‘Jurassic Park’ Soundtrack By John Williams Gets A New 2-CD Release!

‘Jurassic Park’ has an earth-shattering music score that every fan of the films has always been blown away by. The memorable themes and cues expertly crafted by composer/conductor John Williams are filled with wonder, action, and intense horror that are forever engrained in our ears. Now, nearly 30 years after it was heard by the world, the music score to the classic film gets a definitive release in a brand-new 2-CD set from La-La Land Records. But how definitive is it, and what sets it apart? To learn that, let’s have a little “history lesson.”

In 1993, the soundtrack was released on CD in the form of a 70-minute album via MCA records (also available on cassette and LP). This 1-CD release was assembled by John Williams himself, combining some cues together to form certain tracks, and arranging it all in his own personal sequence. For example, the actual “End Credits” from the film happen in the middle of this album, titled as “Welcome To Jurassic Park.” Then at the end of the album the track titled “End Credits” is actually just the second half of the same cue. Why? We shall perhaps never know, but it is a very curious choice.

While the 1993 album featured a large chunk of the score it did leave off several cues, including the “T-Rex Chase” when our favorite Rex goes after Ellie and the others in the Jeep; the “History Lesson” Tim gives Grant as they attempt to decide which tour car they want to go in; and Mr. DNA’s whimsical music as he is “Stalling Around” in his cartoon while explaining how they obtained dino-DNA. Thankfully, in 2013 these cues, combined with a few more, were introduced as bonus tracks for a digital-only 20th Anniversary Release by Geffen Records. Not only was this an expanded release, but it also featured a brand-new remaster. (Note: Mondo also did a limited-edition LP release of this remaster, sans the bonus tracks.) Several of the previously unreleased cues were combined (despite chronologically being from different scenes), and in some cases omitted the tail end of some of the music. One of the most interesting additions was actually “Hungry Raptor,” which was the original version of the music for when Ellie is attacked by a raptor in the shed; followed by Muldoon’s death. In the film, only the middle portion of this cue is used, with the rest using music “tracked” from other scenes. Amusingly enough, the opening of the cue was first publicly heard during the end credits of the original ‘The Making Of ‘Jurassic Park” documentary that was narrated by James Earl Jones.

The 2013 release was a godsend for fans of the music score at the time. But just three years later, in 2016, La-La Land Records released a 2-CD expanded edition that was part of a 4-CD collection that had included John Williams’ score to ‘The Lost World: Jurassic Park’ (also expanded and remastered for the first time). Using the source from the 2013 remaster, they did further mastering of their own (producing even better sound quality) while also going back to the original elements and providing every cue of the score for the very first time. This included Grant’s realization of “You Bred Raptors?”, Dennis Nedry’s “Race to the Dock” after the T-Rex gets out, and even a cue that was not heard in the film at all known as “The Saboteur.” That cue was meant to score the scene where Nedry is left at his messy workstation as the camera pans over to his inconspicuous Barbasol can. In presenting the complete score, the set also separates the unnaturally combined cues of both previous releases so they can be heard on their own for the first time, and without a single note being cut off or faded out. It also featured an extensive booklet detailing the making of both films and scores.

While many units of the 2016 set were produced, it did eventually go out of print. This led to second-hand sellers taking over the reins of offering this presentation of the score to people online, often selling for well over $100. While the 1993 Album remains in print and the 2013 digital-only expansion remains online, neither offer the perfect sound quality or the complete score that the 2016 release contains.

