book, many of the inserts this time are more technically “part of the book” and not meant to be removed entirely. Some are just meant to be unfolded beyond the confines of the book’s dimensions, while a few are even in the form of actual booklets to flip through. The only real negative is that it is focused more on the first film than the rest. Here is a complete list of what you will find:

From ‘Jurassic World’: Poster art advertises Jurassic World’s Gyrosphere ride; Storyboards by David Lowery from an early iteration of Jurassic World’s evolving storyline; A map of Isla Nublar showing the island’s topography and the location of Jurassic World; Dr. Wu’s Jurassic World security pass; Concept art by Glen McIntosh for Jurassic World’s petting zoo; The sketches that Steven Spielberg drew for Colin Trevorrow to illustrate his feedback on the Indominus rex breakout sequence; A tourist map of Jurassic World highlights the theme park’s attractions; & Storyboards by Glen McIntosh for the scene in which the raptors pursue a pig in the Raptor Research Arena.

From ‘Fallen Kingdom’: Raptor movement study by Glen McIntosh; A sticker sheet featuring production design art created for the Dinosaur Protection Group; & Production design art for the jacket of Dr. Ian Malcolm’s book, God Creates Dinosaurs (not actual size).

From ‘Battle At Big Rock’: Concept Art Booklet.

From ‘Dominion’: Storyboards by Glen McIntosh for Jurassic World Dominion’s prologue scene & Malta Concept Art Booklet.

From ‘Camp Cretaceous’: Concept Art Booklet.

WHAT COULD HAVE BEEN BETTER?

A fan wouldn’t be a fan without needing to nitpick, right? (Don’t answer that.) Despite being mostly pleased with this book, there are still a few areas that could have been improved upon (perhaps in a revised edition, which Insight Editions have done before).

               WHAT ABOUT ‘JURASSIC PARK 4’?

The opening of the book does briefly go into ‘Jurassic Park 4’ (the obvious working title before it eventually was named ‘Jurassic World’), mostly delving into some details on the John Sayles script and then eventually a little more about Jaffa/Silver’s script before Trevorrow/Connolly did their own version. But what about the rest? There were numerous versions of the film, by other writers, that were tackled in the 14 years between ‘Jurassic Park 3’ and ‘Jurassic World’. Given that it was such a long range of time where the studio kept throwing ideas around to try to make things happen, most of it shrouded in secrecy, this had been one of my most anticipated sections. Instead, it was only a few pages, and generalized.

Also, while they mention the dinosaur/human hybrids, it’s a shame that none of the wild concept art (that has been online for many years) was included at all. Perhaps they couldn’t get the rights to feature them?

Speaking of art from this period: where was John Bell‘s art? Last year’s book featured loads of art by Bell for the original trilogy, plus a tease of two pieces of artwork he did for ‘Jurassic Park 4’. And yet, this book didn’t feature any of it. This is another case where the art has been online for years, on Bell’s very own site. And there is some fantastic stuff, including his concepts for gyrospheres and even a version of the park’s map that perhaps coincided with the Jaffa/Silver script. This book even mentions Bell in the “special thanks” section, making the exclusions even more mystifying.

               OTHER OMISSIONS

Look, I get it: this book can’t be 1,000 pages long like all of us die-hard fans would like it to be. Putting the complex histories of three massive films into one book is a huge undertaking (just like it was in the previous book). Still, there were some things I wish had been mentioned or visually included in this book. Because when and where else would it be, apart from random online articles & videos that eventually get buried with the rest? Perhaps that’s why some of these details were possibly missed to begin with?

Seamus Blackley, the creator of the XBOX and the ‘Lost World’-related game ‘Trespasser‘, had pitched a video game that he titled ‘Jurassic World’ (before anyone else); which would later inspire several ideas for the new film trilogy. None of this important revelation is mentioned at all (although to be fair it wasn’t publicly known until very recently). Also for ‘Jurassic World’, there is no mention of the “Stegoceratops“: a second hybrid dinosaur that was originally planned to be in the film, and even had a toy made for it!

