REVIEW: ‘Jurassic World: Dominion’

The following is a guest article contributed by Ruann Jovinski of ‘Jurassic Park 4.4’ first published in Portuguese and now translated to English. The review is largely spoiler-free, however small spoilers to follow:

Last Friday myself and a bunch of fans were invited by Universal Pictures to a very special event in São Paulo, Brazil – a visit to the Iron Studio’s owned Jurassic Park Burger restaurant, a screening of ‘Jurassic World Dominion’ (we even got JP tattoos for free, but that’s another story).

Before the movie started, we got to see the trailer for ‘Minions: The Rise of Gru’, which was then followed by a very short segment were two minions were confronted by their own version of Rexy.

From there is where the fun began.

Jurassic World Dominion opens with an exposition heavy “Now This” news montage that catches the audience up to speed on how dinosaurs are now free to roam the world and introduces the mega-corporation BioSyn. While one would expect it to be exciting and primarily set up BioSyn, it mostly serves as a Fallen Kingdom recap rather than a striking or needed introduction to the film. This segment feels odd, but thankfully the movie soon finds much sturdier footing:  from there we are introduced to two different storylines that have much more in common than we are initially led to believe.

This movie brings back the classic Jurassic Park characters in a huge way, driven by Ellie Sattler. Likewise, the Jurassic World characters are trying to make their peace with the world they helped create as well as take care of Maisie Lockwood – the clone girl who they essentially illegally “adopted “after the events of Fallen Kingdom. 

Dominion brings us to a whole new world with many different set pieces and concepts that have never before been seen in the Jurassic franchise. From the snowy mountains of Sierra Nevada to the populated streets of the island Malta and the dense BioSyn Valley in situated within the Dolomite Mountains of Italy.  Dinosaurs are free in our world, trying to survive, and humans are adapting to this ever changing set of circumstances. We see illegal trafficking of dinosaurs in black markets, and what happens when dinosaurs wreak havoc in city streets. This is a whole new Jurassic World.

The movie is far from perfect – the plot is bloated, the pacing is horribly rushed, and many of the characters feel slightly out of key – but at least in my humble opinion it is much better than the two previous entries. ‘Dominion’ revisits Jurassic Park’s Techno-Thriller roots diving into the power of genetics like we have never seen before and some of the plots points are for sure something we could easily have seen in Crichton’s work. 

I was thrilled and extremely happy to see Dr Alan Grant and Dr Ellie Sattler’s shenanigans throughout the film, interacting with another another, other characters, and of course dinosaurs. The chemistry between Sam Neill and Laura Dern is strong as ever. Jeff Goldblum as Dr Ian Malcolm is another great win – this movie really belongs to the classic Jurassic Park cast. 

Outside of the classic characters, the newcomers are also great: standouts would be DeWanda Wise’s “Kayla Watts”, Mamoudou Athie’s “Ramsay”, Campbell Scott’s “Lewis Dodgson”, Isabella Sermon’s “Maisie”. Of course, BD Wong’s Dr. Henry Wu is also back and he’s better than ever. Yes, Dr Wu does get a meatier role and a stronger arch this time – something much overdue. Bryce Dallas Howard gets to flex her muscles as Claire both physically and emotionally as we are presented with a more sentimental and even haunted version of the character. Chris Pratt brings nothing new to Owen – he’s pretty much the same as the last two films, however played a little more seriously and doesn’t lean into out of place levity during serious scenes like in Fallen Kingdom.

As for the dinosaurs, Dominion brings some incredibly new additions to the franchise in the form of the territorial Therizinosaurus, the menacing Giganotosaurus, the tiny Moros and the vicious Atrociraptors. We also get to see some old friends like the venom spitting Dilophosaurus – which feel like a throwback to 80’s films more than Jurassic Park. The Pyroraptor is another standout, though sadly virtually every moment of its scene is in the trailer – this one was criminally underused and it’s insane Dr. Alan Grant never meets it. That would have been a full circle moment to his Velociraptors are birds speech in Jurassic Park.

As I said before the movie is not without it’s flaws, which comes in form of some very odd creative decisions, the lack of crucial dialogue to better explain some of the plot points (this movie often feels like a sequel to a movie we never got) and what I thought were the worst offenders – The animatronics. Yes, there are many (many!) animatronics in this movie and they all ended up looking very rubbery and stiff, looking more like Dark Crystal or Star Wars creatures than the living breathing animals Stan Winston Studio created. Perhaps this is in part the fault of the way they were filmed – but I really thought most (if not all) should have been touched up with CGI, especially the Microceratus.

The soundtrack is quite fun and has its moments, but I also feel Giacchino could have used more of the original themes – after all this movie is the “epic conclusion” of the entire saga and the return of the original characters, which comes with certain thematic expectations.

In general I can say I really enjoyed ‘Jurassic World Dominion’ and I had a great time and I just can’t wait to see it again. It has the flaws of the first two Jurassic World films, but BioSyn driven plot line and return of the classic characters really elevates the fun. It’s hard not to have certain expectations – this was meant to be the close of a series of stories that began in 1993 but ultimately just feels like another sequel. I wish the movie was longer as it needed to flesh out the story and characters, be less choppy, and build more believable stakes. Likewise some of the effects, both practical and CGI, needed more work – it’s unfortunate that some of the CG is  weak considering how long they had to work on the film (Blue and Beta are a large offender here).