Now six years later, La-La Land Records returns with a brand-new 2022 re-release. Only this time, it is focusing on just ‘Jurassic Park,’ with some additional improvements to truly make this be the definitive release of the first score for the series:

La-La Land Records, Universal Studios and Amblin Entertainment, Universal Music Group and Geffen Records present JURASSIC PARK, a limited 2-CD re-issue presentation of maestro John Williams’ (JAWS, STAR WARS, SCHINDLER’S LIST) original motion picture scores to the 1993 blockbuster JURASSIC PARK starring Sam Neill, Laura Dern and Jeff Goldblum and directed by Steven Spielberg. Williams’ monumental JURASSIC PARK score teems with thematic orchestral wonder and is celebrated as one of the composer’s most accomplished works. Produced, edited and mastered by Mike Matessino, (with fresh outputs of the 192k/24 bit master files utilized in our 2016 collection) this re-issue utilizes that material to re-create the original 1993 soundtrack album. This is featured on Disc 2 and is followed by the source music track “Stalling Around” (the composer’s homage to classic Warner Bros. cartoon music for Jurassic’s “Mr. DNA” sequence). Disc 1 showcases the entire main Score Presentation, which now includes, for the first time, the performances and mixes of “Journey To the Island” and “Dennis Steals The Embryo” as heard in the film. The 28-page CD booklet features liner notes by Matessino (adapted from our 2016 collection) and the new art design is by Jim Titus. This is a limited edition of 5000 Units.

As mentioned, having the film-version performances and mixes of both “Journey To The Island” and “Dennis Steals The Embryo” are quite special. Sometimes, the film performance or “version” of a cue can be different than what is presented on the released albums. In this case, neither had ever been heard before, apart from the film itself. In the film, and now on this new release, “Journey To The Island” features a bit of a faster and more timed tempo of the adventurous “Island Theme,” most notably a snappier pace when it transitions to the park visitors beginning their ride in the Jeeps. The moment for when the Brachiosaur appears is also now properly timed to how it is in the film, as well as later when the Jeeps begin their ride to the Visitor Center. “Dennis Steals The Embryo” fixes a mixing issue that has somehow always been present on every single release: the orchestra had been improperly mixed against the synth. Now it can be heard properly mixed, as it is in the film, for the very first time.

The inclusion of a rebuilt/remastered version of the 1993 Album is a nice addition on the second disc (where the Mr. DNA “source music” was decidedly put since it couldn’t fit on the first CD). Whatever qualms anyone may have had (such as myself) with that initial release, for many it is a bit nostalgic to hear the takes/mixes/editorial choices John Williams had created for it. In fact, for some fans of the score, the takes John Williams preferred for the album of certain cues are preferable to them as well! With this release, you get the best of both worlds by having it all together, and all sounding the best it ever has.

The booklet included in this release is very much the same as the one from the 2016 release, but of course only focuses on ‘Jurassic Park’ this time. The artwork and layout is a bit different this time, making it unique enough to be different from the former release. There are some additional credits this time as well, including a special thanks to yours truly due to years of nerdy insight made on old forum posts (as well as Jurassic Outpost friend Bernard Kyer).

By far the most important aspect of this release isn’t what is new, but simply the fact that it is available again. Generations of old and new film score fans, and even those who would like to study such a masterful score as this, should have a comprehensive presentation that is accessible. As good as the previous releases were for their time, having every single cue available, and now different variations of them, is integral for preserving this important milestone of music.

If you have never purchased the music score to ‘Jurassic Park’ before, this release is a massive no-brainer. It is the definitive release, finally back in print and with some great new inclusions that bests every release that came before it. If you only have the 1993 Album or the digital 2013 release, I can promise you that this is still worth getting. It’s presented in a much better way, and with much better sound. For those that have the 2016 CD set paired with ‘The Lost World: Jurassic Park’… I can understand skipping this. There may not be enough to fully justify shelling out more money for it again, but that will just depend on who you are.

Since this is my favorite music score of all time, to my favorite film of all time… the choice was pretty easy. This new edition is a must-have. And who knows, perhaps ‘The Lost World: Jurassic Park’ will be similarly visited down the line? Maybe even ‘Jurassic Park 3’? We can only hope!

But don’t just take my word for it. Listen to some of the clips for yourself below! Then, be sure to order your copy today from La-La Land Records!

