Author: Derrick Davis

Creator of JURASSIC TIME, the John Hammond Memoir and other features. Author of the upcoming novel INVERTIVERSE.

Time Travel To A ‘Bygone’ Era In A New Short Dinosaur Film!

Posted on by Derrick Davis

The Jurassic fan community is thriving as we all wait on the new Gareth Edwards film for the franchise. More people are creating original content than ever, either based on the Jurassic films or featuring dinosaur-related stories. Earlier this week we had the fan film by Muzzammil Shaik, and later in June there will be a new season of the fan-made audio drama ‘Tales From A Jurassic World.’ Today, we have a new dinosaur-related film from Cretaceous Cast called ‘Bygone‘! [Note: This film includes strong language for mature audiences only.]

Synopsis:

Materials have run out. Corporations go back in time to areas of rock swept away in the present to mine. They believe this will stop paradoxes, but the ecosystem of Morrison Formation Colorado appears to be dying.

The sands of time are better left undisturbed.

Loosely inspired by concepts from Ray Bradbury’s classic ‘A Sound Of Thunder,’ the short fan film ‘Bygone’ is a fantastic sci-fi excursion with a fun premise. Written & directed by Spenser Mehew and beautifully shot by Clay Bowen, capturing the interiors with warm diffusion and the landscapes with glistening beauty… then inky-black suspense.

The big question on your mind probably is: do we see any dinosaurs in this dinosaur film? There’s a couple… including one with a unique quality that I won’t spoil!

Watch the film now for yourself, and then listen to Decennial’s wonderful original music score on its own! Also, check out Cretaceous Cast’s ‘Jurassic Park’ fan film from a few years ago, ‘Jurassic Park: 1999!’

What did you think of ‘Bygone’? Have you been enjoying this surge of fan creations? Are you going to make something yourself? Share your comments below, and stay tuned to Jurassic Outpost for the latest!

See Jurassic Park’s Original T-Rex In A Video Uncovering Tim Lawrence’s Files!

Posted on by Derrick Davis

Jurassic Time unveils a very special short documentary: ‘Jurassic Park’s Original T-Rex: The Tim Lawrence Files.’ Discover an unknown history behind the most famous dinosaur ever featured on film. Tim Lawrence was the first to design the Tyrannosaurus Rex for the classic movie. He worked on special creature effects for films like ‘Ghostbusters 2,’ ‘Harry and the Hendersons,’ & ‘Gremlins 2.’ Tim was a man of many talents, and great aspirations, until he sadly passed away in 2019.

During his career, Tim Lawrence was one of the first people employed for Steven Spielberg’s film adaptation of the Michael Crichton novel: ‘Jurassic Park.’ At this time, he helped create the very first incarnation of the film’s T-Rex. Despite this milestone, after the film went on hiatus during Spielberg’s production of ‘Hook,’ Tim was replaced by Stan Winston for unknown reasons. But the story of Tim Lawrence’s time on ‘Jurassic Park’ is still one that should be remembered. It’s an important piece of the film’s history; one that has never been told in any book or program.

Pre-production image featuring Tim Lawrence, in the grey ‘Les Misérables’ shirt, near Steven Spielberg among others.

Years before his death, Tim listed several auctions of his ‘Jurassic Park’ items on eBay. He provided several pictures and context for all of them, and most have never been seen before. Using these sources, and a few others, I (Derrick Davis) compiled them into a story that are all Tim’s words; with short connective phrases to string them together. Voice actor J. Malone respectively recorded them. While this section of the presentation isn’t Tim’s voice, they are his stories. May he live on in memory…

Mark Hallett designs and notes for the T-Rex.

The video includes an array of rare and never-before-seen images from the production of ‘Jurassic Park,’ including concept art by Mark Hallett, designs by Bob Gurr, and images of Tim’s models, and scans of photographs. As J. tells Tim’s story, it is accompanied with music by Bernard A. Kyer from the game ‘Jurassic Explorer.’

Bob Gurr T-Rex animatronic design.

Some may balk at the design being more fantasy-like in approach, but this was what Spielberg asked for. It is clear, through Tim’s words, that Spielberg wanted a more character-oriented approach to the dinosaur than accuracy. Opinions obviously changed over time, and perhaps that is why he was replaced by Stan Winston later on. Still, one wonders why Tim wasn’t simply given another chance at it? We’ll probably never know. ‘Jurassic Park’ had an extensive pre-production phase compared to many films, especially unique in that it began before the book was even published. Early scripts by Crichton himself were dated months before it was on store shelves!

Additional designs by Tim, nicknamed “Curious” & “Furious.”

Tim Lawrence was a talent that will not be forgotten, and I wanted his story about his time on ‘Jurassic Park’ to finally be out there for everyone to appreciate. He was an important piece of this classic film’s history that needed to finally get a spotlight. I hope it was all done in a tasteful manner for everyone. It was an emotional experience working on this. Hopefully that all shows through in the presentation.

