The Lost World: Jurassic Park – 25th Anniversary!

Happy 25th Anniversary to Jurassic Park‘s first sequel: The Lost World: Jurassic Park! This film brought Dr. Ian Malcolm back to us and gave us some of the most beautiful and action-packed moments of the entire Jurassic franchise. From the mysterious Isla Sorna and its wild velociraptors to a rampaging T. rex in San Diego, The Lost World delivers so much incredible dinosaur action and Jurassic lore to viewers. Ian, Dr. Sarah Harding, Kelly Malcolm, Roland Tembo, Nick Van Owen, and so many others are characters that Jurassic fans will always know and love in a film that stands the test of time in so many ways. We at Jurassic Outpost could talk about this film for a very long time, but for now you can read the thoughts of a few of our staff and continue celebrating The Lost World with us below:

Josh Evans

I feel like I was born at one of the best times possible to be able to enjoy the Jurassic film franchise from the very beginning. At 8 years old in the Summer of 1993 I lived in the theaters seeing Jurassic Park over and over again. Imagine finding out shortly after that a sequel to the film I loved so much was going to be coming out. I was the dorky kid that cut out The Lost World logo from one of the Kenner toy boxes and taped it to my school daily calendar so I could count down the days. I will also never forgot my oldest brother taking me to the local Thursday midnight showing before release. While The Lost World is not my favorite of the sequels, it will always hold a special part in my memories as a child. The giant redwoods and the different look the filmmakers gave Isla Sorna is still one of the most beautiful visuals of the entire series. Also, who doesn’t love a T. rex family instead of just one!

Derrick Davis

Me and The Lost World: Jurassic Park have a weird relationship. As a fan of the original film, when I first saw this sequel in the theater I actually didn’t like it! I think kid-Derrick expected to go back to Isla Nublar, find out what happened to the dinosaurs there and see the ruins of the Visitor Center (something that would finally happen in Jurassic World). However, instead we went to some other island and saw ruins of things we had never seen before. I also was ready to finally see pteranodons, only to have one cameo at the very last moment of the film (luckily we would see a lot more of them in Jurassic Park 3). As a kid, not having these wishes fulfilled led to an utter disappointment of the entire film. But the merchandise was amazing… leading to a PC game tied to the film called Trespasser – The Lost World: Jurassic Park that explored Isla Sorna in great detail, aided with narration from John Hammond himself. Playing that game, and exploring Sorna on my own while hearing more about it from Hammond, led to a new appreciation for The Lost World. And ever since then, I’ve loved it. It’s a dark, intense thrill ride of a movie with incredible atmosphere and an amazing musical score by John Williams that is one of my favorites. It’s likely the darkest the franchise will ever be from the masterful filmmaker who began the franchise. And Kelly Malcolm literally kicks ass.

Jack De La Mare

I grew up loving The Lost World as much as Jurassic Park and that is still true today. To date, there is no greater sequel than The Lost World. How can you not love it? I’ve heard it’s actually Spielberg’s favorite movie. Who knows?

Caleb Burnett

Though one or two others may come close, The Lost World: Jurassic Park has always been my favorite sequel to Jurassic Park. Since I was very young I have always adored how it ups the ante of dinosaur action, brings new locations and dark moods to the table, and continues the story of Ian Malcolm and the Jurassic franchise in such a unique way. Not to mention the incredible and distinctly unique musical score that accompanies all of this. This film will always be my go-to for an escape from daily life. Steven Spielberg, John Williams, and every actor and crew member involved with this film created something eternally special to so many.

We couldn’t be happier to celebrate 25 years of The Lost World: Jurassic Park.

What do you think of this film? How are you celebrating its 25th anniversary? Let us know in the comments below!

New Hammond Collection Drops in Beyond The Gates Episode 5: Dr. Alan Grant, Ceratosaurus & Triceratops

The Ceratosaurus from Jurassic Park 3 has made it to the Hammond Collection! Joining the two dinosaurs unveiled in the first episode of season 2, this Isla Sorna carnivore was designed by Mattel using concept art and references from artists such as Erich Rigling who brought this dinosaur to life back in 2001.

Last month we debuted the Dr. Sarah Harding & Stegosaurus Figure Pack which featured unique packaging and the first-ever baby Stegosaurus in toy form. Today, alongside the Ceratosaurus, the Triceratops and Dr. Alan Grant from Jurassic Park join this exciting Mattel toyline!

These items really shine in the Hammond Collection, and in this episode of Beyond the Gates we discuss the design of these toys with the mastermind himself, Gregory Murphy.

This episode is also joined by Stan Winston School’s Shannon Shea, who’s voice through archive material guides us through the original paint job featured on the Triceratops, which designer Gregory matched with the deco on the toy.