TRACK LISTING (with select sound clips):

CD 1

SCORE PRESENTATION

1 Opening Titles :37

2 Incident at Isla Nublar (Film Version) 2:23

3 The Encased Mosquito 1:16

4 Entrance of Mr. Hammond 1:09

5 Journey to the Island (Film Version) 8:54

6 Hatching Baby Raptor (Film Version) 2:04

7 You Bred Raptors? :40

8 The History Lesson (Film Version) 1:33

9 Jurassic Park Gate 2:05

10 Goat Bait 2:26

11 The Saboteur :47

12 Ailing Triceratops 2:37

13 The Coming Storm (Film Version) 1:26

14 Dennis Steals the Embryo (Film Version) 5:04

15 Race to the Dock 1:18

16 The Falling Car and The T-Rex Chase 4:59

17 A Tree for My Bed 2:13

18 Remembering Petticoat Lane 2:49

19 My Friend, the Brachiosaurus(Film Version) 1:51

20 Life Finds a Way 1:27

21 System Ready :50

22 To the Maintenance Shed 4:13

23 High Wire Stunts 4:10

24 Hungry Raptor 2:10

25 The Raptor Attack 2:50

26 T-Rex Rescue and Finale 7:43

27 Welcome to Jurassic Park (Film Version) 7:58

Total Time Disc 1: 77:44

CD 2

1993 ORIGINAL SOUNDTRACK

1 Opening Titles :36

2 Theme From Jurassic Park 3:27

3 Incident at Isla Nublar 5:22

4 Journey to the Island 8:55

5 The Raptor Attack 2:50

6 Hatching Baby Raptor 3:22

7 Welcome to Jurassic Park 7:57

8 My Friend, the Brachiosaurus 4:18

9 Dennis Steals the Embryo 5:03

10 A Tree for My Bed 2:13

11 High Wire Stunts 4:10

12 Remembering Petticoat Lane 2:49

13 Jurassic Park Gate 2:05

14 Eye to Eye 6:35

15 T-Rex Rescue and Finale 7:43

16 End Credits 3:27

BONUS

17 Stalling Around 2:41

Total Time Disc 2: 73:35


Are you going to get this new release? What’s your favorite cue from this soundtrack? Share your thoughts in the comments below, and as always stay tuned to Jurassic Outpost for the latest!

‘Jurassic World: Dominion’ Soundtrack Details and New Track Revealed!

Jurassic World franchise composer Michael Giacchino has announced the ‘Jurassic World: Dominion’ soundtrack – complete with release details, formats, and a brand new track from the film!


The full score album will be available digitally, on CD, Vinyl via Mondo, and in Dolby Atmos June 10th. One brand new track, “Da Plane and Da Cycle”, was released early today – you can listen to it via Apple Music, Spotify, and via YouTube below!


Giacchino has returned with his signature bombastic Jurassic musical style and pun-filled track titles. The album boasts 32 tracks – plenty of music for the massive film that Jurassic World: Dominion is shaping up to be. We are enjoying the score so far and can’t wait to hear more when Dominion releases next week!


What do you think of this new track from Jurassic World: Dominion and the album details we’ve learned today? Let us know in the comments, and follow Jurassic Outpost for all the latest as we head towards June 10th!

More ‘Jurassic World: Dominion’ Score Teases from Michael Giacchino & Colin Trevorrow!

Both Michael Giacchino and Colin Trevorrow have enriched social media timelines with looks behind the scenes of the ‘Jurassic World: Dominion’ scoring process over the last couple of weeks. The teases were strictly in photo form, but as of today both Giacchino and Trevorrow have shared the very first audio snippets from the new film!