Ultimately this movie left me wanting more – both in good and bad ways –  but most of all good. And thankfully, Dominion is not the end, but a brand new beginning. More will come, and the movie makes that clear.


Stay tuned, as more of our team sees the movie and are allowed to publish reviews new review articles will be added!

‘Jurassic Park’ Production Designer Rick Carter’s Immersive Art Exhibit Is Now Open!

Rick Carter was the production designer of ‘Jurassic Park’ and ‘The Lost World: Jurassic Park’, among many other classic films from the ‘Back To The Future’ sequels to ‘Avatar’. Now, immerse yourself in Rick’s visually-stunning mind with ESMoA’s new art exhibit: ‘TIME’.

“TIME, a project by artist and production designer Rick Carter, is an immersive collage that contemplates the concept of time. The exhibition features paintings, drawings, and collages by Carter along with photographs, movie memorabilia, and additional works by eight other artists who were invited to participate.”

Rick Carter further explains:

“Over the past five decades as an artist and film production designer, I am frequently immersed in the realizations of visual concepts. […] This experience at ESMoA provides the opportunity to explore with younger LA-based artists the legacy of my artistic career as both a painter and visual collaborator with movie directors.”

Last weekend I attended a special advance preview of the exhibit, and it was quite extraordinary to see it in person! After being a fan of his production design in films for so many years, it was unique and exhilarating to be in a representation of his vast mind. Below is a gallery that features just a taste of what this exhibit is like.

For fans of ‘Jurassic Park’, there are various interpretations by other artists that are beautiful and engaging. Such highlights include art by Jacori “Aiseborn” Perry that feature a raptor running towards the gates of ‘Jurassic Park’ and a Triceratops hatchling!

There is also a myriad of work by Rick Carter himself, of course; straight from his own production files. This includes a special area at one end of the exhibit where a portion of the wall features several key items that have never been seen before. Unique collages of Jurassic Park’s Visitor Center and pencil sketches done on napkins create an early look into what would eventually be realized on the screen. A glass case at the center of this section displays a miniature Velociraptor model created by Stan Winston’s team. This detailed creation is clearly a cherished item in Rick’s collection that everyone can appreciate.

Left Side, Top to Bottom: Rick Carter’s actual crew badge, a collage concept for the Visitor Center, and a series of sketches done with pen on napkins depicting early layouts of the Visitor Center (and Hammond perhaps?). Center: Stan Winston Studios Raptor model from Rick’s collection. Right Side, Top to Bottom: Another Visitor Center collage concept, café mural collage concept, and DNA collage concept.

One of the coolest things for a ‘Jurassic Park’ fan to see is the mural Rick created that is actually featured in the film’s cafe; most iconically during Richard Attenborough’s portrayal of John Hammond as he tells his ‘Petticoat Lane’ story to Laura Dern’s Ellie Sattler. It was inspired by Pablo Picasso’s Guernica!

Another neat treat is an illustration of a Tyrannosaurus Rex made in 1990 (the first year of pre-production for ‘Jurassic Park’). It is credited to both Rick Carter and his daughter Amee Carter.

However, ‘Jurassic Park’ is just one of many films that Rick Carter was part of that the exhibit showcases. Other artifacts and artistic depictions include ‘Avatar’, ‘The Polar Express’, the ‘Back To The Future’ sequels, ‘Cast Away’, ‘What Lies Beneath’, ‘Star Wars: The Force Awakens’, ‘Forrest Gump’, and a lot more. There are also more abstract and personal pieces not related to any film, including many stunning renderings of human faces.

Walking around this massive room, with art reaching all the way to its tall ceiling, you can’t help but be wonderfully overwhelmed with Rick’s vision and the representations of his entire career (so far). One of the most arresting visuals Rick himself produced for this exhibit are the faces of the four leading directors he has worked with through the years: Steven Spielberg (‘Jurassic Park’), Robert Zemeckis (‘Back To The Future’ trilogy), James Cameron (‘Avatar’), & J.J. Abrams (‘Star Wars: The Force Awakens’). They almost appear to be looking down at the entire exhibit, seeing their entire worlds that Rick helped create with them.

One of the coolest features of this exhibit is the ability to have your own self-guided tour of sorts using ESMoA’s “Grid” feature! Using correlating numbers that are painted on the floor near the items they represent on the walls, you can look up each number on the Grid then select it to view a small cropped version of the artwork along with information about the specific artist and other details. There are even some fascinating sketchbooks that Rick created that you can digitally thumb through! These features are additionally informative if you somehow aren’t able to visit this exhibit in person, presenting a version of everyone’s work to be appreciated by virtually everyone. Or, as John Hammond would say, “Everyone in the world has the right to enjoy these illustrations.”

ESMoA’s “Grid” Feature
Access to Rick Carter’s personal sketchbooks.

