Despite the next installment in the Jurassic World series having wrapped filming at the end of September, actors Scarlett Johansson and Rupert Friend were spotted filming in New York City last weekend!
Both Saturday 26th and Sunday 27th saw director Gareth Edwards directing the actors and filming sequences that seemingly link to what was filmed at the University of Greenwich in the UK, weeks earlier.
The scenes appear to be set during the first act of the movie – expositional scenes that establish the world that the movie takes place in, and provide some context for the story. A number of photos and videos from the set were shared online showcasing the two actors, many extras, and a team from “NYC Animal Control & Rescue” decontaminating an area.
The scenes were all shot in Brooklyn, specifically DUMBO (Down Under the Manhattan Bridge Overpass) and you can see many of the photos below! Be sure to check out our video above for more information, and watch some of the filming taking place in the shorts below.
Producer Frank Marshall also took to social media to share this image of one of the cameras used for this filming, confirming that the movie is the first in the franchise to shoot with Anamorphic lenses.
Last Friday, October 11th, we had the incredible opportunity to host a Jurassic Outpost Community Meet-Up at PAX Australia 2024 – the ultimate event for gamers and pop culture enthusiasts. For those unfamiliar, PAX is a massive gaming convention held annually, bringing together gamers, developers, and fans from around the world for a weekend full of games, panels, and unforgettable experiences.
Our Jurassic Outpost Meet-Up was a dino-lover’s dream come true! We decked out the space with Dino inflatables, handed out limited edition Jurassic Outpost stickers, and played iconic Jurassic music to set the scene. But the real highlight? Meeting all of you, our fellow Jurassic fans, who came together to celebrate the franchise we love.
Throughout the event, we gave fans the chance to voice their thoughts on the current state of the Jurassic franchise—what they love, what they hope for, and what they’d like to see improve. The passion and insights shared by the community were amazing! We also had some incredible cosplayers join in, snapping photos with our Dino inflatables, making it a fantastic time for everyone involved.
I landed in Melbourne, the 3:30am wake up caught up to me 😅
After the meet-up, our very own host Jayden(aka NJayrassic) took part in a 3v3 gaming trivia panel for charity, hosted by GenerOzity. Jayden nailed all of the Jurassic questions (no surprise there!) and even showed off his impressive Velociraptor sounds, adding an extra dose of fun to the event.
We want to extend a massive thank you to PAX Australia for letting us host the Jurassic Outpost Community Meet-Up, and to all of the fans who came out to support us. The love and dedication from this community means everything, and we can’t wait to do more events like this in the future!
For The Fans, By The Fans 🦖🦕
Thank you to everyone who came out to the first PAX community meet up! 🦕🦖
Season 2 of Jurassic World’s animated show Chaos Theory premieres on Netflix October 17th! We were fortunate to be able to view it ahead of time, and we’re excited to share our review and reactions to the upcoming season!
Chaos Theory debuted in May 2024 and was a follow-up to Camp Cretaceous, a five-season show which saw six teenage campers become stranded on the island of Isla Nublar after the Jurassic World disaster.
Chaos Theory picked things up six years after the campers were finally rescued and brought us into a world where dinosaurs now roam alongside humans on the mainland after escaping from Lockwood Manor, the Arcadia transport ship, and proliferating via the spread of genetic technology.
The first season was a master class in both storytelling and its ability to tie its animated world to that of the live-action Jurassic World films.
We met the more mature versions of the survivors from Camp Cretaceous – dubbed the Nublar Six – as they dealt with a whole new conspiracy that links back to the disappearance of one of their own – Brooklynn.
The question is, will the second season continue the same feeling of thrills, wonder, adventure, and terror as the first? Will we get answers about Brooklynn’s disappearance, and where is the cargo ship heading?
Read on for our review of Jurassic World: Chaos Theory Season Two!
When we last saw the Nublar Five they were boarding a dinosaur-filled cargo ship, destination unknown. The first season unraveled the beginning of the conspiracy – the group discovered that agents within the DPW, a Government organization tasked with ensuring dinosaurs and humans can co-exist, were also facilitating part of the dinosaur black-market trade. Brooklynn herself had been investigating dinosaur trading by DPW agents since the events at Lockwood Manor, and was believed to have been killed by a rogue Allosaurus at one of these dino-drops.
