Chronicle Collectibles unveil impressive Jurassic Park & World lineup at SDCC

It’s taken 26 years, but we finally have a huge lineup of high end collectibles based around the Jurassic franchise coming out. Chronicle Collectibles has spared no expense bringing the franchise to life, and they’re showing it off in full force at San Diego Comic Con 2016. Start saving up and find a second job, because there is no way to pass any of this up!

ChronBooth

Thanks to Steven Ray Morris on Twitter, we have pictures of their booth! On display from old to new (with links to item pages for previously announced products included):

Wow! We’re gonna need a bigger collecting display. Yes, you read that right – we’re finally getting an accurate Alan Grant figure. If you’re familiar with ‘Hot Toys’ then you know what to expect from the Owen and Alan figures – if not, hit google and prepare to be awed (and broke). Check out the 1:6th Alan Grant + Owen Grady, and more below!

AlanOwenandOwen

RaptorsIMG_8602

Stay tuned, as we will add more details and pictures to this article as they become available!

Be sure to listen to our latest podcast below where we interview Paul Francis, the Co-Founder and Art Director at Chronicle Collectibles:

Thanks again to Steven Ray Morris for the pictures!

Breaking: Hasbro will lose the Jurassic Park license post 2017

Extinction is merciless, and it’s coming for the dinosaurs once again. Earlier today, Hasbro has announced they were unable to secure new deal with Universal Pictures for the Jurassic Park license and 2017 will be its final year producing items for the brand. CNBC covered the latest investors call, and reported the following:

The company, which makes a significant part of its revenue through licensed products, revealed that it would no longer handle “Jurassic Park” licensing after 2017 during its earnings conference call. Earlier, the company had posted quarterly profit and revenue that outpaced analyst estimates.

“We have had a many year relationship with Universal; we will no longer handle ‘Jurassic Park’ because they are unable to arrive at a mutually beneficial financial arrangement on that brand,” Brian Goldner, CEO of Hasbro, said during the call.

“Jurassic Park” was a headwind for the boys’ category in the latest quarter, and it would continue to have an impact into the third and fourth quarters, Goldner said.

Hasbro Jurassic Park

This is fairly depressing news. It’s no secret that Hasbro’s Jurassic World offerings were underwhelming, and a severe step down in quality compared to their past lineups. However, Hasbro has been the license holder since the original Jurassic Park (if you count them as Kenner due to their acquisition of the brand). I personally cannot think of another toy company out there capable of easily producing a toy line worthy of Jurassic Park’s action figure legacy.

While toy manufactures like NECA could do good things with the Jurassic brand for collectors, they would not create a line nearly as expansive as the past. This means removable dino-damage, vehicles, capture gear, and large, affordable electronic Tyrannosaurus Rex items are less certain going forward. Today’s news will mark a fairly large tonal shift for Jurassic toys, and it is likely the future lines will not be nearly as mainstream.

While Hasbro retains the Jurassic license up until the end of 2017, it is unclear if they will proceed with their plans of releasing toys. It is possible that both the 2016 ‘Dino Hybrids’ and 2017 ‘Raptor Squad’ line will see cancellations.

Update: Mattel is now in charge of the ‘Jurassic World’ license. Learn more!

Thanks to Brad Jost of the Jurassic Park Podcast for the heads up!

Source: CNBC, Wall Street Journal

Why has Universal Pictures splintered the Jurassic Park and World social media accounts?

Marketing can be a weird thing. Focus groups, key words, and target demographs are the typical forces that drive the decisions forward to making as big of a splash as possible. Our world today is ruled by social media: we want more stimulation faster, and if appropriate, in as an abbreviated format as possible. Because of this, platforms like Twitter thrive – the hyperfocus of a Tweet can capture attention with ease.

JPtwitterHeader

It’s no surprise then that Twitter is an important social media tool in the film industry. It is used to unify the online community with an official focal point, which can then be shared and networked beyond through hundreds of thousands of followers. As such, keeping a growing brand like Jurassic Park and World – which has numerous unofficial fan sites and social media accounts – unified for marketing synergy only makes sense. While Jurassic World did change its name, effecting marketing and branding, it is still the fourth film in Jurassic Park series.