First, Giacchino:

Giacchino’s audio tease features a calm and rather affecting full orchestra rendition of the main theme from ‘Jurassic World’. The wooden T. rex from past photos makes an appearance along with the full orchestra in London via Zoom in the background. The camera pans down to reveal two partial orchestral score pages from the recording session. It’s really satisfying to hear the main musical theme returning for this film. The nature and dynamics of the music in this tease could lend themselves to a solemn scene somewhere in the film, or perhaps a majestic scene featuring a dinosaur landscape.

Next, Trevorrow shared a tease of his own:

Trevorrow’s audio tease is an entirely different story. The video features him playing what looks to be Dark Souls III with a recording from Giacchino’s new ‘Dominion’ score serving as the music for the video game. The music in this tease is starkly different from that of Giacchino’s post. It features jarring strings, woodwinds, brass, and percussion musically punching and stabbing in a truly terrifying way. It is reminiscent of Bernard Hermann’s ‘Psycho’ score and also composer Igor Stravinsky’s wild musical works. Giacchino has previously said that these two composers were major influences for his ‘Jurassic World: Fallen Kingdom’ score. This music is clearly meant for a horrifying moment in the film. It’s exciting to hear these musical styles and influences returning for ‘Dominion’ after building through the first and second ‘Jurassic World’ films.

Giacchino also teased that the haunting main theme from ‘Jurassic World: Fallen Kingdom’ might make an appearance in Dominion’s score:

Most importantly, Giacchino shared that the scoring process for ‘Jurassic World: Dominion’ has been completed!

The process was slightly different and took longer than normal in order to observe safety protocols, but Giacchino’s team along with Trevorrow and everyone at Abbey Road got the job done. Giacchino even sent everyone at Abbey Road cupcakes to thank them for their hard work:

The completion of the scoring process and these musical teases for ‘Jurassic World: Dominion’ are very exciting. This is a huge step towards the completion of the film and release next summer. Music is an integral part of the Jurassic franchise and we can’t wait to see and hear more from the score! What do you think about these Jurassic score teases and what do you want to hear from the score for ‘Dominion’? Let us know below!

Michael Giacchino Teases Scoring ‘Jurassic World: Dominion’ in London!

Composer Michael Giacchino has shared what is likely the first of many teases for the scoring process of Jurassic World: Dominion. It comes in the form of a photo of an orchestral score page (with only a few notes visible) in his Los Angeles studio.

While Giacchino is observing, monitoring, and participating in the process from L.A., the orchestral musicians are recording remotely in London. Looking closely at the photo, recording seems to be taking place at Abbey Road. It’s clear that the very best in recording and visual technology is being used to synchronize the scoring process.

According to Giacchino, the London musicians are spread out between two separate studios (likely within Abbey Road) to ensure proper social distancing and safety measures are in place.

What is very cool about this tease is that Colin Trevorrow himself represents the “boots on the ground” for Giacchino at the studio in London. It’s exciting to see this kind of artistic collaboration happening over great distances, and amazing that it is possible. While the incredible musicians in London create the score, Trevorrow and Giacchino discuss and produce the score despite being thousands of miles apart.

Giacchino later added a progress update to his thread with the top of another orchestral score page. The musical cue fits perfectly into the world of Jurassic with the title “Alan For Granted.”

As far as what is happening musically in the first photo, it is a bit hard to tell. There don’t seem to be any discernible Jurassic musical themes, which is probably purposeful on Giacchino’s part. The top of the orchestral score isn’t clear, but the string section, harp, and piano that are visible on the page seem to be playing rather dissonant, incidental music. This could be heard in a moment between musical themes or perhaps even in a frightening or suspenseful moment. The musical portion of the second photo is silent (at least on the visible page), but that title is truly great and very intriguing.

What do you think of this ‘Jurassic World: Dominion’ score tease from Michael Giacchino? We are grateful for his willingness to share tidbits during the scoring process and hope to see (and hear) more as we move closer to the film’s release! Let us know your thoughts below!