The season showed us the Nublar Five reuniting in the wake of Brooklynn’s death, and trying to find answers to exactly what happened to her. This led them to many places across the USA, and introduced them to a handful of new characters – the mysterious raptor handler, DPW regional manager Dudley Cabrera, Bobby Nublar, and Mateo, the DPW worker who was driving the truck containing the Allosaurus, and witnessed Brooklynn’s supposed death. These characters all help piece together the puzzle of what exactly happened that fateful night and established that a much larger conspiracy is at play.
It is revealed to us at the very end of the season that Brooklynn survived the attack and has been monitoring both her friends and the DPW’s dinosaur trading in hiding, using the website DarkJurassic and a “new working relationship” with Daniel Kon to collect data and communicate with whistleblowers.
The first season did a wonderful job of showing us a world post-Fallen Kingdom, where dinosaurs now roam free across many states in America. We saw both the havoc they can cause, whether intentionally or not, and the many ways in which humans capitalized on the de-extinct animal’s arrival.
Given how high the stakes were following the end of the first season, has Season Two managed to capture the same success, and also expand on it?
In short: yes, it absolutely has.
Season 2 picks up exactly where we left off – the group are holed up in an empty dinosaur container awaiting the ship to reach its destination, and we get a sense they’ve been traveling for quite some time now. This season continues to expand on our titular characters, and focuses in on their internal struggles.
A highlight of the first season was the PTSD the characters faced after their time on the islands – specifically Yaz, who was dealing with some serious trauma. This season continues this thread, but focuses more on Kenji, who – while stoic and acting strong in front of his friends – is struggling immensely with the death of Brooklynn and his father.
The characters pick up on this, and we’re treated to some rather tender moments between members of the group – a credit to the writers’ work managing to intertwine these characters internal struggles with the dangers that surround them. It continues to be refreshing having a show aimed at a younger audience that is willing to mature with its characters and its audience, and not pull away from portraying complex human emotions.
While all the characters get their screen time, a large focus is put on Darius and his own memories with and feelings for Brooklynn – something that caused conflict between he and Kenji in the first season, and continues to be something the three of them contend with.
The first episode truly throws us right into the adventure. After a storm knocks out power on the ship, some of the dinosaurs escape their containment – including the new, big bad dinosaur, the Majungasaurus. This menacing dinosaur and the escape of others on-board are shown to us in a brilliant, tension-building way– mostly through strikes of lightning that show the chaos of panicked dinosaurs and their predatory drive in flashes of light, chasing and hunting the humans on the ship.
It poses a serious threat to the characters aboard the ship, which is something Chaos Theory season 2 continues to do so well: showing us the true terror that can come from these de-extinct beasts, but also the relationships that can form between humans and calmer species. And we must say, especially in the first episode, Chaos Theory season 2 builds excellent, suspenseful atmospheres for our characters to interact with these creatures in.
After a turbulent first episode, the group manage to escape the ship and eventually make it to land. The first season did a great job of showing us dinosaurs across America and what the reality of that means, and this season is no different. It takes a big swing taking us to environments entirely new to the franchise, outside of the USA, but it’s handled perfectly.
The introductions of a new location and two new characters (a mother and daughter native to the region) all feels natural, and is a welcome change. The inclusion of this new culture, language, and environment are presented flawlessly and are exciting to have joining the Jurassic franchise. Many of this season’s main dinosaur species being native to the continent or area of the world is a great real-world paleontology nod as well.
As many have guessed, we are taken to a country in Western Africa and introduced to Zayna and Aminata who have found ways to co-exist with the dinosaurs that recently arrived. A small herd of Stegosaurs live nearby to their home, and a particular Gallimimus becomes somewhat of a Bumpy-like figure to Zayna.
We learn through dialogue that the dinosaurs aren’t supposed to be here – and that Darius didn’t think other continents even had dinosaurs. This all ties into the larger conspiracy at play, which leads the group to travel up-river to find answers about where the dinosaurs are comingfrom – and who is behind it. New dinosaurs and some familiar favorites fill out this season, with a particular spotlight given to the Suchomimus– a semi-aquatic dinosaur that becomes quite a concern for the group. As the group continues to explore this new location and find answers, we are finally re-introduced to Brooklynn, and find out exactly what happened on that dreaded night.
Her character is handled carefully and her own storyline is expanded, providing evidence and much-needed context for her actions following that attack. Like the other characters, she’s dealing with her own post-traumatic stress coupled with the high-stakes nature of her investigation activities, and this is something navigated expertly as we move through the story.