Additional artists that illustrated Rick’s mind and career are: Alex Garcia, Luke Hayes, Muraji Khalil, ​Dalila Paola Méndez, ​​Helena Park, Jacori “Aiseborn” Perry, Ivan “Mr Mustart” Petrovsky, and Carlos “Kopyeson” Talavera. The creation of the exhibit itself was also a massive undertaking, as evidenced in a cool time lapse video that begins with its inception then leads up to the preview event. The exhibit was curated by Dr. Bernhard Zuenkeler.

Rick Carter & Select Illustrators: Bernhard Zünkeler, Carlos “Kopyeson” Talavera, Jacori “Aiseborn” Perry, Rick Carter, Ivan “Mr Mustart” Petrovsky, Muraji Khalil, Helena Park. Sitting on the ‘Forrest Gump’ bench.

While attending the preview event, I saw all of the talented artists and ran into some ‘Jurassic’ veterans, including: Rick Carter (of course), David Lowery (Storyboard Artist), John Bell (Art Director), & Seamus Blackley (creator of the ‘Lost World’ PC game ‘Trespasser’… and a little thing called the XBOX). Seeing this exhibit with so many of the creative leads that were involved with the extraordinary films represented will certainly be a night I will never forget!

Derrick Davis pictured above with Rick Carter and then Rick Carter & David Lowery

While ESMoA is applauded for having an online version of the exhibit accessible to everyone, I must stress just how much more incredible it is to see it all in-person! They really did “spare no expense“! This amazing free exhibit is open from May 5th to September 17th 2022 in El Segundo, CA, USA. Be sure to plan your trip in advance for the exact location and available hours and days it is open. Also check out their various upcoming programs that include opportunities to see Rick Carter in person!

For another Rick Carter-related experience that is connected to ‘Jurassic Park’, watch Jurassic Time’s illustrated audio drama of ‘Rick Carter’s Jurassic Park’; an adaptation of Rick’s script for the film, featuring thousands of production images from the film and interviews with Rick!

Note: Some images were obtained directly from ESMoA. Special thanks to Rick Carter & Eugenia Torre. ‘Rick Carter & Select Illustrators’ and ‘Installation Shots’ are credited to Mark Knight.

Do you plan to make a trip to this exhibit? And besides the ‘Jurassic’ films, what are Rick Carter’s other films that he worked on that you also love? Share your comments below, and as always stay tuned to Jurassic Outpost for the latest!

‘Jurassic Time’ Interviews Production Designer Rick Carter With Its Updated Illustrated Audio Drama!

Last year, Jurassic Time unveiled ‘Rick Carter’s Jurassic Park’: an illustrated audio drama that presented an early version of ‘Jurassic Park’ through production designer Rick Carter’s adaptation of Michael Crichton’s final draft screenplay. It featured the film’s original production artwork brought to life with fantastic music, sound effects, and the voice talents of enthusiastic fans.

While the production was released in February 2021, additional artwork was revealed from people who worked on the film through various outlets; including many in better quality than previously available. More would be uncovered throughout the year, thanks to a resurgence of interest in how the film was made. There was so much more material to work with that it became clear the video program had to be updated.

In February 2022, Derrick Davis (video editor & head of the project) began re-working the videos with the new materials. Such additions included Art Director John Bell‘s character designs of Alan Grant, Ellie Sattler, and Ian Malcolm that differed greatly in appearance compared to how they would look in the film. It should be noted that character appearances changed frequently during pre-production, creating unavoidable inconsistencies throughout the artwork. However, adding such imagery gave the videos even more authenticity and revealed more insight into the endless production ideas.

John Bell’s early art depictions of Ellie Sattler, Alan Grant, John Hammond, Ian Malcolm, Lex Murphy, & Tim Murphy.

During this process, an amazing opportunity took place. Derrick was able to reach out to Rick Carter himself, who had seen the 2021 version of the illustrated audio drama! Rick was delighted with the production, and never thought something like it would have been realized from his script. Their discussions led to a recorded conversation that was then edited into two separate videos: one focusing on his script, the other an hour-long look into his career that delves into ‘Jurassic Park’, ‘AI: Artificial Intelligence’, ‘Avatar’, and other productions. More importantly, Rick explores the core of what he brings to any project he works on with his inspirational wisdom.

Both conversations now appear at the end of the production as supplemental features, perfectly cementing the entire presentation. His wonderful insight into the film’s production, his career, and his life were an emotionally fulfilling highlight.

One of the many brand-new talking points from Rick Carter explains how he ended up revising Michael Crichton’s ‘Jurassic Park’ screenplay into his own draft, and the purpose it served in the production of the film.

“Steven and all of us were having such amazing conversations as we explored where the movie could go, based upon Michael’s book. And I knew Michael Crichton through my mother, so I already knew him as a person independent of all of this. So, I knew what he was writing from his book, and the conversations with Steven, and we were developing all sorts of ideas for scenes and context that it was fine for him to do his version.