What do you think of Tim’s T-Rex design, despite it being more of a movie monster? Do you wish it had at least been used in another film, like an adaptation of Conan Doyle’s ‘Lost World’ or a ‘King Kong’-type story? Share your thoughts in the comments below, and stay tuned to Jurassic Outpost for the latest (and the past)!

Nick Robinsion, “Zach” From ‘Jurassic World,’ Wishes To Return To The Franchise

Posted on by Derrick Davis

It’s been nearly a decade since the events of 2015’s ‘Jurassic World;’ after the Indominus Rex escaped its pen, causing a chain reaction of carnage on Isla Nublar. Zach Mitchell, played by Nick Robinson, survived the massacre. But where has he been since the dinosaurs reclaimed their “dominion?”

Well, Nick is entertaining this idea!

CoveredGeekly had an exclusive conversation with Nick, asking if he would come back to the franchise in the upcoming film. Nick says:

“I’d love to [return], but I don’t know. ‘Zach’ I think is probably still in therapy from the trauma of the first movie. But […] I’d love for that character to come back. It’d be really fun.”

While it is nice to know he is willing to return, it is all up to the script and the filmmakers if he really will. This is not a confirmation by any means. Still, it is nice to entertain what happened to Zach after the first ‘Jurassic World’ film. Was he forever traumatized by the event? Did he stop giving his brother a hard time? Did his parents divorce, or did they stay together [for SOME reason]? Has he stopped staring at girls, thinking something will actually happen? Did he finally respect his girlfriend? Maybe his experience at Nublar inspired him to hunt dinosaurs out of revenge for what happened to him and Gray?

Nick Robinson has been busy since ‘Jurassic World,’ on shows like ‘Melissa & Joey,’ but most notably as Simon in the film ‘Love, Simon’ as well as the spinoff series ‘Love, Victor.’ However, it should be mentioned that he did reprise his role as Zach for the ‘Lego: Jurassic World’ video game!

What do you think happened to Zach after ‘Jurassic World,’ and would you like to see it happen in a film? Share your comments below, and as always stay tuned to Jurassic Outpost for the latest!

‘Jurassic Park: The Official Script Book’ From Insight Editions Is Loaded With Annotations & Concept Art!

Posted on by Derrick Davis

The ‘Jurassic’ film franchise has received several fantastic behind-the-scenes books over the years. The original ‘Making Of’ books from the 1990s for ‘Jurassic Park’ and ‘The Lost World: Jurassic Park’ are regarded as some of the best ever made. In 2021, Insight Editions produced ‘Jurassic Park: The Ultimate Visual History,’ featuring stories and never-before-seen imagery from the original trilogy, including ‘Jurassic Park 3’ for the first time. Their fantastic chronicle was followed by ‘Jurassic World: The Ultimate Visual History,’ wonderfully detailing the making of all three ‘Jurassic World’ films.

All these books discussed the various scripts that were written: a vital part in creating a strong skeleton to support the body of each film. It’s a process that can take a lot of time, and a lot of drafts, to get just right. Their creation is more interesting and complicated than people may realize, making a whole book dedicated to the subject something ‘Jurassic’ fans have wanted for some time. Each of the six films in the franchise (so far) undoubtedly has fascinating stories behind their screenplays. However, the original film, adapted from the bestselling novel by Michael Crichton, had perhaps the biggest challenges.

Thanks once again to Insight Editions, a documented history of this process, with the final screenplay by David Koepp, is finally told in ‘Jurassic Park: The Official Script Book.’

Jurassic Park gave moviegoers an unforgettable thrill ride. Now, on the film’s 30th anniversary, fans can experience Jurassic Park in an all-new way with this deluxe, annotated edition of Michael Crichton and David Koepp’s script. This script book is annotated by franchise expert James Mottram (Jurassic Park: The Ultimate Visual History, Jurassic World: The Ultimate Visual History), offering commentary and insight into the behind-the-scenes story of the film. Fully illustrated with film stills, concept art, and other key visuals, this is a must-have collectible for Jurassic Park fans and a fitting tribute to a landmark film.

There is a lot more to this book than simply David Koepp’s script. To discover what’s beyond the cover, join me on a grand adventure at Isla Nublar via the video below (or an abridged version)! For an even more detailed look, continue reading this article!

WHAT’S INSIDE?

               DAVID KOEPP’S 12-11-1992 FINAL CONTINUITY DRAFT

The book features the 12-11-1992 draft by David Koepp, known as the final “Continuity Script.” What sets it apart from a more polished final draft are some beefier descriptions and the inclusion of some alternate dialogue for sequences that director Steven Spielberg would have to choose from. This gives the reader an additional “alternate universe” for certain scenes. The script also includes some moments that were filmed but cut, such as the reveal of why the Triceratops was only sick “every six weeks” and not all the time.