Up until today, the social media accounts reflected that: on Twitter the account handle was @JurassicPark but the ‘account name’ and imagery was for Jurassic World. It reflected that the franchise was one, and helped bring fans of classic to the new, and fans of the new to the classic. However, now Universal Pictures has made the inexplicable decision to split the handles to @JurassicPark and @JurassicWorld, splintering their following.

JurassicParkWorldTwitter

Ultimately, this move unnecessarily confuses and dilutes the brand by splitting its potential followers in two. What happens if those following @JurassicPark still want news for the next film, but don’t realize the other account exists? Or perhaps an inverse scenario, where fans of the newest film would be interested in news about happenings revolving around the classic trilogy – however, they aren’t following the other account as its existence isn’t necessitated by common sense nor current marketing trends. And if they both share the same news, why split the accounts in the first place?

Jurassic World was the 4th highest grossing film of all time in the box office, making over $1.6 billion dollars worldwide. However, it only has 178,000 followers on Twitter – as opposed to Star Wars with 2.3million followers and Marvel with over 4 million. The Jurassic brands online presence does not nearly match its box office strength or recognition, and splitting the accounts will not help with its true potential in growth. Of course, to grow the social media accounts would require activity which also felt organic and genuine in tone; unmanufactured. As it stands now, they are neither.

It can be frustrating to be a fan of the Jurassic franchise. While as fans we are not owed anything (an inflated sense of entitlement can often lead to unwarranted toxicity between the studio and fandom), it’s easy to see the potential the brand has to excel, yet there is a palpable lack of enthusiasm – or perhaps confidence – from the studio to hit those marks. Some of the most frequent non-toy and non-videogame questions we receive from other fans are ‘Will there be a Jurassic World artbook?’, ‘Where are the Jurassic Park and World comics’ and ‘Will there be new movie canon tie-in novels?’. The opportunity to expand the fiction (and brand strength by association) into new territory is ripe, and utilizing the momentum Jurassic World presented is essential. Yet it’s radio silence, and minimal visible output abroad.

JPtwitterLogo

However, it’s not all doom and gloom. Yes, the rant is over for the time being – lets talk the future, and what we can infer from the splitting of the accounts. First and foremost, ‘Jurassic Park’ is not dead. By giving @JurassicPark its own social media account it’s clear the classic trilogy will continue to see new merch and media going into the future – alongside the current Jurassic World film merch and media. With a slick new logo similiar to the current DVD offerings, which is quite different from the nostalgic original, it’s clear they’re utilizing brand imagery that is meant to operate with today’s trends.

As for Jurassic World: those who didn’t believe the title and branding were here to stay should reconsider. When the accounts split, one had to start anew while another would keep the existing followers. The handle @JurassicWorld was given the existing 178k followers, meaning it will be the brand and marketing powerhouse moving forward, @JurassicPark the niche. So yes, while we do not yet know the name of the fifth Jurassic movie, it will certainly include ‘Jurassic World’ as opposed to ‘Park’ or something entirely new.

Ultimately, it’s exciting to know that as we get closer to the release of the Jurassic World sequel, classic Jurassic Park will remain relevant. We’ve heard buzz that a toy line inspired by the classic Jurassic films could be targeting 2017 alongside ‘Raptor Squad’, and this seems to give it further legitimacy. While the splitting of the brands seems to be a convoluted misstep, it’s nice to see the Jurassic Park logo on social media once again.

As always, sound off in the comments below and stay tuned for the latest news!

New Jurassic World previs showcase early Raptors and alternate takes on scenes

As Jurassic June 2016 roars to a close, new previs from Jurassic World has surfaced from Michael Cavanaugh (Tippet Studios) and Halon Entertainment. Previs, short for pre-visualtiation, is a placeholder animation technique used in filmmaking to help visualize what the final scene will look like in advanced. It is often used in intricately choreographed action scenes, or VFX heavy sequences.

Jurassic-World-Previz-7

The two videos below focus on a few key VFX points in the movie: the mainstreet attack, & final battle (Halon), plus the introduction to the Velociraptors, as well as their first encounter with the Indominus (Tippet Studios). What’s interesting is how closely the final scenes match the previs, with a few differences. Check out the videos below, and then read on!

Jurassic World Previz from Michael Cavanaugh on Vimeo.

Jurassic World Previs Reel from Halon Entertainment on Vimeo.