The previous book had spent a lot more time detailing most of the different scripts for the films. This book does this at times but to a lesser degree. While it was nice to learn a little more about the Jaffa/Silver script for example, it still just grazed the surface. And since this script can’t be found anywhere online currently, a more detailed summary would have been amazing. For example, was the concept art that was shown in one of the Blu-Ray bonus features (and not in this book) of the Indominus attacking a robotic T-Rex coming out of a waterfall (ala ‘Jurassic Park: The Ride’) something from this script?

               MORE LOVE FOR THE SEQUELS

This is another reoccurring issue, but it just feels like more focus is given to the first film of the trilogy (despite me just complaining I wanted more from it!) with less invested in the sequels; ‘Fallen Kingdom’ and ‘Dominion’. More details about their different scripts, more inserts related to them (A pull-out Hammond painting from ‘Fallen Kingdom’ would have been awesome!), or even the mention of certain deleted scenes we know were filmed thanks to still images (that aren’t in this book): such as Iris’s death from the Indoraptor & a dead/decayed Stegosaur that Owen and his team come across as they search for Blue on Nublar.

According to more “hush-hush” behind-the-scenes stories, we also know that ‘Fallen Kingdom’ was going to originally involve Isla Sorna, a ‘Gene Ship’ for Wu’s experiments, and more of Ian Malcolm. He was going to try and sabotage the rescue mission on the Arcadia! ‘Dominion’ was originally going to be two films that would have been filmed at the same time. But again, none of these details are brought up.

In an ideal world, each film in the series would have gotten its own book. This would have allowed much more breathing room to fully explore all these things, and more. Perhaps that is just not economically feasible anymore, even for a big franchise? Especially when, let’s be honest, the sequels in each trilogy are not as popular or well-regarded as their first entries. While a slew of die-hard fans would have clamored for a ‘Fallen Kingdom’ making-of book, for example, is it really something that would sell well? Especially now? Sometimes these sorts of “package deals” are the only way to at least get what we are able to.

SO, SHOULD I GET IT?

I think ‘Jurassic World’ fans should absolutely get this book. My complaints, as you’ve read, only really dwell with what isn’t in it. While the omissions are disappointing, it isn’t so egregious that it takes away from what is included. There’s a wealth of information, concept art, photographs, and nice inserts (the “concept art booklets” being my favorite) that are all woven together wonderfully. In most ways it improves upon their ‘Jurassic Park’ book, and in retrospect I may have originally been a little too critical on it. But if being a little harsh helped make this book better, well, that’s why I still felt the need to point some things out this time, too.

What I didn’t expect to feel while reading and looking through this book was how much nostalgia it gave me. The first film in this trilogy is nearly a decade old, and it’s crazy how time flies. Books like Jurassic World: The Ultimate Visual History help preserve these films beyond the screen, along with all our memories that come with them.

The feelings we had in anticipation for these films, the news as details were revealed, the organized screenings every time they came out, and the events we attended where other people obsessed with this series finally felt like they belonged. Friendships made, perhaps even hearts broken, or miraculously the bond of marriage formed. We all have our stories. And when you go through these pages, I can almost guarantee that at least one image, maybe something obscure not literally in the film that you would never expect to elicit an emotion, reminds you of a time that once was. And you remember your place in that time, and perhaps realize just how different you are now; or the same.

This trilogy, and our time in it, is over. But like everything in nature, it will evolve. And so will you.

What are some of your favorite memories related to the ‘Jurassic World’ trilogy? Did you go to a fun event, see any of the films with someone you loved, or make new friends because of it? Share your thoughts in the comments below, and may the joy you have for these films never go away!