The only part of the script not included are the “Appendices.” These were two pages at the end of the script that had John Hammond’s dialogue heard during the lunch scene as a slide show played behind the characters. Most copies of the script didn’t include these pages, so their absence isn’t exactly inaccurate to what the majority of cast and crew members had. Thankfully, they do at least get mentioned in one of the book’s many annotations, featuring a summary of what they consisted of.

               INTRODUCTION & ANNOTATIONS BY JAMES MOTTRAM

The author of both Insight Editions ‘Jurassic’ Visual History books returns to provide additional content alongside the script. A lengthy introduction details the overall history of the film’s screenplays, before unveiling Koepp’s draft itself. Nearly every spread features an annotated section on the side, containing information that ranges from details exclusively revealed by David Koepp himself, comparisons to earlier drafts, alternate ideas from the previous screenwriters, and other behind-the-scenes intel. The added material James Mottram provides is written in a clear and engaging way that greatly stirs the excitement of the reader as they delve into the film’s script. One of the many exclusive quotes from Koepp explains why his original draft did not include Ian Malcolm; the mathematician who constantly is at odds with what ‘Jurassic Park’ is trying to accomplish.

“Honestly, it was because it was too hard,” he admits. “If you read the book, he talks a lot. He talks about math a lot, and he talks and abstracts a lot. And I just couldn’t figure out how to make it visual. I couldn’t figure out how to. And I thought about all sorts of things.”

               INSIGHT ABOUT THE PREVIOUS SCREENWRITERS AND THEIR DRAFTS

As mentioned, the annotations not only cover Koepp and his various drafts but also the screenwriters who tackled the film before him. Michael Crichton was the first to adapt his own novel into a screenplay, producing a pair of completed drafts. One detail James conjures is how a Crichton draft opened with a scene that would later front Spielberg’s film adaptation of ‘The Lost World: Jurassic Park.’

In his revised draft, Crichton opened with a variation on the novel’s second major sequence, where a young vacationer, Tina, is attacked on a deserted Costa Rican beach by a Compy. He also includes another early scene from the novel, set at New York’s Tropical Disease Lab, in which one Dr. Richard Stone and his technician Alice examine Tina’s sketch of the Compy, with Stone reaching the conclusion it’s a lizard.

This book is the first official publication to reveal that Rick Carter, the production designer of ‘Jurassic Park,’ also created his own unique “working document” draft. He wrote and assembled it during the production’s downtime when Steven Spielberg left to film ‘Hook.’ Jurassic Time created an epic “illustrated audio drama” version of his take on the film, which includes a unique item most fans would certainly love: a Spitter umbrella that squirts water from its “mouth.” Rick details the inclusion of this gag, among many other new notes.

“The idea of an umbrella squirting water is pretty ridiculously funny,” says Carter. “You have this thing designed to keep the water out. It’s actually squirting water!” The concept of a branded novelty umbrella came up during brainstorming sessions, adds Carter, when he and others on the team began to consider, “How would the dinosaur experience be commercialized in that park, and that Visitor Center?”

James also had an exclusive conversation with Malia Scotch Marmo, the penultimate screenwriter brought on board. While she only penned a single draft as well, her ideas were still an important part of the screenwriting process until Spielberg ultimately chose another direction. Scotch Marmo even contributed to a vital casting recommendation that became a reality!

Described in the book as “twenty-four and darkly tanned,” with her blonde hair tied back, Dr. Ellie Sattler proved to be a difficult role to cast. “Steven sent me clips of young actresses to play Ellie,” recalls Scotch Marmo. “The clips showcased the actresses in previous film roles. I noticed they were all ingénues. They had youth and a certain naïveté and freshness. I kept thinking they were missing the mark. Ellie is a scientist. Perhaps because my father was an astrophysicist, I couldn’t buy the actors he was showing me as realistic in any way . . . in a science fiction movie like Jurassic Park believability was essential. Steven is very open to push back, and he asked, ‘Who would you like?’” The writer made a case for Laura Dern, who coincidentally had impressed Spielberg in the 1985 film Smooth Talk.

               LOADS OF CONCEPT ARTWORK, STORYBOARDS, & OTHER IMAGES

While both ‘Jurassic’ Visual History books were filled with production artwork and other images from the entire franchise, this book is only focused on the first film. Despite the included script being essentially the film that made it to the screen, the pages are filled with seemingly endless concept art, storyboards, and blueprints that cover many iterations. These materials transport the reader into the film’s art department during the creative process that helped shape the story just as much as the scripts did. This includes early designs by John Bell for lead characters before the actors were cast, never-before-seen storyboards of the famous Main Road attack sequence by David Lowery, a pair of slides from the lunch room scene by Caroline Quinn, and numerous artwork showcasing the omitted river and helicopter attack sequences. Peppered throughout are wonderful stills and other photographs from the film itself. Overall, much of the amazing artwork is not present in the other Insight Editions volumes, or any book.