What stands out initially in these videos is the different look of the Velociraptors. In the reel from Michael Cavanaugh the raptors seem to be male Jurassic Park 3 variants, without the quills, each a different standout color. Interestingly many pieces of Jurassic World merch, such as raptor plushies, match these designs and colors. The other notable standout in Michael’s reel is the intense alternate introduction of raptors, as they corner the pig and slowly stalk it before Owen calls them off.

Previs Halon Pteran

The reel from Halon more closely matches the scenes in the film, and much like the other it seems to be utilizing raptors based upon the male JP3 models – however, these are not uniquely color coded and are utilizing a reddish copper texture. Like the other raptors, this was also seen in early merchandise in the form of an unreleased Hasbro toy. Also visible is alternate Pternaodon model during the mainstreet attack, which I personally prefer to overly monstrous final film model (also in the reel).

It’s always fascinating to see the behind the scenes hard work that goes into making a film, from multiple talented individuals. Witnessing how a film evolves from script, to art, to previs, and ultimately the final product truly showcases the multiple creative forms that film goes through via the collaborative work of numerous artists. This again leads to a point brought up numerous times on this website, and fans abroad: where is the ‘making of’ documentary showing this, and where is the ‘art book’ that dives deeper?

Jurassic-World-Previz-2

June 2016 was the 23rd anniversary of Jurassic Park, 1st anniversary of Jurassic World and the 2 years until Jurassic World 2 – yet Universal and the Jurassic Park social media accounts did not acknowledge these points at all. It’s strange and frustrating as a fan of the franchise to see how the license holders continue to sleep on it, seemingly unenthused by the properties many potentials. To help grow this amazing community of fans that exist, Universal needs to further embrace these opportunities and break this continued radio silence.

I hope you all had a great Jurassic June! I know that I promised a breakdown of the unreleased Jurassic Park cartoon this month, however my schedule ended up far busier than I anticipated. It’s still coming, and soon, but it didn’t quite make the cut for June.

Stay tuned, there’s lots more to come – lets hope some official news is inbound as well, perhaps San Diego Comic Con 2016? Jurassic World is slated to begin filming in about 9 months, so surely news is on the horizon. Either way, Chronicle Collectibles will be unveiling more official Jurassic Park and World products at SDCC, so at least there is something. Sound off in the comments below, and remember, if you have news be sure to share!

New Jurassic World concept art paints a very different picture!

Jurassic World released in theaters over 1 year ago, and since then we have received many small glimpses at the making of  via artists portfolios and the Blu-ray release. Today, concept artist Seth Engstrom updated his blog showcasing select portfolio pieces he did for the film.

While some of these are very close to the final film, many are brand new – such as a different version of the Pteranodon Attack and final battle climax. One of the most noteworthy is the image of the Indominus Rex attacking people on a bridge, as a volcano erupts in the background while Velociraptors look on and attack!  (above)

Check out the rest below.

JurassicWorld_Pteradactyl_Attack JurassicWorld_PteridactylAttackJurassicWorld_Gates_SE JurassicWorld_IndominusRex_Albino_Jungle JurassicWorld_RaptorStadium_IndominusRex_DestroyesMechanicalRex JurassicWorld_MosasaurusEatsIndominusRexVisitorCenter_SE_v08 JurassicWorld_ParkLagoon JurassicWorld_Park_FromHelipadJurassicWorld_Gates

That’s a lot to take in – Brachiosaur shaped gates, robo-tyrannosaurs, volcanoes in the park and more! Through the art shared here and elsewhere, we can see how Jurassic World evolved over its development to the final film!

It’s a mystery why Universal never released a Jurassic World ‘Art and Making Of’ book – Jurassic Park 4 was in development for over 14 years, and is the number 4 film of all time in with its box-office. It only would have made sense, and there are clearly tons of great pieces from numerous artists warranting its existence.

Be sure to hit Seth’s blog, which has even more great artwork, and stay tuned for all the latest news! Like what you see? Sound off in the comments below!

Source: Seth Engstrom

Steven Spielberg, Kathleen Kennedy & Frank Marshall talk the Jurassic franchise, JA Bayona and more!

Today The Hollywood Reporter published a fantastic interview with Steven Spielberg, Kathleen Kennedy and Frank Marshall which talked the industry, particularly managing franchises like Jurassic Park and Star Wars. It’s a fantastic, candid piece that explores the creative processes of these amazingly talented individuals which I recommend reading in full, however below are some choice excerpts that pertain to the Jurassic franchise.