However, she’s on a mission and will seemingly stop at nothing to get it done – even at times putting herself in more danger. She’s following leads and not letting her newfound disability hold her back. Season 2 tackles the two storylines at once, jumping between Brooklynn’s own globe-trotting adventure and the Nublar Five’s survival and simultaneous investigation in Western Africa.
We are also shown further examples of how the world post-Fallen Kingdom dinosaur escape is dealing with these creatures. After a few years attempting to co-exist, you get a sense that people are beginning take matters into their own hands. A particular vigilante group emerges, Dinosaur Liberation Now, showing that people are growing tired of the dinosaurs being there, and are also not happy with the captivity that many of them involuntarily find themselves in.
Many are curious about the identity of The Broker. The character was teased in the first season, and is unveiled in the new season. We can’t say anything about that yet – but it’s worth the wait and something you will want to uncover for yourself. The character will be a big surprise to many.
The writers of Camp Cretaceous and Chaos Theory successfully tied some of the show’s elements to the live-action movies and the second season expands on this – we learn more about the state of the world between Fallen Kingdom and Dominion, and certain plot elements tie the show even closer to the third Jurassic World movie.
As the show continues it could tie even closer to the movies, perhaps aligning directly with Dominion or even filling in more gaps in the Jurassic timeline after the events of Dominion. Regardless of where we’re headed, season 2 certainly progresses and modernizes the Jurassic franchise in great ways.
This season continues to deliver on the gorgeous settings and animation. The locations are diverse and intriguing, with the lighting and composition aiding in the storytelling and providing some very Jurassic visuals. It all comes together to deliver on a truly great looking show, with fantastic dinosaur textures and character animation throughout.
Leo Birenberg delivers on the score yet again, providing a terror-inducing soundtrack that is clearly inspired by the films and music of Alfred Hitchcock and Bernard Herrmann. It is concurrently mysterious, intense, moving, and perfectly synthesized to match this modern Jurassic thriller.
Season two is full of terror, adventure, and well-written characters, with plenty of mysteries to explore. It also has enough connective tissue to the Jurassic Park franchise as a whole to satisfy any fan. It takes the Jurassic story to quite unexpected places, and certainly ups the stakes toprogress even further in the animated Jurassic World.
As a whole season 2 delivers on the premise established in the first, and continues to expand the stories and mysteries that this animated show has crafted. It might not be quite as hard-hitting as the first season, but following that fantastic debut was always going to be tough, and nothing really holds this back.
This season quickly advances the Chaos Theory adventure into its next phase, and brings the story to places never before seen in the Jurassic franchise, all while providing just as much intrigue and suspense. It features some nice ties back to season one of the show as well as some great references to multiple films in the Jurassic franchise. Importantly, season two also does a great job building on the themes of disability and inclusion with another diverse roster of characters and creatures.
But that’s just our opinion! And when the season drops, we’d love to hear yours down below in the comments!
Chaos Theory’s second season arrives on Netflix October 17th, and if you enjoyed the first season, get ready to continue this thrilling adventure! Check out our full video review below!
With less than a week to go until the second season of Jurassic World: Chaos Theory hits Netflix, we’ve got an even closer look at the upcoming adventure!
From new dinosaurs to all-new characters, take a look at the galleries below to see 20+ new images from the upcoming season!
We break down all of these images in the video below!
How excited are you for Season 2 of Jurassic World Chaos Theory?
PBS Eons, Complexly, and indie toymaker Creative Beast Studio have partnered to launch a new line of prehistoric elephant action figures via BackerKit crowdfunding campaign. It’s the first action figure tie-in for the PBS YouTube series, and includes fan favorites like Woolly Mammoths.
Designed by David Silva, a toy industry veteran and mastermind behind the realistic dinosaur action figure line “Beasts of the Mesozoic,” these 1/18th scale action figures are scientifically accurate, hand painted, and fully articulated.Silva has also made figures for popular entertainment brands including Star Wars, Jurassic Park, Godzilla, Spiderman, G.I. Joe, Terminator 2, Aliens, Predator, Spawn, and Pacific Rim.
Produced by PBS Digital Studios and Complexly, PBS Eons takes viewers on a journey through the history of life on Earth. Hosts Kallie Moore, Michelle Barboza-Ramirez, Gabriel Santos, and Blake de Pastino are tour guides to the past, demonstrating what existence was like for the animals and plants that came before us.