Countless artists worked on the film, for a much longer period than most get these days. All the concept artwork is credited to each artist; however, the storyboards were tricky to identify given several artists often worked on just a single sequence. The final page of the book credits those artists who were able to be identified, but the entire art department should be forever applauded for their immense contributions to this film.

It wouldn’t be an honest article without referring to the “dinosaur in the room”: the front cover of this book. The artwork used was not made during the production of the film, but a recent selection of “key art” provided by Universal. To put it nicely, it’s definitely not the cover I would have chosen. It doesn’t appear inside the book itself, although a small selection of other recent artwork to celebrate the film’s 30th anniversary is present. They are, thankfully, quite a bit more appealing.

               FAN CONSULTATION

To be completely transparent, I (Derrick Davis) consulted on this book! I’ve been a massive fan of ‘Jurassic Park’ ever since I saw it at my local drive-in when I was 6 years old (which featured a sign that looks suspiciously familiar to those who have seen the extended cut of ‘Jurassic World: Dominion.’). I went on to create Jurassic Time, producing various programs and conducting interviews with people who worked on the films. I’ve also written many articles for Jurassic Outpost since 2021. I was also a consultant for Criterion’s release of Karel Zeman’s classic prehistoric film ‘Journey To The Beginning Of Time’ and the re-release of the ‘Jurassic Park’ soundtrack from La-La Land Records.

However, being asked by James Mottram to join him in the production of this book was a dream come true. I have always been entranced by the many scripts of ‘Jurassic Park,’ as well as the thousands of artwork that was created before cameras ever rolled. After I read the original ‘Making Of Jurassic Park’ book, I was obsessed with peeking further behind the curtain to see the creative process of how it was all done. Over the years, I collected hard to find documents and artwork that would have otherwise been lost in time. Several of these materials, along with my own insights, enhanced this book’s content. To be associated with a book like this, for my favorite film, is something I will be eternally thankful for.

Another fan is given special mention for helping with this book: Astrid Vega (pictured with me, above, in 2018). She once ran The Jurassic Park Collection, until she sadly passed away in 2019. Astrid was a collector of many production materials that she shared with fans for years, and thanks to her, some of those are now showcased in this book.

               DIGITAL E-BOOK EDITION ALSO AVAILABLE

While the physical hardcover edition is my preferred way to possess this unique book, there is also a digital e-book version available separately. This is a departure from both “Visual History” books, since those featured additional inserts that were referenced in the text that couldn’t be adapted in this format. Some may prefer a digital version for the cheaper price point and to avoid high shipping costs in certain areas of the world. E-books are also handy for quicker research, with the ability to find text in seconds. The way I see it, having a digital edition also available ensures all ‘Jurassic Park’ fans have a fair chance to seek a copy of this book!

THE PERFECT WAY TO CONCLUDE THE 30TH ANNIVERSARY!

This year’s 30th anniversary of ‘Jurassic Park’ is coming to an end, and what better way to celebrate it than by experiencing every word of the film in this fully illustrated form? Yeah, I know, I may be a little biased in this endorsement. However, I hope this detailed article on what the book consists of, with some exclusive first-look images, will entice you to seek a hardcover or digital copy today! This is the kind of book I have always wanted for ‘Jurassic Park!’ James Mottram, and the staff of Insight Editions, have gone out of their way to make this new entry in their series “spared no expense.” Perhaps someday the other films in the series will get script books of their own? There are definitely more stories to uncover, and artwork that deserves to be unearthed, before becoming extinct.

For an even deeper look at how this book was created, check out an engaging conversation with annotator & author James Mottram and consultant Derrick Davis.

Do you plan on checking out the first script book ever for a ‘Jurassic Park’ film? Would you like to see Insight Editions tackle ‘The Lost World’ next? Share your thoughts in the comments below and stay informed with Jurassic Outpost for the latest!

Production Designer Rick Carter Celebrates The 30th Anniversary Of ‘Jurassic Park’ With A New Art Exhibit & Prints!

Posted on by Derrick Davis

The 30th anniversary of ‘Jurassic Park’ is nearing extinction. While there was sadly no major fan event akin to Universal Studios Hollywood’s 25th anniversary celebration, there were at least smaller opportunities throughout the year; such as theatrical screenings and an elaborate tribute store in Orlando. However, for those near Los Angeles, California, there is one final event to commemorate the third decade of ‘Jurassic.’

Production designer Rick Carter’s new art exhibition in Los Angeles, “Trip Outs & In”, is a showcase of his recent original paintings, cinematic collages, and A.I. inspired collages. It includes Rick’s “cinema room,” featuring artworks that reflect his production design process and film memorabilia from ‘Jurassic Park’ in honor of the film’s 30th anniversary! This special exhibit was created by Rick’s son, Jim Carter, through his Artist Agency Legacy West Media. Sponsored by The Container Yard, Excel Image Group, Sierra Nevada, The Lapis Press, & Jurassic Outpost!