When it went to the next step, there was Malia Scotch Marmo who was brought on; and I wasn’t part of those meetings. And I knew that many of the things that we were discussing were going through Steven to her and then he was wanting to see what she would bring. But it was making it a little bit hard, as I remember, to know what to coordinate for the art department to focus on. I mean, we knew the main road attack would be there, we had the design of the Spitter, the Spitter would be there, we knew there was a raptor pen; you know, we knew certain things. But there was a whole river extravaganza, there were a lot of things that were in the book that we were still playing out and exploring.

So, I wanted to get something in front of Steven that we could use as our working document. And I started to write sort of memos that would outline scenes and I’d throw images with them, and that kind of thing. But it got to be where it almost was easier to do it as a screenplay form. And then, of course, once I entered into that I started just putting in dialogue and, you know, whatever. Or whatever I took from the book that I thought was still really good.”

-Rick Carter

Rick Carter during his conversation with Derrick Davis.

Now, the final version of the program is completed. The end result is a one-of-a-kind experience that was an ultimate labor of love from everyone involved. While the debate can rage forever if this early version of the film would have been better than what we got, it is still fascinating to see it performed in such a dramatic way. It is also great to finally have an engaging way of presenting the art from those who worked on the film, instead of having it locked away or forgotten forever.

Derrick Davis & Bernard A. Kyer (the project’s sound designer & music composer) would like to thank Rick Carter and everyone in the production for bringing this dream to life and realizing the imaginations of those who worked so hard to create our cherished, classic film: ‘JURASSIC PARK’.

Be sure to check out the entire updated video series now! And if you’d like to learn more, read the ‘Behind The Scenes’ article to delve into the entire history of the project.

How exciting was it to hear brand-new conversations with the production designer of ‘Jurassic Park’? What were details that he shared that you enjoyed the most? Share your comments below, and as always stick around with Jurassic Outpost for the latest!

E-Win Champion Series Gaming Chair – JurassiCaleb Review!

Jurassic Outpost has recently partnered with E-WIN Racing, makers of high quality gaming chairs, desks, and equipment. The folks there were gracious enough to partner with us for a review of one of their new heavy duty E-WIN Racing gaming chairs – read on for our thoughts, in affiliation with Caleb Burnett/JurassiCaleb!


This is the E-WIN Champion Series ergonomic computer gaming office chair! It comes with high-density pillows and cushions for neck and lumbar support, and also comes in a few different color combinations. The one we received is a sleek black and red.

It looks so great in the JurassiCaleb studio. It’s upholstered with E-WIN’s stain resistant leather and can be cleaned without damaging the surface. The arm rests can be adjusted and rotated into multiple positions, and the chair itself can be set to a good range of different heights.

One of the best things about this chair is that it completely reclines for both leisurely work and full relaxation. The office gaming chair can be set into multiple positions for anything you need to do in it. Every part of this chair is strong and comfortable, and it is relatively easy to put together. This chair fits in well in a dinosaur and music studio, and feels very solid and grounded.

It’s perfect for both working or just hanging out in the JurassiCaleb studio, and it fits the modern aesthetic and dark colors there. This chair has become a crucial part of Caleb’s workflow and comfort whether working on music, brainstorming a video, or looking at the next dinosaur toy he wants to track down.

The black leather and red accents fit into the JurassiCaleb studio and collection room so well. You can shop their Champion Series Gaming Chairs here, and you can get the specific chair from our review here. Use code OUTPOST20 for a discount on your purchase! Huge thanks to the folks at E-WIN Racing for sending this chair to us for a review!

Artist William Stout Shares ‘Escape From Jurassic Park’ Animated Series Insights at SDCC Panel!

William Stout, whose book The Dinosaurs: A Fantastic New View of a Lost Era inspired Michael Crichton’s Jurassic Park, presented a “Spotlight on William Stout” panel at San Diego Comic-Con Special Edition this weekend, and we were fortunate enough to attend. During the presentation he shared some very fun insights into his work on the ‘Escape From Jurassic Park’ animated series as well as stories from his career in the art and film industries – most interestingly those from his time in the world of Jurassic Park.

William Stout’s career spans more than 50 years, and his love for dinosaurs spans even longer. He wrote and illustrated his book The Dinosaurs: A Fantastic New View of a Lost Era in order to incorporate and share new discoveries about dinosaurs’ lives and behavior.

One of his first major film credits was Conan The Barbarian, and he first met Kathleen Kennedy (producer/executive producer of the first three Jurassic Park films) in the production office of that film. Through Kennedy and other connections in the industry, his name was in conversations surrounding the production of Jurassic Park in the early 1990s. Stout was among those considered by Steven Spielberg to be the production designer for the film. Though he was very interested and thought he could’ve been perfect for the job, Spielberg later chose Rick Carter (who did an incredible job). When asked about this, Stout said:

“There are a couple of sayings in Hollywood: ‘The more perfect you are for a job, the less likely it is that you’ll get it’ and also ‘The more you want a job, the less likely it is that you’ll get it.’ I really wanted the job. It was the only job I ever really pursued employment on. Others just came to me. I also think they were worried based on my prior knowledge of dinosaurs that I might suggest something that Spielberg didn’t want, which I never would have done. I was extremely interested in the job and pursued it very hard, harder than any other job in my career. And sometimes the jobs you pursue that hard are the ones you end up not getting.”