ADDENDUM: In celebration of the release of “Jurassic World: The Ultimate Visual History”, Insight Editions presents author James Mottram in conversation with Jurassic World Animation Director/Paleoartist Glen McIntosh. Discussion moderated by Derrick Davis, Writer at Jurassic Outpost & Creator of Jurassic Time! Intro/Outro by Insight Edition’s Marketing & Publicity Strategist Amanda Hariri. Live Book Release Event via Crowdcast (10/25/22).

‘Jurassic Park’ Soundtrack By John Williams Gets A New 2-CD Release!

‘Jurassic Park’ has an earth-shattering music score that fans have never forgotten. The memorable themes expertly crafted by composer/conductor John Williams are filled with wonder, action, and intense horror that are forever engrained in our ears. Now, nearly 30 years after it was originally heard, the music score to the classic film gets a definitive release in a brand-new 2-CD set from La-La Land Records. But how definitive is it, and what sets it apart? To learn that, let’s have a little “history lesson.”

In 1993, the soundtrack was released on CD in the form of a 70-minute album via MCA records (also available on cassette and LP). This 1-CD release was assembled by John Williams himself, combining some cues together to form certain tracks, and arranging it all in his own personal sequence. There were some rather interesting decisions made in this arrangement. For example, the actual “End Credits” from the film happen in the middle of this album, titled as “Welcome To Jurassic Park.” Then at the end of the album the track titled “End Credits” is actually just the second half of the same cue. Why? We shall perhaps never know, but it is a very curious choice. While this album featured a large portion of the score it did leave off several cues that fans of the film sorely missed. But overall, it was a fantastic representation.

This same program was replicated in the year 2000 for a CD re-release of the score. It was included in a neat “Collector’s Edition” set with the films and soundtracks for ‘Jurassic Park’ & ‘The Lost World: Jurassic Park’. It featured unique cover art that mimicked the DVD release at the time.

Thankfully, in 2013, many of the missing cues from the score were introduced as bonus tracks for a digital-only 20th Anniversary Release by Geffen Records. Not only was this an expanded release, but it also featured a brand-new remaster. (Note: Mondo Records also did a limited-edition LP release of this remaster, sans the bonus tracks.) Several of the previously unreleased cues were combined (despite chronologically being from different scenes), and in some cases omitted the tail end of some of the music. These included the “T-Rex Chase”, when our favorite Rex goes after Ellie and the others in the Jeep; the “History Lesson” Tim gives Grant as they attempt to decide which tour car they want to go in; and Mr. DNA’s whimsical music as he is “Stalling Around” in his cartoon while explaining how they obtained dino-DNA. One of the most interesting additions was actually “Hungry Raptor,” which was the original version of the music for when Ellie is attacked by a raptor in the shed; followed by Muldoon’s death. In the film, only the middle portion of this cue is used, with the rest using music “tracked” from other scenes. Amusingly enough, the opening of the cue was first publicly heard during the end credits of the original ‘The Making Of ‘Jurassic Park” documentary that was narrated by James Earl Jones.

The 2013 release was a godsend for fans of the music score at the time. But just three years later, in 2016, La-La Land Records released a 2-CD expanded edition that was part of a 4-CD collection that had included John Williams’ score to ‘The Lost World: Jurassic Park’ (also expanded and remastered for the first time). Using the source from the 2013 remaster, they did further mastering of their own (producing even better sound quality) while also going back to the original elements and providing every cue of the score for the very first time. This included Grant’s realization of “You Bred Raptors?”, Dennis Nedry’s “Race to the Dock” after the T-Rex gets out, and even a cue that was not heard in the film at all known as “The Saboteur.” That cue was meant to score the scene where Nedry is left at his messy workstation as the camera pans over to his inconspicuous Barbasol can. In presenting the complete score, the set also separates the unnaturally combined cues of both previous releases so they can be heard on their own for the first time, and without a single note being cut off or faded out. It also featured an extensive booklet detailing the making of both films and scores.