See An Early Version Of ‘Jurassic Park’ With Concept Art & Storyboards In An EPIC Audio Drama

Experience an early version of ‘JURASSIC PARK’ through production designer Rick Carter’s adaptation of Michael Crichton’s final draft screenplay, brought to life in an entertaining audio drama with visual enhancements!

Watch the entire illustrated audio drama series, plus its introduction and teaser trailer, below.

RICK CARTER’S ‘JURASSIC PARK’ was an epic project born out of the dire 2020 pandemic lockdown. Author Derrick Davis, the creator of JURASSIC TIME and writer at JURASSIC OUTPOST, had acquired many rare and previously unseen selections of concept art, storyboards, scripts, and other materials related to the original ‘Jurassic Park’. One of the most interesting items he acquired was a unique script that had many elements that would eventually be scrapped, but would also shape the final film, and beyond.

The official history behind Jurassic Park’s screenwriting process had always included Michael Crichton, Malia Scotch Marmo, and David Koepp. During this time, the film’s production designer, Rick Carter, took on a bigger role than normal.

“I was brought onto ‘Jurassic Park’ about two years before we finally started shooting […] On most shows, the production designer is brought in and handed a script and asked to visualize it. Not so on this one. I was in on many early meetings with Steven where we would break down the scenes in the book and discuss which ones would work best for the film.”

-Rick Carter

In the beginning, Michael Crichton had provided several drafts of the screenplay for his novel before passing the pen to whoever would take a crack at future drafts. Director Steven Spielberg went on to film ‘HOOK’, as Jurassic Park’s production team continued to work.

“While Spielberg was doing ‘HOOK’, I would go to him with all these different ideas of how to make things work. It was a very managed production.”

-Rick Carter

One of the ways Rick Carter displayed his ideas was by crafting an entirely new script using much of Crichton’s as the backbone.

“After our last script meetings, I began collecting together my notes. I realized that the only way for me to see how the ideas might actually play out in the story was for me to “collage” them into Michael’s latest script. Well, one thing led to another and I found myself going through the entire story.”

-Rick Carter

Out of all the scripts written for ‘Jurassic Park’, Carter’s version is perhaps the most interesting. It includes the early process of making John Hammond a more sympathetic character, the sick triceratops replacing the sick stegosaurus, and other changes from Crichton that will feel more familiar to how the film ended up. At the same time, the script introduces some interesting changes that would not carry over. This includes using the opening of the novel at the Costa Rican clinic, a condensed version of the river sequence, the removal of Donald Gennaro, Hammond’s idea of recruiting Grant and Sattler to work at the park, the discovery of a raptor den secretly nestled far beyond their pen, trees that are deforested by the giant dinosaurs, and the inclusion of lava fields. There’s even an umbrella designed to look like a “spitter” that is used as a distraction against a velociraptor; an idea similarly used in ‘Jurassic World’.

A “spitter” umbrella from the gift shop, used in defense against a velociraptor.

It’s not every day that a production designer writes a screenplay to get his ideas across in order to make the film a success. But Rick Carter was a special production designer. While his version of the script would not end up being used for the film, it wasn’t his intent anyway. He simply wanted the best way to further continue the production progress of ‘Jurassic Park’, and he felt altering the script was the best way to do it.

But what if it had been made? What would it have been like? Would it have felt just as grand, just engaging, and just as memorable? Or would it have had its own unique flavor that no one else could have concocted?

Lava fields that Grant and the kids must traverse through.

After nearly 30 years since it had been written, Derrick Davis had discovered the script and wanted to know the answers to all of those questions. He decided the best way to experience this early version of the film was to bring it to life. This led to him teaming up with another fan of the franchise, music composer Bernard A. Kyer. Derrick presented him with the idea of creating an audio drama experience from the script. He would do this by using concept art, storyboards, and other official artwork to illustrate it; many of which had never been seen before. Bernard took the script and adjusted it to flow in this format, while Derrick went to several fans of ‘Jurassic Park’ that could perform various roles, including himself as Tim Murphy and John Hammond.