Stout certainly would have had a very unique take on the production of Jurassic Park. He remains a huge fan despite it all.

When asked about his time working on ‘Escape From Jurassic Park’, Stout said:

“Working on the Jurassic Park animated series was so fantastic for me. It was heavily inspired by European and German comic book series – not only the humans but the dinosaurs as well. It was meant for primetime, and for adults and family members. It was not gonna be a kiddie show, and they were gonna use a lot of CG animation to do the vehicles and things. We shot a trailer for it that was just incredible. But about the time they decided they would show it to Steven Spielberg (because they needed his final blessing on the project), he had been so inundated with Jurassic Park merchandising and marketing that he was sick of it. He didn’t even look at the trailer, he just said ‘Nah, I don’t even wanna do it.'”

The unfortunate cancellation of the series is truly a shame. It sounds incredible every time it comes up in conversation, and it seems Stout really loved working on it. The image above, according to Stout, was “inspired by zookeepers feeding Condors at the San Diego Zoo.” You can view some of his concept artwork for ‘Escape From Jurassic Park’ in the gallery below. Read our exclusive coverage of the full season one plot of ‘Escape From Jurassic Park’ here.

What do you think about these new insights and stories from William Stout? Let us know in the comments, and stay tuned for more Jurassic coverage from San Diego Comic-Con!

Images and concept art courtesy of William Stout. Visit his website to see his incredible Jurassic works and more!

Welcome to the New and Improved Jurassic Outpost!

Welcome… to Jurassic Outpost! We have been hard at work over the past year designing and updating our website and we are happy to finally have launched the refresh. We hope you like the new design!

Designed by the wonderful James McQuade, and pieced together – and made functional – by the amazing Sam Lihou, the team are excited to launch this new look, filled with Jurassic content!

Our main header art was designed by Ryan Shumate which you can read more about here – along with a short history of the website since it’s early beginnings in 2008!

Alongside the new website, we are proud to open the Jurassic Outpost online store which is currently stocked with Outpost themed products. You can now purchase an official Outpost mug, but primarily we are excited to debut our Kirby product line, featuring mugs and more from Paul Kirby’s own Oklahoma based business, Kirby Paint and Tile Plus.

Our ever-growing Encyclopedia has moved to its new home at JurassicWiki.com, and we encourage you to check out the galleries at The Jurassic Vault which are filled with 4K screenshots, behind the scenes imagery and much more!

We have never asked for financial support over the past 10 years; Jurassic Outpost has always been a self-funded website with events, giveaways and more coming out of our own pocket. We’re not asking for your money now, but there are ways you can support us and any form of support means the world to us!

We want to thank all of our readers and followers for choosing Jurassic Outpost as your source for Jurassic news and for following us for all these years. We hope you enjoy navigating your way through our new website, and be sure to check out the colour changer in the footer.

Today marks the 27th Anniversary of Jurassic Park, and the 5th Anniversary of Jurassic World – how are you celebrating? Let us know what you think of the new website in the comments section below, and here’s hoping an update on Jurassic World: Dominion is on the horizon!

Colin Trevorrow Confirms Someone Has Guessed the Title of Jurassic World 3 – but What Is It?

As we continue to approach the start of filming for Jurassic World 3, it is safe to say that there is a lot of excited speculation within the fandom about what the title of Jurassic World 3 may be. Whilst we know that the working title of the film is Arcadia, as confirmed by production weekly, we know that this will not be the final title for the film.

There has been lots of speculation in the fandom about the nature of the name of the new film – and recently, Jurassic community member James Ronan shared a great thread on Twitter which Colin Trevorrow actually got involved in – adding fuel to the speculation fire – and eventually confirming fans within the thread have guessed the title.

Colin’s involvement within the thread involved teasing fans, before adding some additional context to some of the titles. Whilst he replied to some, such as ‘Jurassic World 3: Duel of Fates’, to poke fun at some of the ideas which fans were throwing out, he did also offer some hints about the direction which the title of the third entry in the film series may be taking.

While the above tweet isn’t from Colin, it is part of the thread, and one of the few Colin liked within it. Considering that, it stands to reason the title will be something more hopeful. Another thing Colin did confirm on this thread was that ‘Jurassic World: Extinction’ will NOT be the title of the new film. I must admit, I was slightly disappointed to read this as I and several other fans had been excited about the prospect of ‘Extinction’ being an obvious new subtitle for the series – as it was nearly the title of Jurassic Park 3 – but it does now bring into question where exactly we may be heading next. There were several fantastic suggestions within the thread such as ‘Paradigm Shifts’, New Era and ‘Welcome to Jurassic World’ – all of which I personally really appreciate as they have they communicate the current nature of the franchise well. Other great suggestions included ‘Jurassic World: The Edge of Chaos’ and ‘Jurassic World: Paradise Lost’ – though they skew less positive sounding, and more grim.

So you’re probably now thinking ‘but I saw people saying Colin Trevorrow confirmed the title is ‘New Era’. He didn’t. While that title is the current running theory, as it was guessed within the thread, and reads in a positive way, Colin’s tweet using the words dates back to the Summer, regarding a very different topic.