While many units of the 2016 set were produced, it did eventually go out of print. This led to second-hand sellers taking over the reins of offering this presentation of the score to people online, often selling for well over $100. While the 1993 Album remains in print and the 2013 digital-only expansion remains online, neither offer the perfect sound quality or the complete score that the 2016 release contains.

Now six years later, La-La Land Records returns with a brand-new 2022 re-release. Only this time, it is focusing on just ‘Jurassic Park,’ with some additional improvements to truly make this be the definitive release of the first score for the series:

La-La Land Records, Universal Studios and Amblin Entertainment, Universal Music Group and Geffen Records present JURASSIC PARK, a limited 2-CD re-issue presentation of maestro John Williams’ (JAWS, STAR WARS, SCHINDLER’S LIST) original motion picture scores to the 1993 blockbuster JURASSIC PARK starring Sam Neill, Laura Dern and Jeff Goldblum and directed by Steven Spielberg. Williams’ monumental JURASSIC PARK score teems with thematic orchestral wonder and is celebrated as one of the composer’s most accomplished works. Produced, edited and mastered by Mike Matessino, (with fresh outputs of the 192k/24 bit master files utilized in our 2016 collection) this re-issue utilizes that material to re-create the original 1993 soundtrack album. This is featured on Disc 2 and is followed by the source music track “Stalling Around” (the composer’s homage to classic Warner Bros. cartoon music for Jurassic’s “Mr. DNA” sequence). Disc 1 showcases the entire main Score Presentation, which now includes, for the first time, the performances and mixes of “Journey To the Island” and “Dennis Steals The Embryo” as heard in the film. The 28-page CD booklet features liner notes by Matessino (adapted from our 2016 collection) and the new art design is by Jim Titus. This is a limited edition of 5000 Units.

As mentioned, having the film-version performances and mixes of both “Journey To The Island” and “Dennis Steals The Embryo” are quite special. Sometimes, the film performance or “version” of a cue can be different than what is presented on the released albums. In this case, neither had ever been heard before, apart from the film itself. In the film, and now on this new release, “Journey To The Island” features a bit of a faster and more timed tempo of the adventurous “Island Theme,” most notably a snappier pace when it transitions to the park visitors beginning their ride in the Jeeps. The moment for when the Brachiosaur appears is also now properly timed to how it is in the film, as well as later when the Jeeps begin their ride to the Visitor Center. “Dennis Steals The Embryo” fixes a mixing issue that has somehow always been present on every single release: the orchestra had been improperly mixed against the synth. Now it can be heard properly mixed, as it is in the film, for the very first time.

The inclusion of a rebuilt/remastered version of the 1993 Album is a nice addition on the second disc (where the Mr. DNA “source music” was decidedly put since it couldn’t fit on the first CD). Whatever qualms anyone may have had (such as myself) with that initial release, for many it is a bit nostalgic to hear the takes/mixes/editorial choices John Williams had created for it. In fact, for some fans of the score, the takes John Williams preferred for the album of certain cues are preferable to them as well! With this release, you get the best of both worlds by having it all together, and all sounding the best it ever has.

The booklet included in this release is very much the same as the one from the 2016 release, but of course only focuses on ‘Jurassic Park’ this time. The artwork and layout is a bit different as well, making it unique enough from the former release. There are some additional credits this time as well, including a special thanks to yours truly due to years of nerdy insight made on old forum posts (as well as Jurassic Outpost friend Bernard A. Kyer).

By far the most important aspect of this release isn’t what is new, but simply the fact that it is available again. Generations of old and new film score fans, and even those who would like to study such a masterful score as this, should have a comprehensive presentation that is accessible. As good as the previous releases were for their time, having every single cue available, and now different variations of them, is integral for preserving this important milestone of music.