Image courtesy of The Hollywood Reporter
Image courtesy of The Hollywood Reporter

On Steven Spielberg’s involvement with Jurassic World, and hiring Colin Trevorrow:

SPIELBERG I was very involved in breaking the story, working on the script with [director Colin Trevorrow] and [writer Derek Connolly]. I was not on the set, but I watched dailies every day. If I felt something about the dailies, I would send a note to Colin directly. But Colin was doing a great job; you could tell by the rushes. I didn’t even find Colin, Frank did.

KATHLEEN KENNEDY Well … I …

SPIELBERG Oh — Kathy. Sorry. Anyway, Kathy told Frank, and Frank told me.

KENNEDY I saw [Trevorrow’s debut movie] Safety Not Guaranteed when I was looking for who was going to direct [Star Wars:] Episode 7. Then when Frank and Steven were looking for a director, and I had already decided on J.J. [Abrams], I said, “Hey, I know this is going to be off the wall and you’re not going to immediately think this young director could do this movie, but I’ve come to the realization he is the real deal, and he could handle it.”

FRANK MARSHALL Then I cold-called him. I looked at his movie and thought he definitely knew what he was doing.

SPIELBERG I looked at his movie and thought it was really good, but I wasn’t convinced until the last scene ’cause that film could have gone two ways. When this [character] who I thought was certifiably insane actually invented something that could travel through time, that crystallized the choice that it had to be Colin to do Jurassic World.

 

maxresdefault

On who’s ‘in charge’ of Jurassic now:

So when you have Jurassic World, I assume you feel pretty possessive?

SPIELBERG No, I don’t. I honestly don’t feel possessive at all. I think Colin feels possessive now — and he should. I passed the torch to Colin.

You really feel that way?

SPIELBERG I absolutely do. He’s the guy who has to feel possessive.

KENNEDY Don’t you feel that? I mean, I think it’s all about the joy that comes from the ability to keep it going and keep audiences entertained.

MARSHALL It’s what you did with Star Wars now.

 

Bayona Announce

On hiring Jurassic World 2 director Juan Antonio Bayona:

MARSHALL We spent a lot of time with Colin. We’re doing that on [the next] Jurassic, too, with Juan Antonio [Bayona]. Kathy and I have spent a lot of time with Juan Antonio over the years. We had talked about him doing Jurassic World, but he has a long process for production.

SPIELBERG We had been very impressed with his Naomi Watts movie about the tsunami [The Impossible]. You’ve got to pick the right directors, and that’s what Kathy has done so brilliantly on the Star Wars series. Rian Johnson and Colin are the two best directors who could be doing Episode 8 and 9. And that’s the whole key. I think Harry Potter had a huge infusion of a second life when Alfonso Cuaron did No. 3. He changed the paradigm of Harry Potter and gave it another six years just based on the art he brought to the third movie.

 

It sounds like the Jurassic franchise is in great hands! It’s fascinating to learn that JA Bayona was in talks to direct Jurassic World before Colin Trevorrow was chosen. If you haven’t already, be sure to give the full article a read, which goes into more detail and talks Star Wars as well. As always, sound off in the comments below and stay tuned for the latest news!

Source: The Hollywood Reporter

New art from cancelled version of ‘Jurassic Park 4’

We all know the road to Jurassic World was a wild one, with Jurassic Park 4 taking many different shapes and stories over the years. Today we’ve been given another peak into just how crazy some of those ideas really were. Concept artist Carlos Huante took to his Instagram to share new unseen art of the abandoned version of Jurassic Park 4 which he was working on with Joe Johnston back in 2004.

HuanteJP42016

Following Jurassic Park 3, the idea was to push the sequel into bold new territory. The same basic concepts of Jurassic World existed then: hybrids, ex-military protagonists, and dinosaurs created for military application. However, the shape these concepts took were drastically different. The militarized animals were quite literally dinosaur soldiers, hybridized with human and canine DNA.  And from the latest art, it turns out there were cyborg human/raptor hybrids as well. Weird.