The running theory is Colin chose the words New Era on purpose, as an easter egg of sorts, that would only come to light after the title of the film is announced. It wouldn’t be the first time he did that – in past interviews with Jurassic Outpost, he snuck direct quotes from the Fallen Kingdom script into his answers to our questions. However, only time will tell!

‘Jurassic World: New Era’ or not, these titles should have one thing in common – they suggest that the title should reflect the new nature of the third instalment in the series now that we are off Isla Nublar, and well within the domain of the general population. Short features like Battle at Big Rock and The Jurassic World Motion Comics have provided tantalising hints at the nature of the world after the fallout from Jurassic World: Fallen Kingdom – so this is something which I feel should be further emphasized in the title of the third film. It is safe to say that the stakes which we are facing within the upcoming sequel are the most extreme they have been within the franchise so far – so I am hopeful that the title will reflect the change in scale and scope which we are likely to see when this film debuts in cinemas everywhere next year.

Battle at Big Rock Graphic

Equally, however, the title may be something much more on the nose like ‘Jurassic Park: The New World’ – hinting at the more open and ‘new’ nature of the franchise moving forwards. With Universal Pictures ramping up the amount of energy Jurassic is getting, and with more toy-line and spin-off materials than ever before, I think that this film may be used as a springboard to debut a new world of Jurassic content – functioning as an ending to the story saga we have followed, but also as a new start for wherever the franchise may go in the future.  It’s safe to say that we could speculate over the title all day – but, at the end of the day, it is just a title – and it may not even directly hint to what happens within the film but may be something much subtler, so we will have to wait and see how the title eventually ties into the film.

With all this said – I’m eager to hear what you are all thinking about Jurassic World 3. What do you hope the title of this new entry in the saga will be? And what are you hoping the film will explore thematically? Let us know in the comments below, and stay tuned for more news on Jurassic World 3 as soon as we get it!

Shop the Jurassic World Collection at Classic Stills with Discount Code Outpost20!

Looking for the perfect gift for yourself or another Jurassic Park super fan this Holiday season? Have some space on your wall for some framed art straight from a film you love? Consider the Classic Stills Jurassic World collection!

Classic Stills, a Los Angeles and London-based publisher of rare and iconic photographs, has collaborated with Universal Brand Development to release a limited-edition collection of iconic still images from Universal Pictures’ 2015 blockbuster film, Jurassic World. This will be the first time still images from the movie will be available as gallery-quality fine art prints and comes exactly one year after Classic Stills launched the first-ever Jurassic Park fine art collection.

“Following the release of our popular Jurassic Park collection, we’re thrilled to offer fans an even wider selection of iconic images and heart-stopping moments from Jurassic World,” said CEO Rene Freling.

The collection of 24 still images spans the entire feature-length film, from the opening scene to the film’s final shot, and features many fan-favorite action scenes in between.

The prints will be available in up to four sizes, with only 100 individually numbered prints available per still image. Prices will range from $149/£125 to $1,000/£850 each.

Classic Stills’ fine art prints are developed using the chromogenic print (C-print) process and are printed on archival-quality photo paper. Every print is framed meticulously by hand, includes acid-free matting and hinging, and is protected by UV acrylic to prevent fading.

The Jurassic World gallery-quality fine art prints will be available for purchase in the U.S., Canada, Ireland, France, Germany, Spain and Italy starting on October 17, 2019. For more information on Classic Stills and the Jurassic World limited-edition collection, please visit https://classicstills.com and https://classicstills.co.uk.

The collection itself spans from in movie frames, and official promotional artwork that were part of the marketing campaign, such as posters. Be sure to use our exclusive discount code Outpost20 for 20% off while shopping this collection!

Which pieces of art are you most interested in within the collection? Sound off in the comments below, and stay tuned to Jurassic Ouptost!


For The Win Project Helps ‘Jurassic World’ Fan Liam Find A Way!

Welcome to Liam’s Jurassic World! Since 2015 the For The Win Project has been providing children who are disabled, disadvantaged and seriously ill the opportunity to BE their favourite heroes, and 9 year old Liam would like to welcome you to his Kingdom!

Thankfully now in remission, Liam has been battling cancer since he was only 5 years old. The Jurassic movies helped Liam get through many of his tough days battling luekemia, and also inspired him to follow in Dr. Grant’s footsteps and become a Paleontologist!

The For The Win Project has been working with Liam and his family to provide a unique opportunity to star in his own Jurassic World movie trailer and feature on the poster alongside the one and only Raptor Wrangler Owen Grady!

With a photoshoot guided by Chris Pratt himself, Liam’s movie poster was brought to the Jurassic World: Fallen Kingdom set by For The Win founders Jesse and Jaimie to celebrate the news of Liam being in remission with the cast and crew! The wonderful Bryce Dallas Howard also had a special message for Liam:

With the aid of Chris Pratt and Bryce Dallas Howard, the For The Win team organised an incredible day at Jurassic Park itself in Universal Studios Hollywood! A Jurassic Park Motor Pool Jeep picked Liam up and drove him to the Universal Studios backlot where his movie poster and trailer were unveiled to him.