Rick Carter’s production design process has been instrumental in bringing classic films to life for decades, such as ‘Forrest Gump’, ‘Back To The Future 2’, & ‘Avatar.’ They all get a spotlight in the “cinema room”, but Rick’s ‘Jurassic’ art features unique collages he created during ‘Jurassic Park’ and ‘The Lost World: Jurassic Park’. For the first film, he cobbled together ideas for the now-iconic Visitor Center, and for the sequel he depicted dinosaurs on and off Isla Sorna.

During this time, prints of some of these collages from the ‘Jurassic’ films are on sale at Rick Carter’s Art site! These limited edition prints are numbered and signed by Rick himself, making for a unique and special addition to any fan’s collection!

The exhibit also features original art by Rick that is not related to any film, including portraits of faces that come to his mind. This collection of art, with prints also available, details Rick’s personal connection to faces of the world.

Rick Carter’s “Yellow Woman.”

“As an artist I have attempted over the years […] to express the spirit of the many people who now travel within me as I continue my journey [around the world]. […] Many of the people I now paint or draw have come from my imagination. I don’t know who will emerge when I begin. But I do know where most of them come from. They are derived mostly from the people I encountered while traveling. Over time, some of them have become embedded and then embellished like pearls into almost real characters within my soul. They resonate as a group inside of me – creating a dialogue amongst my inner collection of people.”

This exhibit will run from December 2nd to December 11th, but the prints will remain online until they are sold out. Don’t miss out on your chance to see or own official prints of production artwork from ‘Jurassic Park!’ It’s amazing that even after thirty years there is still much to see and talk about regarding the original films from the franchise. Rick’s art is a capsule of special moments in time where his creativity gave birth to what we all know and love today. But his vision goes beyond the films he worked on, and this exhibit is an amazing tribute to his inspirational talent, and an amazing human being.

Rick Carter with a Stan Winston animatronic T-Rex during the production of ‘Jurassic Park.’

For a look at how Rick Carter also adapted the script of ‘Jurassic Park’ during the film’s production, watch Jurassic Time’s ‘Rick Carter’s Jurassic Park,’ an illustrated audio drama! Also check out the newly-released ‘Jurassic Park: The Official Script Book‘ that contains new quotes from Rick with a concept sketch he made for the Visitor Center’s rotunda!

Rick Carter’s sketch artwork featured on the page to the right.

(Exhibit photos by James Meledandri.)

Will you be able to visit Rick Carter’s exhibit? Interested in his art prints? Did you know collages like Rick’s are instrumental in the design process of films like ‘Jurassic Park?’ Let us know in the comments below and stay tuned to Jurassic Outpost for the latest!

‘The Lost World: Jurassic Park’ Soundtrack By John Williams Gets A New 2-CD Release!

Posted on by Derrick Davis

‘The Lost World: Jurassic Park’ may not have the same cultural impact as ‘Jurassic Park,’ but it features one of composer John Williams’ most intense and exciting music scores. Loaded with percussive action, memorable jungle rhythms, and alluring atmosphere, this score holds a strong identity for the entire franchise. Now, over 25 years after it premiered, this incredible music score gets a definitive release in a brand-new 2-CD set from La-La Land Records. But how definitive is it, and what sets it apart? To find out, let’s embark to this “lost world” together!

In 1997, the soundtrack was released on CD in the form of a 69-minute album via MCA records (also available on audio cassette). John Williams assembled this 1-CD release himself, combining some cues together to form certain tracks, and arranging it all in his own personal sequence. While this album featured a large chunk of the score it did leave off several cues that were heard in the film. Some of these were favorites of those who had seen the film, expecting to find them on the album but ending up disappointed.

Interesting to note is that the CD version of this album featured a pop-up foldout display and housed the CD within its cardboard assembly. It was called, fittingly, a “3D Dinorama”. Collectors often criticized the packaging due to it falling apart easily, but worst of all, it would scratch the CD if not removed carefully. The cassette version had a 2D paper foldout-only version of the same scene as well. A Taiwan CD release also included a digital “Tamagotchi-styled” dinosaur pet. While the 1997 CD Album is now out of print, it can at least be bought for relatively cheap prices in the secondary market and is also easily available for digital purchase.

This same music program was replicated in the year 2000 for a CD re-release of the score. It was included in a neat “Collector’s Edition” set with the films and soundtracks for ‘Jurassic Park’ & ‘The Lost World: Jurassic Park.’ It featured unique cover art that mimicked the DVD release at the time. Unlike the 1997 version, there is no 3D Dinorama and it is instead housed in a typical jewel case. For a long time, many collectors would seek this version of the album for this reason alone.