If you have never purchased the music score to ‘Jurassic Park’ before, this release is a massive no-brainer. It is the definitive release, finally back in print and with some great new inclusions that bests every release that came before it. If you only have the 1993 Album or the digital 2013 release, I can promise you that this is still worth getting. It’s presented in a much better way, and with much better sound. For those that have the 2016 CD set paired with ‘The Lost World: Jurassic Park’… I can understand skipping this. There may not be enough to fully justify shelling out more money for it again, but that will just depend on who you are.

Since this is my favorite music score of all time, to my favorite film of all time… the choice was pretty easy. This new edition is a must-have. And who knows, perhaps ‘The Lost World: Jurassic Park’ will be similarly visited down the line? Maybe even ‘Jurassic Park 3’? We can only hope!

But don’t just take my word for it. Listen to some of the clips for yourself below! Then, be sure to order your copy today from La-La Land Records!

TRACK LISTING (with select sound clips):

CD 1

SCORE PRESENTATION

1 Opening Titles :37

2 Incident at Isla Nublar (Film Version) 2:23

3 The Encased Mosquito 1:16

4 Entrance of Mr. Hammond 1:09

5 Journey to the Island (Film Version) 8:54

6 Hatching Baby Raptor (Film Version) 2:04

7 You Bred Raptors? :40

8 The History Lesson (Film Version) 1:33

9 Jurassic Park Gate 2:05

10 Goat Bait 2:26

11 The Saboteur :47

12 Ailing Triceratops 2:37

13 The Coming Storm (Film Version) 1:26

14 Dennis Steals the Embryo (Film Version) 5:04

15 Race to the Dock 1:18

16 The Falling Car and The T-Rex Chase 4:59

17 A Tree for My Bed 2:13

18 Remembering Petticoat Lane 2:49

19 My Friend, the Brachiosaurus(Film Version) 1:51

20 Life Finds a Way 1:27

21 System Ready :50

22 To the Maintenance Shed 4:13

23 High Wire Stunts 4:10

24 Hungry Raptor 2:10

25 The Raptor Attack 2:50

26 T-Rex Rescue and Finale 7:43

27 Welcome to Jurassic Park (Film Version) 7:58

Total Time Disc 1: 77:44

CD 2

1993 ORIGINAL SOUNDTRACK

1 Opening Titles :36

2 Theme From Jurassic Park 3:27

3 Incident at Isla Nublar 5:22

4 Journey to the Island 8:55

5 The Raptor Attack 2:50

6 Hatching Baby Raptor 3:22

7 Welcome to Jurassic Park 7:57

8 My Friend, the Brachiosaurus 4:18

9 Dennis Steals the Embryo 5:03

10 A Tree for My Bed 2:13

11 High Wire Stunts 4:10

12 Remembering Petticoat Lane 2:49

13 Jurassic Park Gate 2:05

14 Eye to Eye 6:35

15 T-Rex Rescue and Finale 7:43

16 End Credits 3:27

BONUS

17 Stalling Around 2:41

Total Time Disc 2: 73:35


Are you going to get this new release? What’s your favorite cue from this soundtrack? Share your thoughts in the comments below, and as always stay tuned to Jurassic Outpost for the latest!

‘Jurassic World: Dominion’ Soundtrack Details and New Track Revealed!

Jurassic World franchise composer Michael Giacchino has announced the ‘Jurassic World: Dominion’ soundtrack – complete with release details, formats, and a brand new track from the film!


The full score album will be available digitally, on CD, Vinyl via Mondo, and in Dolby Atmos June 10th. One brand new track, “Da Plane and Da Cycle”, was released early today – you can listen to it via Apple Music, Spotify, and via YouTube below!


Giacchino has returned with his signature bombastic Jurassic musical style and pun-filled track titles. The album boasts 32 tracks – plenty of music for the massive film that Jurassic World: Dominion is shaping up to be. We are enjoying the score so far and can’t wait to hear more when Dominion releases next week!


What do you think of this new track from Jurassic World: Dominion and the album details we’ve learned today? Let us know in the comments, and follow Jurassic Outpost for all the latest as we head towards June 10th!