He even got the chance to tame a rogue Velociraptor at the Raptor Encounter!

The team at For The Win truly created a one-of-a-kind experience for young Liam, a kid that’s been through so much. He is now a movie star in his favourite franchise!

Paleontologist Dr. Jim Kirkland also recorded this video message for Liam:

In the words of the For The Win team, ‘Liam is an inspiration, a warrior, and most importantly, a great kid’, and we want to wish our own thoughts and love to young Liam, who’s already faced some of life’s hardest battles. You are an inspiration, kid!

We also want to highlight the heartwarming work that our friends at the For The Win Project are doing and help spread the word. Kids like Liam have already been dealt a bad hand and it’s people like Jesse, Jaimie and many others who help to brighten their day.

There are unfortunately many other children out there battling cancer and other illnesses so be sure to check out charities like For The Win to see how you can help, and learn more about it all at https://www.cancer.org.

Share your thoughts down below and be sure to wish Liam good luck with his dream of becoming the next Alan Grant!

Jeff Goldblum, Laura Dern, John Rosengrant and MORE Discuss ‘Jurassic Park’ at the 25th Anniversary Celebration in Universal Studios Hollywood!

Remind me to thank John for a lovely weekend. Wow! Last weekend at Universal Studios Hollywood, thousands of fans from around the world attended an official gathering for Jurassic Park which celebrates it’s 25th birthday this year.

Universal Pictures, the theme park team, and all of the partners and collaborators involved staged a fantastic and exciting event which span across the entire weekend. We were treated to a theatrical screening of the new 4K release of Jurassic Park, panels with the filmmakers and talent, trivia and costume contests, themed food, all within the lowerlot at the park.

Not only were multiple partners there showcasing their video games, merchandise and experiences, but Colin Trevorrow himself introduced the IMAX screening of Jurassic Park by showing the opening scene of Jurassic World: Fallen Kingdom which received fantastic reviews!

If you got to your screen early enough you would also catch the remastered original teaser trailer and theatrical trailer for Jurassic Park, which are pretty amazing to see at such high quality. Hopefully these will be made available soon! We couldn’t resist our own ‘reaction’ video for the opening scene of Fallen Kingdom, considering just how excited it made us:

From Friday night to Sunday night fans of all ages celebrated their love for the movie and the franchise itself, and were able to experience everything Universal Studios Hollywood has to offer.

     

Jurassic Park: The Ride remained open the entire time and some of us experienced it for the first time! Ryan also lost his hat.

Panels

The highlight of the event for all of the three nights were the live panels, hosted by Colin Trevorrow and featuring both cast and crew from the franchise. Panels are a fan celebration standard often associated with Comic Con that Jurassic has been devoid of until now.

It’s not often that fans can listen to the talent that brought the movies together sit and discuss the inner details of what it takes to make these movies, and these panels fulfilled that craving. Hopefully these panels are the start of a more in depth and fan community centered focus for the Jurassic franchise moving forward.

When we first arrived into the lower lot our attention was caught by Dennis Muren, who was standing below the gates in anticipation for the panel. Growing up with Jurassic Park and watching the behind the scenes documentaries meant fans like us admired the technical and creative talent behind the movie, so we introduced ourselves to visual effects supervisor Dennis Muren and expressed our love for his work!

Celebration events like this are very new to the Jurassic Park fandom but provide the ability for fans to meet their heroes; the people that inspired them. We captured the panels via a live stream for any fans that couldn’t make it out to the event, and we have embedded those below!

Friday 11 May

Colin Trevorrow w/ Dean Cundey, John T. Kretchmer, Dennis Muren

Saturday 12 May

Colin Trevorrow w/ Laura Dern, Frank Marshall, Phil Tippett and Jack Horner

Sunday 13 May

Colin Trevorrow w/ Jeff Goldblum, John Rosengrant, John T. Kretchmer, joined by Jordan Vogt-Roberts and Gareth Edwards

With numerous stories from the making of Jurassic Park being shared on stage, the panels were a huge hit with the many fans that attended and hopefully we will see more in the future. It’s a fascinating way for the filmmakers and cast members to share their memories from the movies, especially now that the franchise has become so prominent in pop culture.

Partner Booths

Throughout the three events those attending could make their way to the Activity Center, which hosted a wealth of original props and costumes from the movies on display, and featured booths from the various Universal Pictures partners, showcasing their products which included video games, collectables, VR experiences and more!

Jurassic Park: Danger! Board Game

Ravensburger

The Ravensburger and Forrest-Pruzan Creative team were there hosting gameplays of their new Jurassic Park board game which we filmed below! We partnered with Ravensburger to giveaway two copies of the game during our live stream, with the winners being announced in the video on the right below. Huge thanks to Florian, Lindsay and Michele!

     

Steven Ray Morris of See Jurassic Right, Scallenger of Jurassic Time, DeinoNickus, and our very own Ryan played a game of Jurassic Park: Danger!

         

You can read more about the Jurassic Park: Danger! board game here.