Finally, in 2016, La-La Land Records released a 2-CD expanded and remastered edition for the first time, as part of a 4-CD collection that had included John Williams’ score to ‘Jurassic Park’ (also expanded and remastered). Apart from the remastering, La-La Land Records also went back to the original elements and provided every cue of the score for the very first time. This was a godsend for fans after yearning for the missing cues for so long. This included “On The Glass”, when Sarah Harding is terrifyingly on the glass portion of the Mobile Lab as it hangs over a cliff; “Ripples”, when the T-Rex parents make their attack on the hunter’s camp; and the intense conclusion in the abandoned village as the raptors’ chase after our heroes in “High Bar and Ceiling Tiles”.

While many units of the 2016 set were produced, it did eventually go out of print. This led to second-hand sellers taking over the reins of offering this CD release to people online, often selling for well over $100. The perfect sound quality and the complete score presentation it contained was otherwise hard to find for fans of the score that wanted more than the 1997 or 2000 albums had to offer.

Now seven years later, La-La Land Records returns with a brand-new 2023 re-release. Only this time, it is focusing on just ‘The Lost World: Jurassic Park,’ with some additional improvements to truly make this be the definitive release of this thrilling score:

La-La Land Records, Universal Pictures and Amblin Entertainment, Universal Music Group and Geffen Records present THE LOST WORLD: JURASSIC PARK, a limited 2-CD re-issue presentation of maestro John Williams’ (JAWS, E.T., JURASSIC PARK) original motion picture score to the 1997 blockbuster THE LOST WORLD: JURASSIC PARK, the first sequel in the legendary JURASSIC PARK franchise, starring Jeff Goldblum, Julianne Moore and Pete Postlethwaite and directed by Steven Spielberg. Maestro Williams’ sensational and powerful orchestral score thrills and awes, ranking as one of the composer’s most celebrated and unique works. Produced, edited and mastered by Mike Matessino, the 96k/24 bit master files utilized in our previous 2016 collection have been newly output and remastered, including minor sonic improvements throughout. Newly added to this 2-CD expanded reissue are never before released takes of “On The Glass,” “Rescuing Sarah” and “The Raptors Appear,” all featuring alternate instrumentation, plus the unique film version of “Ripples.” The 28-page CD booklet features liner notes by Matessino (adapted from our 2016 collection) and the new art design is by Jim Titus. This is a limited edition of 5000 Units.

This release’s additional new bonus tracks make or an appealing reason for super-fans of the score to seek it out! The first new track is a partial alternate (the second half) of “On The Glass.” It covers the section where Eddie is arriving and trying to figure out how to save the characters hanging over the cliff. It’s mostly just an alternate performance with some other unique touches. The alternate for “Rescuing Sarah,” the sequence where Eddie uses his car to pull the trailer as Sarah and the others attempt to climb the rope, is not only a quite different performance but also feels more subdued and eerie. The percussion feels less active, and features what the sheet music calls “a low animal moan” and “synth breaths” in prominent ways that add to this unique version.

The film version of “Ripples” is an interesting one. The middle of this cue is where the alterations happen, but not from an alternate performance. It was created editorially, using isolated elements of the orchestra and synths to create a unique version that removes most of the active percussion and instead builds on a rhythmic pulse-pounding escalation with strings into the T-Rex’s attack at the campsite. While John Williams apparently did not create this alternate version, it was memorable in the film for many people and was included this time since there is no viable way to re-create it without having access to isolated elements of the score. Lastly, the alternate for “The Raptors Appear” is a completely different performance and features unique mixing, the removal of certain elements (like the swelling gong when the first raptor attacks), but the additions of others (different wild percussion, slashing strings, and a different “crying sound”).

Overall, these new additions give fans of the score incredible new insight into the process of its creation! It is also noteworthy that some of these alternate versions have been featured at Universal Studios Islands Of Adventure theme park in Orlando! The overall sound quality of the entire release also sounds slightly better (although not as punched-up in the mastering, which may be a positive or a negative depending on how loud one likes the quieter moments of the score), and features some smoother transitional edits such as “To The Island” and the mid-section of “Rescuing Sarah.”

The booklet included in this release is very much the same as the one from the 2016 release, but only focuses on ‘The Lost World: Jurassic Park’ this time. The cover is of course different (with a striking cityscape against the Rex skeleton!), making it unique enough to stand on its own. There are some additional credits this time as well, including a special thanks to Jurassic Outpost friend Bernard A. Kyer!

By far the most important aspect of this release isn’t what is new, but simply the fact that it is available again. Generations of old and new film score fans, and even those who would like to study such a masterful score as this, should have a comprehensive presentation that is accessible. As good as the previous releases were for their time, having every single cue available, and now different variations of them, is integral for preserving this important milestone of music.

If you have never purchased the music score to ‘The Lost World: Jurassic Park’ before, this release is a massive no-brainer. It is a fantastic release, finally back in print and with some great new inclusions. If you only have the 1997 Album (on CD or digital), the additional music alone makes it worth the price. For those that have the 2016 CD set paired with ‘Jurassic Park’… I can understand skipping this, despite the improvements and some new alternate tracks. Those extra perks may not be enough to fully justify shelling out more money for it again, but that will just depend on who you are.