One of those fans suggested by Bernard was artist, filmmaker, and actor Joshua Malone; the voice of Ed Regis, Dr. Alan Grant, and Lex Murphy. He also provided the narration for the program’s teaser trailer and further consultation throughout. Other cast members include Jurassic Outpost’s Samantha Endres as Dr. Ellie Sattler, and Caleb Burnett as Dr. Ian Malcolm; as well as designer Casey Wayne Cook, Jr. as Dr. Henry Wu and others.

Within almost a year’s time, Bernard assembled all the character performances while providing the script narration and additional voices, such as Dennis Nedry. The process included mixing a vast library of sound effects, many obtained from the film itself to instill further authenticity. Once that was completed, he composed a fantastic music score to bring it all to life; inspired not only by John Williams but other composers like Jerry Goldsmith, James Horner, and Danny Elfman.

After the audio was completed, Derrick assembled all the artwork he could find to match what was described, while enhancing it for high definition. Despite obtaining rare materials for years, including an entire binder of storyboards from ‘Dinosaur Supervisor’ Phil Tippett‘s collection, there was still much more that he needed. One of the people he had been in contact with over the years that had a great source for artwork and storyboards from the film was fellow collector and fan Astríd Vega of The Jurassic Park Collection and its YouTube channel. Derrick had shared and discussed the Rick Carter script with her long ago, and had even offered her various voice roles in an earlier-proposed version of the audio drama. Tragically, Astríd passed away in May of 2019… almost a year since Derrick had finally met her in-person at Universal Studios Hollywood’s Jurassic Park 25th Anniversary Event in May of 2018. Without her collection that she had shared, large portions of the video for this audio drama would not have been possible. The production is dedicated in her memory.

From Jurassic Park’s 25th Anniversary Event at Universal Studios Hollywood, 2018. From left to right: Roberto Díaz, Matthew Danczak, Derrick Davis, Astríd Vega, & Brian Belukha.

Despite amassing quite a collection of original and official materials, there was still a need for additional artwork. This task was completed by fellow fan and artist Felipe Humboldt. Felipe created several character sketches and scenic paintings based on descriptions in the script, which sometimes differed greatly from how they ended up in the final film. It should also be noted that character appearances changed even during the process of the original production itself, creating unavoidable inconsistencies throughout. Felipe also illustrated some additional moments from the script where no official artwork existed or could be found.

Felipe Humboldt’s depiction of Dr. Alan Grant wearing a makeshift papoose with a baby raptor; Lex and Tim at his side.

The end result is a one-of-a-kind experience that was an ultimate labor of love from everyone involved. While the debate can rage forever if this early version of the film would have been better than what we got, it is still fascinating to see it performed in such a dramatic way. It is also great to finally have an engaging way of presenting the art from those who worked on the film, such as Art Director John Bell, instead of having it locked away or forgotten forever.

Derrick Davis thanks everyone in the production for bringing his dream to life and realizing the imaginations of those who worked so hard to create our cherished, classic film: ‘JURASSIC PARK’.

An early “raptor pen” concept by John Bell, which was also seen briefly in the background of Jurassic Park in the film; during the lunch scene, projected on a wall.

Learn more about Bernard’s process of crafting the sound design and music score for the illustrated audio drama by checking out each of his four in-depth articles from his site. Be sure to also hear Bernard’s album release of his music score for the project!

Be sure to watch the entire series for the ultimate experience of this early version of ‘JURASSIC PARK’! Also check out everything else available at JURASSIC TIME, including the John Hammond Memoir!

Poster Created by Casey Wayne Cook Jr.

Would this earlier version of the film have been better, or are you glad we ended up with the film we got? Share your thoughts in the comments below!

This article includes quotes and information from ‘The Making Of Jurassic Park’ book, ‘Starlog’ and ‘Cinefantastique’ magazines, and additional public and private collections.