Jurassic Park: The Chaos Gene

Mondo Games

While very little is known about this upcoming board game, the team from Mondo Games were showing off their concept and allowing fans to signup for future updates on the game.

We’re expecting more information on the game this year to coincide with a release – be sure to read everything we know about the game here!

Jurassic World: Evolution

Frontier Developments

This one was definitely a surprise for fans – Frontier Developments setup gaming stations at their booth allowing fans to play the upcoming park building simulator game!

The demo they had allowed roughly ten minutes of gameplay, including sending your ACU team to tranquillise a dinosaur and then move it to another area in the park. It gave a good opportunity to learn about how the game functions and how beautiful it looks!

Jurassic World: Fallen Kingdom Toyline

Mattel

While Mattel weren’t on-hand at their booth, the display they had created perfectly showcased their upcoming toyline for Jurassic World: Fallen Kingdom, and they even had a number of the Legacy Collection toys on display too!

We love the toy line and have more reviews coming soon, so stay tuned!

Jurassic World: Blue VR Experience

Felix & Paul Studios

This one was not one to miss! Announced a little while back, this VR experience for Oculus features Blue on Isla Nublar after the events of Jurassic World, and shows her reaction to the impending danger that features in Fallen Kingdom. The whole experience is beautifully directed and animated, and may be one of the most magical looks at dinosaurs since the very first film in 1993.

We had the unique chance to go hands on with BOTH episodes while we were in Los Angeles, and cannot stress enough how incredible of an experience it was. Don’t sleep on these VR episodes – they’re a new form of Jurassic storytelling that invoke all the staples you love from the films, and could very much be the future way to tell side stories in the universe (or explore the park itself!).

Jurassic World: Alive

Ludia Games

For fans of Pokemon Go, the team at Ludia Games (who were behind Jurassic Park: Builder and Jurassic World: Builder for iOS and Android) revealed their new game to fans which allows you to go out and capture dinosaurs!

The game ties in with the upcoming movie’s viral marketing, the Dinosaur Protection Group, and is available on both iOS and Android devices now!

Jurassic World: Pinball

Zen Studios

The team at Zen Pinball had a couple if iPads setup allowing you to play their Jurassic Park themed pinball game! This one was a lot of fun and will be an easy winner for the game of choice when you’re waiting for your flight…

Prop Recreations

Fandango

The entire partner booth area was setup with love for Jurassic in mind – with a jungle surrounding and the theme music playing, fans were in their element! The partner booths led to the main display which featured the Jurassic Park 29 Jeep which was seen in Jurassic World, the Gyrosphere and a couple of dinosaurs.

The Theme Park

A number of times at the event, people would ask us why the event was being held in Universal’s Hollywood Park as opposed to the much larger Orlando Park. And to every person we gave the same response: Orlando is a theme park that doubles as a Film Studio. Hollywood is a Film Studio that doubles as a Theme Park. And it was at this very Studio that Jurassic Park was filmed, edited and evolved.

The event was all about being able to reach out and touch the things that we had only been available for us to view on the screen until now, and that’s what made Hollywood the perfect venue.

When boarding the tram to the theater at end of the first night, the attendant pointed out that if we were stood exactly where we were right at that moment, 22 years ago, we would be seeing the RV trailers from The Lost World dangling off of the adjacent car park.

The Hollywood theme park hosts the ride, Jurassic Outfitters and Jurassic Café, among all the other attractions!

Working with the Jurassic Park Motor Pool we were able to organize a number of the member’s vehicles present at the event for photo opportunities, and some fans went even further! A few years ago Franck Galiègue purchased a screen-used vehicle from The Lost World: Jurassic Park… none other than the RV trailers that are pushed over the cliff by the two Rex’s!

Don’t worry – Alex is fine, he was just excited.

This was an incredible vehicle to see in person not only due to its sheer size, but because this vehicle featured in one of the greatest sequences constructed in this franchise, and is often a fan favourite. Thanks Franck for making this happen! Be sure to follow the team’s progress.

Trivia and Costume Contest

Activities happened all night in the park and shortly following the panels was the Live Trivia contest, in which fans could compete against each other over knowledge of the franchise!

Many fans also dressed up as their favourite characters from the movies – with Dr. Alan Grant and Dr. Ellie Sattler making regular appearances. People put so much effort into their various costumes and outfits, it was amazing to see!

The event was a blast and was an incredible way to celebrate the 25th anniversary of Jurassic Park! Universal Studios Hollywood spared no expense with this weekend long event, and our team loved meeting so many Jurassic fans from across the world!

A few fans were lucky enough to meet and greet Colin Trevorrow at the event, and the members of our team that attended got a photo!

Check out the galleries below!

Our video coverage will be available soon!

Huge thanks to our photographers Tim Cianfano and Alex Evans!

Stay tuned for more and if you were one of the unlucky fans who wasn’t able to make it out to Hollywood for the event, we hope you enjoyed our coverage! A big thanks to Universal Pictures and the various teams involved in bringing this event together – it was a blast!

What would you like to see at future Jurassic Park events? If you attended the JP25 celebration, what did you enjoy and what worked for you, and what could potentially benefit from improvements? Let us know in the comments section below as your comments may influence future events.