Since this is one of my favorite music scores of all time, from my favorite film franchise… the choice was pretty easy. This new edition is a must-have. And who knows, perhaps ‘Jurassic Park 3’ will similarly be revisited next? We can only hope!

But don’t just take my word for it. Listen to some of the clips for yourself below! Then, be sure to order your copy today from La-La Land Records!

TRACK LISTING (with select sound clips):

DISC 1

SCORE PRESENTATION

1. The Lost World 3:33

2. The Island’s Voice 3:34

3. Revealing the Plans 2:17

4. To the Island 3:39

5. The Stegosaurus (Extended Version) 5:28

6. Fire at Camp and Corporate Helicopters 3:20

7. The Hunt 3:35

8. Big Feet 1:40

9. Spilling Petrol and Horning In 5:06

10. Up in a Basket 3:24

11. In the Trailer 2:20

12. On the Glass 4:04

13. Rescuing Sarah (Extended Version) 5:09

14. Reading the Map 3:07

15. The Trek 5:24

16. The Compys! 4:29

17. Ripples 5:50

18. The Long Grass 2:29

Disc 1 Total Time: 68:58

DISC 2

SCORE PRESENTATION (Continued)

1. Finding Camp Jurassic 3:04

2. The Raptors Appear 3:42

3. High Bar and Ceiling Tiles 4:10

4. Heading North 2:12

5. Ludlow’s Speech 3:14

6. The Wrecked Ship 2:22

7. Monster on the Loose 2:36

8. Visitor in San Diego (Extended Version) 7:40

9. Ludlow’s End 2:51

10. Tranquilizer Dart 3:00

11. Jurassic Park Theme (End Credits) 5:30

Total Score Time: 109:25

ADDITIONAL MUSIC

12. The Lost World (Alternate) 3:34

13. On the Glass (Alternate Excerpt) * 2:18

14. Rescuing Sarah (Alternate) * 5:07

15. Ripples (Film Version) ** 5:51

16. The Raptors Appear (Alternate) * 3:41

17. Tranquilizer Dart and End Credits (Film Version) 4:53

Disc 2 Total Time: 66:00

Total Additional Music Time: 25:33

Total Two-Disc Time: 2:15:00

*previously unreleased

**contains previously unreleased material

Still available from La-La Land Records is their 2-CD remastered/expanded reissue of ‘Jurassic Park’! Don’t miss your chance to own the ultimate version of that score as well, and if you haven’t already: check out my review on that soundtrack & its release history!

NOTE: At the time of posting this article, the soundtrack is temporarily out of stock directly from La-La Land Records. They are awaiting for the next pressing of discs to arrive. If temporarily unavailable there, it can also be purchased from other reliable soundtrack CD venues, such as Screen Archives and The MovieMusic Store.

Are you going to get this new release of music from ‘The Lost World’? Would you like La-La Land Records to tackle ‘Jurassic Park 3’ next? Share your thoughts in the comments below, and as always stay tuned to Jurassic Outpost for the latest!

New ‘Jurassic World’ Coloring Book Releasing In October!

Posted on by Derrick Davis

This October, continue to celebrate 30 years of the ‘Jurassic Park’ franchise with a new coloring book from Insight Editions: ‘Jurassic World: The Official Coloring Book!’

From the isles of Costa Rica to lands across the globe, the dinosaurs of Jurassic World have spread their dominion! Now fans can color 64 pages of lush, detailed illustrations that bring the excitement and wonder of the Jurassic World films to life in this official coloring book!

Life finds a way! Especially the genetically engineered dinosaur life on display in this exciting coloring book that captures the most thrilling and memorable scenes from throughout the Jurassic World series! Take the coloring reigns as Owen Grady, Claire Dearing, Dr. Ian Malcolm, Dr. Ellie Sattler, Dr. Alan Grant and more come face-to-claw with incredible beasts like T. rex, Velociraptor, Indoraptor, Mosasaurus, and other prehistoric predators. Jurassic World: The Official Coloring Book features over 60 illustrations of familiar scenes and dinosaurs that will thrill fans of all ages.

With compelling and intricate designs suited for hours of creativity, Jurassic World: The Official Coloring Book provides the perfect opportunity to celebrate every fan’s love for the Jurassic World films.

Jurassic Outpost got a first look at this wonderfully illustrated new coloring book! It features moments from all three films of the ‘Jurassic World’ trilogy. Here is an exclusive look at some additional scenes that are included.

Pre-order this unique coloring book today to continue celebrating all things Jurassic!

Are you going to get this unique new ‘Jurassic World’ coloring book? For yourself or as a gift to someone else? Share your thoughts in the comments below, and stay tuned to Jurassic Outpost for the latest!

More 30th Anniversary Screenings Of ‘Jurassic Park’ Are Coming August 25!