Be sure to take a deeper look at the making of this wonderful set by checking out the episode now, and if you haven’t already, head to Target.com to pre-order this exclusive set!

There’s more very exciting items coming to Beyond The Gates, stay tuned!

‘Jurassic Park’ Production Designer Rick Carter’s Immersive Art Exhibit Is Now Open!

Rick Carter was the production designer of ‘Jurassic Park’ and ‘The Lost World: Jurassic Park’, among many other classic films from the ‘Back To The Future’ sequels to ‘Avatar’. Now, immerse yourself in Rick’s visually-stunning mind with ESMoA’s new art exhibit: ‘TIME’.

“TIME, a project by artist and production designer Rick Carter, is an immersive collage that contemplates the concept of time. The exhibition features paintings, drawings, and collages by Carter along with photographs, movie memorabilia, and additional works by eight other artists who were invited to participate.”

Rick Carter further explains:

“Over the past five decades as an artist and film production designer, I am frequently immersed in the realizations of visual concepts. […] This experience at ESMoA provides the opportunity to explore with younger LA-based artists the legacy of my artistic career as both a painter and visual collaborator with movie directors.”

Last weekend I attended a special advance preview of the exhibit, and it was quite extraordinary to see it in person! After being a fan of his production design in films for so many years, it was unique and exhilarating to be in a representation of his vast mind. Below is a gallery that features just a taste of what this exhibit is like.

For fans of ‘Jurassic Park’, there are various interpretations by other artists that are beautiful and engaging. Such highlights include art by Jacori “Aiseborn” Perry that feature a raptor running towards the gates of ‘Jurassic Park’ and a Triceratops hatchling!

There is also a myriad of work by Rick Carter himself, of course; straight from his own production files. This includes a special area at one end of the exhibit where a portion of the wall features several key items that have never been seen before. Unique collages of Jurassic Park’s Visitor Center and pencil sketches done on napkins create an early look into what would eventually be realized on the screen. A glass case at the center of this section displays a miniature Velociraptor model created by Stan Winston’s team. This detailed creation is clearly a cherished item in Rick’s collection that everyone can appreciate.

Left Side, Top to Bottom: Rick Carter’s actual crew badge, a collage concept for the Visitor Center, and a series of sketches done with pen on napkins depicting early layouts of the Visitor Center (and Hammond perhaps?). Center: Stan Winston Studios Raptor model from Rick’s collection. Right Side, Top to Bottom: Another Visitor Center collage concept, café mural collage concept, and DNA collage concept.

One of the coolest things for a ‘Jurassic Park’ fan to see is the mural Rick created that is actually featured in the film’s cafe; most iconically during Richard Attenborough’s portrayal of John Hammond as he tells his ‘Petticoat Lane’ story to Laura Dern’s Ellie Sattler. It was inspired by Pablo Picasso’s Guernica!

Another neat treat is an illustration of a Tyrannosaurus Rex made in 1990 (the first year of pre-production for ‘Jurassic Park’). It is credited to both Rick Carter and his daughter Amee Carter.

However, ‘Jurassic Park’ is just one of many films that Rick Carter was part of that the exhibit showcases. Other artifacts and artistic depictions include ‘Avatar’, ‘The Polar Express’, the ‘Back To The Future’ sequels, ‘Cast Away’, ‘What Lies Beneath’, ‘Star Wars: The Force Awakens’, ‘Forrest Gump’, and a lot more. There are also more abstract and personal pieces not related to any film, including many stunning renderings of human faces.

Walking around this massive room, with art reaching all the way to its tall ceiling, you can’t help but be wonderfully overwhelmed with Rick’s vision and the representations of his entire career (so far). One of the most arresting visuals Rick himself produced for this exhibit are the faces of the four leading directors he has worked with through the years: Steven Spielberg (‘Jurassic Park’), Robert Zemeckis (‘Back To The Future’ trilogy), James Cameron (‘Avatar’), & J.J. Abrams (‘Star Wars: The Force Awakens’). They almost appear to be looking down at the entire exhibit, seeing their entire worlds that Rick helped create with them.

One of the coolest features of this exhibit is the ability to have your own self-guided tour of sorts using ESMoA’s “Grid” feature! Using correlating numbers that are painted on the floor near the items they represent on the walls, you can look up each number on the Grid then select it to view a small cropped version of the artwork along with information about the specific artist and other details. There are even some fascinating sketchbooks that Rick created that you can digitally thumb through! These features are additionally informative if you somehow aren’t able to visit this exhibit in person, presenting a version of everyone’s work to be appreciated by virtually everyone. Or, as John Hammond would say, “Everyone in the world has the right to enjoy these illustrations.”

ESMoA’s “Grid” Feature
Access to Rick Carter’s personal sketchbooks.