Read on for more from PBS Eons, Complexly, and Creative Beast Studio:
Complexly and Creative Beast Studios Launch BackerKit Campaign for Prehistoric Elephant Action Figures
Produced by PBS Digital Studios and Complexly, PBS Eons takes viewers on a journey through the history of life on Earth, where they learn about extinct plants and animals
To add a new dimension to the series’ learning environment, Eons and Complexly tapped Creative Beast Studios to design scientifically accurate action figures portraying stunning proboscideans including woolly mammoths
MISSOULA, MT and HACKENSACK, NJ – September 3, 2024
Complexly and Creative Beast Studio today launched a new line of prehistoric elephant action figures inspired by weekly YouTube series PBS Eons with a BackerKit campaign. Depicting extinct proboscideans (elephants and their close relatives), these scientifically accurate, hand painted, and fully articulated action figures give fans of the popular Eons series and those who love majestic megafauna the opportunity to hold a woolly mammoth in the palm of their hand. Fans can support the Backerkit campaign here.
To create the new line of 1/18th scale prehistoric elephant action figures, Eons and Complexly partnered with veteran toy designer and Creative Beast Studios founder David Silva, who boasts more than 20 years of experience crafting figures for popular entertainment brands including Star Wars, Jurassic Park, Godzilla, Spiderman, G.I. Joe, Terminator 2, Aliens, Predator, Spawn, and Pacific Rim.He is a proven innovator in the toy industry, having also launched his own line of scientifically accurate dinosaur action figures, “Beasts of the Mesozoic,” which includes multiple species of raptors, tyrannosaurs, and ceratopsians. With the prehistoric elephant line of action figures, Silva is venturing out of the Mesozoic and into the Cenozoic.
“There is enthusiastic demand for high quality, realistic action figures of extinct fauna, and it’s an honor to work with PBS Eons and Complexly to create the first proboscidean action figure line of my career,” said Silva. “With these woolly mammoths, we’re transporting the engaging, educational content from Eons directly into the hands and hearts of viewers. Built using data from the latest scientific discoveries and painted with colors inspired by modern-day creatures living in similar environments, we know that fans will love this line of prehistoric proboscideans.”
Produced by PBS Digital Studios and Complexly, PBS Eons takes viewers on a journey through the history of life on Earth. From the dawn of life in the Archaean Eon through the Mesozoic Era — the so-called “Age of Dinosaurs” — right up to the end of the most recent Ice Age, hosts Kallie Moore, Michelle Barboza-Ramirez, Gabriel Santos, and Blake de Pastino act as tour guides to the past, demonstrating what existence was like for the animals and plants that came before us.
“Working with David has been a dream for our team, and we’re so excited to present these one-of-a-kind action figures to fans of the PBS Eons YouTube series,” said Seth Radley, Executive Producer for Eons at Complexly. “Eons brings the wonder of deep time into the homes of natural history fans of all ages. To maintain that high standard of scientific rigor, we turned to an expert who has no peers when it comes to sculpting spectacular prehistoric action figures. We know our fans will love David’s beautiful and charismatic proboscideans.”
The initial $185,000 BackerKit goal includes two all-new woolly mammoth action figures. Stretch goals may be reached on the BackerKit crowdfunding platform after the initial goal is met, giving contributors the opportunity to unlock other extinct proboscideans, including Gomphotherium, Platybelodon, and Moeritherium.
The BackerKit’s first wave of prehistoric elephant action figures includes:
Click here to download hi-res images. The PBS Eons proboscideans BackerKit runs through 10:00 pm ET on October 3rd. If fully funded, the figures are estimated to ship in mid 2025.
###
About PBS Digital Studios
PBS Digital Studios produces original, digital programming designed to engage, enlighten, and entertain online audiences. The PBS Digital Studios network has more than 30 million subscribers on YouTube, generating an average of 50 million views each month. Since 2012, it has launched over 120 original series and has accumulated over five billion lifetime views on YouTube. Series include the Webby Award-winning BE SMART and SOUND FIELD, as well as popular series such as WEATHERED, EONS, MONSTRUM and SPACE TIME. For more information on PBS Digital Studios, visit PBS.org.