Mondo to Release ‘Jurassic World: Fallen Kingdom’ on Vinyl!

No strangers to the Jurassic Franchise, Mondo have announced today the they will be offering Michael Giacchino’s ‘Jurassic World: Fallen Kingdom’ soundtrack as a 2 disc limited vinyl pressing. In record time too given the Official Release only dropped only days ago!

Mondo’s web exclusive version of this 2XLP comes pressed on either a stunning looking 180 Gram Indo-Raptor colored vinyl (Translucent Green with Orange Stripe and Yellow Splatter), or for the more reserved collector on traditional Black vinyl. Featuring original new artwork by JC Richard, this set will fit right in with Mondo’s previous Jurassic Park and World offerings.

Here’s what Mondo had to say about the score:

JURASSIC PARK: FALLEN KINGDOM is some of the most fun we’ve had in the theaters this year. And Giacchino’s score, which returns more to his penned JURASSIC WORLD score than the John Williams’ cues that bridged the gap in the last film, is evocative of classic Universal horror and haunted house movie scores, breaking from the pack of previous JURASSIC scores. Much like the film itself, Giacchino creates a fun, fresh take on the music of the “Man creates Dinosaurs… Dinosaurs eat Man” series.”

Hey Mondo? Can we get ‘The Lost World’ and ‘Jurassic Park III’ too please? The set goes up for sale this Wednesday at Noon (CST) over at MondoTees.com

Source: Mondo

Listen to the First Preview of Michael Giacchino’s Entire ‘Jurassic World: Fallen Kingdom’ Soundtrack!

Hold on to your butts, and grab a pair of headphones as you can now listen to the first previews of the Fallen Kingdom soundtrack!

The latest Jurassic Park sequel has already roared its way into overseas theaters, and one of the main things fans can’t stop talking about is the new soundtrack from Oscar-winner Michael Giacchino. Reprising his role of composer from Jurassic World, Giacchino has brought a darker style to the latest installment, embracing its extinction level and Gothic undertones. I’ve seen the film myself, and I cannot stop thinking about the music, and how badly I wish I had access to it already.

Thankfully, Entertainment Weekly has an exclusive first look at a track from the Fallen Kingdom Soundtrack! The new theme accompanies the opening of the film, and plays during some tense storm action at night prior to the title reveal.

Give “This Title Makes Me Jurassic” a listen below:

The Jurassic World: Fallen Kingdom soundtrack hits stores next week, and features the following pun filled tracks:

1. This Title Makes Me Jurassic (2:54)
2. The Theropod Preservation Society (3:47)
3. Maisie and the Island (2:07)
4. March of the Wheatley Cavalcade (2:14)
5. Nostalgia-Saurus (1:05)
6. Double Cross to Bear (2:31)
7. Lava Land (3:16)
8. Keep Calm and Baryonyx (2:46)
9. Go With the Pyroclastic Flow (3:43)
10. Gyro Can You Go? (2:16)
11. Raiders of the Lost Isla Nublar (3:20)
12. Volcano to Death (1:38)
13. Operation Blue Blood (3:43)
14. Jurassic Pillow Talk (2:47)
15. How to Pick a Lockwood (3:10)
16. Wilting Iris (1:11)
17. Shock and Auction (2:28)
18. Thus Begins the Indo-Rapture (3:41)
19. You Can Be So Hard-Headed (2:28)
20. Between the Devil and the Deep Blue Free (3:29)
21. There’s Something About Maisie (1:20)
22. World’s Worst Bedtime Storyteller (2:27)
23. Declaration of Indo-Pendence (4:02)
24. To Free or Not to Free (3:00)
25. The Neo-Jurassic Age (3:33)
26. At Jurassic World’s End Credits/Suite (10:55)

Previews for all these tracks are up on iTunes here, so get listening! While there are some returning themes, Giacchino offers many new flavours that are sure to turns some heads! If you need your regular dose of Jurassic however, I recommend giving the End Credits a listen!