Posted on by Derrick Davis

The 30th anniversary of ‘Jurassic Park’ is still in celebration! Muzzammil has pointed out that both AMC and Cinemark have listings for an anniversary screening of the original ‘Jurassic Park’ on August 25! Whether it is only showing on that day, and in other theater chains (such as Regal), remains to be seen. Tickets are not available to pre-book yet, so be on the lookout as that date approaches for future updates on this exciting news! There will always be a new audience who have never seen the original film in a theater before, and we can safely say it is the best way of experience the groundbreaking film that started it all!

Be sure to also see if special performances of the film with a live orchestra are playing in your area!

Do you plan on seeing ‘Jurassic Park’ in theaters if you have the chance? Have you seen in on the big screen before? Share your thoughts in the comments below, and remember: if the Pirates of the Caribbean breaks down, the pirates don’t eat the tourists!

Art Dept. Coordinator Caroline Quinn Recalls Her Adventures In ‘Jurassic Park’!

Posted on by Derrick Davis

Thirty years ago, ‘Jurassic Park’ roared its way into movie theaters. The film’s impressive special effects and incredible premise have wowed audiences for decades, cementing it as a true classic.

One vital member of the film’s creative team was Caroline Quinn, the art department coordinator. While her career would later evolve as a set designer on projects like ‘Buffy The Vampire Slayer’, ‘Curb Your Enthusiasm’, ‘Halloween Kills’, and Zack Snyder’s ‘Rebel Moon’; ‘Jurassic Park’ was where everything began. Join Jurassic Time as they discuss her role as an art department coordinator, and the adventure she went on to help bring ‘Jurassic Park’ to life!

Featuring never-before-seen photos and concept work from the film, as Caroline Quinn tells her behind-the-scenes stories! The perfect way to celebrate the 30th anniversary of ‘Jurassic Park’!

They explore her time assisting the film’s art department by assembling storyboard displays, models, and embarking on epic research assignments! Caroline even portrayed Lex Murphy in a “Raptors In The Kitchen” test video created by Stan Winston & Dennis Murren! Hear how she contributed to a famous joke in the film, helped create the memorable slideshow in the Visitor Center’s lunch room, and much more!

After thirty years, the film remains an incredible experience, thanks to the team of creative geniuses that brought to life an adventure 65 million years in the making…

It’s amazing how even after three decades we can learn new behind-the-scenes stories of ‘Jurassic Park’! What were some new details from this interview that you enjoyed the most? Share your thoughts in the comments below, and as always stay tuned to Jurassic Outpost for the latest!

Queue Videos From Extinct ‘Jurassic Park: The Ride’ Hollywood Attraction Receives Newly-Remastered Presentation!

Posted on by Derrick Davis

‘Jurassic Park: The Ride’ at Universal Studios Hollywood may have closed forever to make way for ‘Jurassic World’… but something has survived, thanks to Jurassic Time! Experience the queue videos from the extinct original attraction in this edited & remastered production, preserving the entire fantastic pre-show! Click the title card below to watch it!

Starring Richard Attenborough reprising his role as John Hammond! Also featuring dinosaur expert “Dino” Don Lessem! This presentation uses a variety of the highest quality sources possible to recreate the original Hollywood attraction’s single-screen queue videos. Most of the footage presented in this video is sourced from a new Universal Studios Japan recording of the queue’s main screen by “USJ Informer L.C.A.STUDIOS” to present the best quality ever seen outside of the attraction!

It was then edited to match the original English audio and sequencing by using a Hollywood on-location recording from 2018 (with some elements from years prior). This audio is imperfect, with a lot of background noise at times from other video screens in the queue, but it is the best we could get under the circumstances. Some footage is still sourced from this recording, most notably the spinning “logos”, and other sources. Due to the sources available, there will be some inaccuracies & other editorial choices made to best recreate the experience.

In addition, two versions of the “boarding audio” bookend the presentation. Much of the music during the various spinning “logos” has been re-created to closely match the way they were originally edited for the videos to provide a better-quality experience. Some music remains unknown and uses the source audio.

A fun note: Steven Spielberg gets a brief cameo during John Hammond’s segment! They spared no expense!

In the queue, a set of three screens were joined together at each station, often having additional unique footage on the other screens (sometimes even interacting with each other). To see that version (including its unique alternate takes of certain moments), see the “MULTI-SCREEN Queue Videos” compilation.

‘Jurassic Park: The Ride’ was in development during the creation of the film itself. You will notice in several segments that sets, props, vehicles, and even animatronics are used from the film. The Visitor Center, for example, was used right before the set got struck down. For more about the creation of the original attraction, see Jurassic Time’s interview with its creator & other videos, including a storyboard recreation of the ride’s initial ideas!

Did you ever get to ride the original Hollywood attraction before it closed? What were some of your memories, and do you prefer it to other incarnations? Share your thoughts below, and as always stay tuned to Jurassic Outpost for the latest!