About PBS
PBS, with more than 330 member stations, offers all Americans the opportunity to explore new ideas and new worlds through television and digital content. Each month, PBS reaches over 120 million people through television and 26 million people online, inviting them to experience the worlds of science, history, nature and public affairs; to hear diverse viewpoints; and to take front row seats to world-class drama and performances. PBS’ broad array of programs has been consistently honored by the industry’s most coveted award competitions. Teachers of children from pre-K through 12th grade turn to PBS for digital content and services that help bring classroom lessons to life. Decades of research confirms that PBS’ premier children’s media service, PBS KIDS, helps children build critical literacy, math and social-emotional skills, enabling them to find success in school and life. Delivered through member stations, PBS KIDS offers high-quality educational content on TV – including a 24/7 channel, online at pbskids.org, via an array of mobile apps and in communities across America. More information about PBS is available at www.pbs.org, one of the leading dot-org websites on the internet, or by following PBS on Twitter, Facebook or through our apps for mobile and connected devices. Specific program information and updates for press are available at pbs.org/pressroom or by following PBS Communications on Twitter.
About Complexly
Founded in 2012 by Hank and John Green, Complexly is one of the largest global online educational companies. We produce over a dozen education video channels and podcasts with a worldwide audience of 32 million subscribers and five billion views on YouTube.
Eons is a YouTube channel produced in collaboration with PBS Digital Studios featuring hosts Kallie Moore, Michelle Barboza-Ramirez, Gabriel Santos, and Blake de Pastino. Each episode, we take our audience on a journey through the history of life on Earth. Over the past seven years, we’ve created over 400 videos that have been viewed over 686 million times.
Crash Course has created over 1,500 videos covering 45 academic courses with more always in the works. Subjects include World History, English Literature, Chemistry, Biology, Economics, Physics, Psychology and Philosophy. The show is an immensely helpful tool for students and teachers, but it also has a large viewership of casual learners who seek out online educational content independently. Around 65% of viewers watch Crash Course without being currently enrolled in an associated class. Crash Course has over 15 million subscribers and its videos have been viewed over two billion times.
SciShow is an online video series that delves into the scientific subjects that defy our expectations and make us even more curious! Our goal is to capture the awesomeness of this bizarre universe and make it easy for everyone to understand and enjoy. SciShow has over eight million subscribers and its videos have been viewed over two billion times.
About David Silva
David Silva has been sculpting and designing in the toy industry for companies including McFarlane Toys, Hasbro, and NECA (National Entertainment Collectibles Association) since 2003. He specializes in creature-related action figures, with past and current work devoted to toy lines such as Spawn, McFarlane’s Dragons, Star Wars, Jurassic Park, Predator, Aliens, Terminator, Pacific Rim, and Godzilla. He launched Creative Beast Studio in 2009 to focus on dinosaur model kits, a passion since childhood. David received the Spectrum 22 Silver Dimensional award for his piece “Dragon vs. Raptors” in 2015.
About Creative Beast Studio
Founded in 2009 by toy industry veteran David Silva, Creative Beast Studio is home to Cyberzoic, the “Beasts of the Mesozoic” dinosaur action figure line, model kits, and more. Originally created to meet fans’ rabid demand for accurate depictions of dinosaurs, Creative Beast Studio’s “Beasts of the Mesozoic” line of dinosaur action figures features the only scientifically-accurate representations of its kind on the market. The line has evolved into the go-to destination for authentic-looking dinosaurs using the most up-to-date scientific knowledge publicly available. Today, Creative Beast Studio focuses on its new IP Cyberzoic and “Beasts of the Mesozoic” dinosaur action figures, while also creating highly detailed collectible resin model kits for prehistoric animals and fantasy characters including dragons. In the future, Mr. Silva plans to expand the Cyberzoic universe and release more prehistoric action figures under the “Beasts of the Mesozoic” brand.
The great news is that as of October 8, 2024, the project has reached its funding goal and is fully funded! Be sure to check out our previous interviews with David and Creative Beast, and check out the studio and PBS Eons for great content and updates on projects like these!
BBC’s 1999 TV mini-series ‘Walking With Dinosaurs’ is one of my favorite dinosaur media productions that has ever been made. It became “the most-watched factual science programme on British TV of the 20th century,” spawning an entire genre of dinosaur documentaries where we truly felt like we were part of their world. I remember watching its broadcast on the Discovery Channel and being absolutely blown away. Despite its outdated science, the original ‘Walking With Dinosaurs’ remains the pinnacle of how to tell these stories in a way that is completely alluring, realistic, and genuinely moving. It’s a cinematic classic that is personally unrivaled, although next year a new series with the same name will be released.
To celebrate the original program’s 25th anniversary, composer Ben Bartlett is reissuing his majestic and memorable score on digital platforms! Performed by the BBC Concert Orchestra, this score was the winner of the BAFTA for “Best Original Television Music” in 2000, and its legacy has been lovingly endured by its fans ever since.