Speaking to Entertainment Weekly, Giacchino had this to say:

“John Williams certainly set the tone, so I wanted to stay in that realm, but now here we are, five Jurassic Parks in, and I didn’t want to do the same thing I did on the last film. This film has a very different tone, so I basically went to the director, Juan Antonio Bayona, who I’ve known for many years, and said, ‘What if Bernard Hermann and Stravinsky had a baby who wrote the score for this film?’”

The ‘Jurassic World: Fallen Kingdom’ soundtrack releases June 15th, and is available for pre-order on Amazon now!

Digging Giacchino’s new vibe, or missing that classic William’s tone? Sound off below!

Source: Entertainment Weekly


Michael Giacchino’s Jurassic World: Fallen Kingdom Soundtrack Releases June 15!

Michael Giacchino is no stranger to the Jurassic franchise. Before composing the music for Jurassic World he wrote and composed the soundtracks for both Jurassic Park: Warpath and The Lost World’s PlayStation game – which are still considered fan favorites by many.

It was no surprise that the composer, who handles multiple projects a year, would return to the franchise.

With the sequel headed for US cinemas on June 22nd, Michael Giacchino’s score will be available for purchase and digital download on June 15th! The date can be seen on the Amazon listing for the soundtrack but unfortunately no other details have been revealed.

Over the past few weeks during the scoring sessions for Jurassic World: Fallen Kingdom the composer shared a number of images and videos from inside the studio, revealing new music and the return of key themes and more importantly, revealing his excitement to be back and working on Jurassic.

Jurassic World: Fallen Kingdom hits theatres on June 22nd in the US and earlier in the UK and Europe – and you’ll be able to purchase Michael Giacchino’s score on June 15th!

Thanks to Derrick for sending this our way!

New Behind the Scenes Previews of the Jurassic World Fallen Kingdom Soundtrack!

Over the past few days, Jurassic World composer Michael Giacchino has hard at work recording the Fallen Kingdom score.

While the recording session has been occurring behind closed doors at the world famous Abbey Road Studios, director JA Bayona and Michael Giacchino himself have been sharing previews online. Following up on the first preview from Wednesday, Giacchino posted an updated reprisal of ‘Ye Old Visitor Center‘ yesterday which again returns to the classic Jurassic Park themes with an uneasy and somber tone.

Moments ago, JA Bayona shared another sample of work, this time a new track which apparently ends the film. Listen to both below!

If JA Bayona’s tweet is to be taken literally, and that music closes out the film before the credits roll, then it’s safe to expect quite the dramatic closing scene, setting up a higher stakes Jurassic World 3.

While it’s too soon to speculate about the third film in the latest Jurassic trilogy, this certainly has us curious. Of course, this tease also has us eager to hear more of the soundtrack from Fallen Kingdom – Giacchino has had no small task set out in front of him: creating music for Nublars demise. Whatever new themes and classic reprisals close out the home and setting of Jurassic Park it is sure to be bittersweet.

What do you think of the latest teases, and what do you want to hear from the Fallen Kingdom soundtrack? Sound off in the comments below, and stay tuned for the latest news!

Source: Twitter

JA Bayona Shares Behind the Scenes Preview of Michael Giacchino’s Fallen Kingdom Score!

On Monday, Jurassic World: Fallen Kingdom composer Michael Giacchino announced that he had begun recording the score for the new film. Today Jurassic World Fallen Kingdom director JA Bayona released a behind the scenes clip of the score being recorded and what we can expect to hear this upcoming June.

In the one minute and six second clip you will recognize that it is a new version of “As the Jurassic World turns” from his 2015 score for Jurassic World.

In a reply to Bayona’s tweet, Giacchino posted a photo confirming that that Ludwig Wicki is conducting the orchestra.

Let us know your thoughts in the comments below and on our forums.

Source: JA Bayona on Twitter