Additional artists that illustrated Rick’s mind and career are: Alex Garcia, Luke Hayes, Muraji Khalil, ​Dalila Paola Méndez, ​​Helena Park, Jacori “Aiseborn” Perry, Ivan “Mr Mustart” Petrovsky, and Carlos “Kopyeson” Talavera. The creation of the exhibit itself was also a massive undertaking, as evidenced in a cool time lapse video that begins with its inception then leads up to the preview event. The exhibit was curated by Dr. Bernhard Zuenkeler.

Rick Carter & Select Illustrators: Bernhard Zünkeler, Carlos “Kopyeson” Talavera, Jacori “Aiseborn” Perry, Rick Carter, Ivan “Mr Mustart” Petrovsky, Muraji Khalil, Helena Park. Sitting on the ‘Forrest Gump’ bench.

While attending the preview event, I saw all of the talented artists and ran into some ‘Jurassic’ veterans, including: Rick Carter (of course), David Lowery (Storyboard Artist), John Bell (Art Director), & Seamus Blackley (creator of the ‘Lost World’ PC game ‘Trespasser’… and a little thing called the XBOX). Seeing this exhibit with so many of the creative leads that were involved with the extraordinary films represented will certainly be a night I will never forget!

Derrick Davis pictured above with Rick Carter and then Rick Carter & David Lowery

While ESMoA is applauded for having an online version of the exhibit accessible to everyone, I must stress just how much more incredible it is to see it all in-person! They really did “spare no expense“! This amazing free exhibit is open from May 5th to September 17th 2022 in El Segundo, CA, USA. Be sure to plan your trip in advance for the exact location and available hours and days it is open. Also check out their various upcoming programs that include opportunities to see Rick Carter in person!

For another Rick Carter-related experience that is connected to ‘Jurassic Park’, watch Jurassic Time’s illustrated audio drama of ‘Rick Carter’s Jurassic Park’; an adaptation of Rick’s script for the film, featuring thousands of production images from the film and interviews with Rick!

Note: Some images were obtained directly from ESMoA. Special thanks to Rick Carter & Eugenia Torre. ‘Rick Carter & Select Illustrators’ and ‘Installation Shots’ are credited to Mark Knight.

Do you plan to make a trip to this exhibit? And besides the ‘Jurassic’ films, what are Rick Carter’s other films that he worked on that you also love? Share your comments below, and as always stay tuned to Jurassic Outpost for the latest!

‘Jurassic Time’ Interviews Production Designer Rick Carter With Its Updated Illustrated Audio Drama!

Last year, Jurassic Time unveiled ‘Rick Carter’s Jurassic Park’: an illustrated audio drama that presented an early version of ‘Jurassic Park’ through production designer Rick Carter’s adaptation of Michael Crichton’s final draft screenplay. It featured the film’s original production artwork brought to life with fantastic music, sound effects, and the voice talents of enthusiastic fans.

While the production was released in February 2021, additional artwork was revealed from people who worked on the film through various outlets; including many in better quality than previously available. More would be uncovered throughout the year, thanks to a resurgence of interest in how the film was made. There was so much more material to work with that it became clear the video program had to be updated.

In February 2022, Derrick Davis (video editor & head of the project) began re-working the videos with the new materials. Such additions included Art Director John Bell‘s character designs of Alan Grant, Ellie Sattler, and Ian Malcolm that differed greatly in appearance compared to how they would look in the film. It should be noted that character appearances changed frequently during pre-production, creating unavoidable inconsistencies throughout the artwork. However, adding such imagery gave the videos even more authenticity and revealed more insight into the endless production ideas.

John Bell’s early art depictions of Ellie Sattler, Alan Grant, John Hammond, Ian Malcolm, Lex Murphy, & Tim Murphy.

During this process, an amazing opportunity took place. Derrick was able to reach out to Rick Carter himself, who had seen the 2021 version of the illustrated audio drama! Rick was delighted with the production, and never thought something like it would have been realized from his script. Their discussions led to a recorded conversation that was then edited into two separate videos: one focusing on his script, the other an hour-long look into his career that delves into ‘Jurassic Park’, ‘AI: Artificial Intelligence’, ‘Avatar’, and other productions. More importantly, Rick explores the core of what he brings to any project he works on with his inspirational wisdom.

Both conversations now appear at the end of the production as supplemental features, perfectly cementing the entire presentation. His wonderful insight into the film’s production, his career, and his life were an emotionally fulfilling highlight.

One of the many brand-new talking points from Rick Carter explains how he ended up revising Michael Crichton’s ‘Jurassic Park’ screenplay into his own draft, and the purpose it served in the production of the film.