Composer Ben Bartlett says:
“I am super excited to be re-releasing my music for Walking With Dinosaurs after 25 years, and to revisit my musical roots in orchestral music. Listening to these tracks again I am struck with how fresh they sound. I feel I am coming full circle after living a quarter of a century in TV and Film music production, and liberating a musical spirit from its amber mould.”
“Over the years I have received heartwarming messages from both aspiring composers and paleontologists. Some now mature scientists have expressed gratitude for the music for the iconic show Walking With Dinosaurs, as during their childhood it tapped into emotions beyond the reach of pure science, and driving a passion for paleontology. I am incredibly touched that over the years Composers have frequently got in touch to connect about how the music led them to pursue careers in music for picture, and the score has been used at music colleges around the world.”
This new soundtrack release appears to be remastered and is a tad louder than before. In terms of music that was previously unreleased, there are really only two tracks.
The opening track “Walking With Dinosaurs” omits the Kenneth Branagh dialogue that played over the original CD version from 1999 (he was the narrator on the original program) in favor of simply the music. While some may miss that edit, I personally am happy to finally have this piece of music without it. Interestingly, the opening brass statement (and perhaps the rest) sounds like a different performance as well.
The second track with unreleased music comes near the 2:50 mark of the aptly renamed “Torosaurs Lock Horns Plus,” providing about a minute of new material.
A few tracks from the score actually appear to have slightly less music compared to the original CD release, but in minor ways that may not be detected by most in the form of micro-edits. The biggest example of this is “Cruel Sea,” which is over 40 seconds shorter than its CD counterpart. It seems to mostly remove some of the track’s repetition in parts, but it is curious such an edit was made for a digital release when length is not relevant. I can only assume this was done by Ben Bartlett for his own personal preferences, but completists may want to hang onto their CDs to retain the minor omissions. Because of this, and other music from the show that is still missing from this release, I hesitate to refer to this as a “complete” release myself.
After the “End Credits” track, there are three additional tracks from the ‘Walking With Dinosaurs’ special ‘The Ballad Of Big Al’ (aka ‘Allosaurus’). These were previously on the CD album for the ‘Walking With Dinosaurs’ sequel production from 2001, ‘Walking With Beasts.’ It’s more appropriate to now have them included on this release, featuring some of the most rousing action music of the entire saga in “Battle Of The Salt Plains.”
The ‘Walking With Beasts’ soundtrack also has a new digital release of its equally fantastic score. It includes several never-before-heard tracks from the program, performed by the BBC Singers, and is available at the same Spotify, Apple Music, Amazon Music, YouTube, & Qobuz (high resolution audio) links.
While the ‘Beasts’ soundtrack release is also not “complete,” it does feature about 18 minutes of previously unreleased music; covering episodes of the program that weren’t represented before. This will be a godsend for fans, since the original soundtrack CD album was apparently fast-tracked for release before the final two episodes were even scored. This is something Ben Bartlett has wanted to rectify ever since, making this new release an important milestone.
For fans of ‘Walking With Dinosaurs’ who have never heard the ‘Beasts’ score, it features much more percussive elements throughout and a darker overall tone (ala ‘The Lost World: Jurassic Park’). Several tracks also feature very effective choir, usually in the form of chants, that give it a striking identity not present in the previous score. Definitely worth a listen, especially in this extended release.
Previously, AI artwork was used for both digital album covers but was quickly changed to instead feature the composer among museum displays. A forthcoming vinyl release of both scores will apparently feature original paleo artwork for their covers. No ETA on those releases just yet, or if the digital versions will have their album artwork updated to match. Sadly, CD collectors, like me, appear to be omitted from all releases (the format isn’t dead yet!).
Despite the mentioned issues of both score releases, it is still great to have them widely available again for everyone to hear. I think every ‘Jurassic Park’ fan should give them a listen (and perhaps throw Bartlett’s name in the ring to score ‘Jurassic World: Rebirth?’). Hopefully Blu-Ray releases of the original programs themselves will also be on the way to celebrate the anniversary!
Do you remember the original ‘Walking With Dinosaurs’ mini-series from 1999 and its sequels/spinoffs (including ‘Prehistoric Park‘ starring Nigel Marvin)? Reminisce in the comments below, and stay tuned to Jurassic Outpost for the latest!
NOTE: This article was updated on 10/22/2024 to reflect album cover updates & more information on the ‘Walking With Beasts’ soundtrack.