HuanteJP42008

Little is known about the story concept for this version of Jurassic Park 4, other than it was a further evolution of the story John Sayles wrote in the 2004 script. If you haven’t already, you can download and read that script via our downloads sections! Word is that Steven Spielberg threw it all back to the drawing board a few weeks after this outlandish art was created.

Despite the art taking things a bit too far, the core concepts were never abandoned. In 2006, Universal Pictures and Art Asylum had a small Jurassic Park booth at New York Toy Fair. On display were small diorama statues of a very mean looking Tyrannosaurus, alongside a Triceratops. Years later, the full story was uncovered:

“They were part of a new proposed ‘Jurassic Park’ toy line (…) that would have had nastier dinosaurs, and soldiers with all kinds of dino-fighting gear and vehicles. The ‘R-Rex’ was the first.  It’s not based on any [prior] JP design.  I was told to simply come up with a Next-Gen T-Rex ‘on steroids’, with maybe a bit of raptor DNA thrown in (note the 3-digits on hands).  I had a week to sculpt and paint it for display. Sadly, though Universal Studios was very impressed, the toy line didn’t get approved for production.”

joelaudatiraptorrex

While that toy line may have never came into fruition, its clear that it again has many similarities to the story of Jurassic World: a Tyrannosaurus and Velociraptor hybrid, alongside a soldiers vs dinosaurs focus. From 2006 onward, it was mostly radio silence, but one thing remains clear: the ever winding road to Jurassic World was paved many years ago.

ILMJp4

Be sure to sound off in the comments below, and let us know what you think of the latest art! While the concept sounds straight out of a SyFy channel special that has nothing to do with Jurassic, I have to say on a artistic level I love the art Carlos created.

Stay tuned, and keep enjoying #JurassicJune 2016!

Juan Antonio Bayona is officially attached to direct the sequel to Jurassic World!

It’s official! Juan Antonio Bayona is the director of the unnamed Jurassic World sequel. Announced by Colin Trevorrow on Twitter.

Bayona Announce

Bayona is best known for his acclaimed drama ‘The Impossible’ (Naomi Watts, Ewan McGregor), set during the 2004 Indian Ocean Tsunami, as well as his beautiful yet frightening Spanish horror film, ‘The Orphanage’ (produced by Guillermo del Toro). While ‘The Orphange’ is in Spanish, ‘The Impossible’ is in English and both show off an impressive variety of style and scope.

Bayona Posters

Bayonas next film releasing this October titled ‘A Monster Calls’ (Sigourney Weaver, Liam Neeson, Felicity Jones), is based upon the book with same name. The movie revolves around a young boy who ‘seeks the help of a tree monster to cope with his single mom’s terminal illness’. Check out the newly released trailer below:

Bayona has proven his chops by expertly blending raw horror, vivid drama, poignant visuals, and impactful character moments together with phenomenal direction, driving compelling stories; all elements which are integral to creating a great Jurassic Movie. Further, he was worked with child actors in all of his films, bringing out surprisingly great performances which are particularly noticeable in ‘The Impossible’. This is important as every prior Jurassic Park movie has had at least one child in a leading role, and it is unlikely JW2 will break that mold.

While little else has been announced about the much anticipated 5th Jurassic Park movie, Colin Trevorrow has previously revealed some details, alluding to the concept of cloning dinosaurs becoming ‘open source’, and the plot being inspired by Alan Grants iconic “Dinosaurs and man, two species separated by 65 million years of evolution have just been suddenly thrown back into the mix together. How can we possibly have the slightest idea what to expect?” quote. He has also suggested that the series is due for a change of scenery, and can not just be people running from dinosaurs on an island.

Trevorrow, director of Jurassic World, is returning as a executive producer alongside Steven Spielberg, and is writing the screenplay with Derek Connolly. Chris Pratt and Bryce Dallas Howard return to star, and while not officially announced, BD Wong is expected to make a reappearance as Dr. Wu. Belén Atienza is joining the team as a Producer alongside Jurassic World alumni Frank Marshall and Pat Crowley. Jurassic World 2 released June 22nd, 2018.

Are you happy with the Juan Antonio Bayona directing news? We’re pumped and cannot wait to see more. Be sure to sound off in the comments below on what you want to see him bring to the franchise, and as always stay tuned for all the latest news!

Note: This news was originally posted to our prior website JurassicWorld.org on April 18th. To learn more about Jurassic World 2 be sure to visit our “about” page!