“Steven and all of us were having such amazing conversations as we explored where the movie could go, based upon Michael’s book. And I knew Michael Crichton through my mother, so I already knew him as a person independent of all of this. So, I knew what he was writing from his book, and the conversations with Steven, and we were developing all sorts of ideas for scenes and context that it was fine for him to do his version.

When it went to the next step, there was Malia Scotch Marmo who was brought on; and I wasn’t part of those meetings. And I knew that many of the things that we were discussing were going through Steven to her and then he was wanting to see what she would bring. But it was making it a little bit hard, as I remember, to know what to coordinate for the art department to focus on. I mean, we knew the main road attack would be there, we had the design of the Spitter, the Spitter would be there, we knew there was a raptor pen; you know, we knew certain things. But there was a whole river extravaganza, there were a lot of things that were in the book that we were still playing out and exploring.

So, I wanted to get something in front of Steven that we could use as our working document. And I started to write sort of memos that would outline scenes and I’d throw images with them, and that kind of thing. But it got to be where it almost was easier to do it as a screenplay form. And then, of course, once I entered into that I started just putting in dialogue and, you know, whatever. Or whatever I took from the book that I thought was still really good.”

-Rick Carter

Rick Carter during his conversation with Derrick Davis.

Now, the final version of the program is completed. The end result is a one-of-a-kind experience that was an ultimate labor of love from everyone involved. While the debate can rage forever if this early version of the film would have been better than what we got, it is still fascinating to see it performed in such a dramatic way. It is also great to finally have an engaging way of presenting the art from those who worked on the film, instead of having it locked away or forgotten forever.

Derrick Davis & Bernard A. Kyer (the project’s sound designer & music composer) would like to thank Rick Carter and everyone in the production for bringing this dream to life and realizing the imaginations of those who worked so hard to create our cherished, classic film: ‘JURASSIC PARK’.

Be sure to check out the entire updated video series now! And if you’d like to learn more, read the ‘Behind The Scenes’ article to delve into the entire history of the project.

How exciting was it to hear brand-new conversations with the production designer of ‘Jurassic Park’? What were details that he shared that you enjoyed the most? Share your comments below, and as always stick around with Jurassic Outpost for the latest!

New ‘Jurassic World: Dominion’ Featurette Presents The Legacy of Jurassic Park!

Life breaks free.

Jurassic World: Dominion – The Legacy Featurette has been released by Universal Pictures! This brand new video contains interviews with the returning Jurassic Park cast members, the core cast of Jurassic World, and even Colin Trevorrow, all sharing the impact that the Jurassic franchise has had on cinema as a whole and how it all continues in Jurassic World: Dominion. Watch the full featurette below!




“It expands to new territories, and crashes through barriers… painfully, maybe even dangerously…”

The featurette begins with Sam Neill (Dr. Alan Grant), Laura Dern (Dr. Ellie Sattler), and Jeff Goldblum (Dr. Ian Malcolm) sharing pieces of their experiences making Jurassic Park alongside incredible behind-the-scenes footage from the set of that film. Dern speaks of the “energy on set that it was the first time you’d ever seen anything like this,” and Goldblum speaks to how he was “excited for everything that it could be.” The legacy of these actors, their characters, and the incredible film that is Jurassic Park is clear here, and the featurette begins to demonstrate their connection to Jurassic World: Dominion as it transitions to the characters of the Jurassic World films.


“Well, there it is.”

Continuing with the core Jurassic World cast, Chris Pratt (Owen Grady) and Bryce Dallas Howard (Claire Dearing) share the impact that Jurassic Park and seeing real dinosaurs on-screen had on them as well as cinema as a whole. “Suddenly that which had never seemed real before was totally real, and I realized at that moment that cinema forever had changed,” Howard says. Director Colin Trevorrow joins to share that “Jurassic World: Dominion is the culmination of the franchise. It concludes the story that Steven Spielberg started telling in 1993.” Pratt and Howard go on to share how great and surreal it was to work with the legacy cast member of Jurassic Park, and Laura Dern shares that Dominion was a “fantastic idea to bring these two worlds together.” Trevorrow and Howard go on to explain that with all of the characters returning, it is truly the intersection and convergence of the entire storyline and franchise.


“Life, uh… finds a way.”

There are also some very interesting new visuals and moments of dialogue in this featurette. Dr. Henry Wu (BD Wong) appears briefly to say “We need to fix a terrible mistake,” which could have massive implications for the storyline and the Jurassic franchise. We see fiery, action-packed moments featuring the entire cast, as well as new shots of the legacy and modern casts mixing together in interesting ways: a tense moment between Owen Grady and Dr. Malcolm, and Maisie, Dr. Grant, and Dr. Sattler running in lab coats through what looks like Biosyn’s headquarters. The featurette culminates in wild shots of the chaos to come in Malta, Owen and Kayla meeting the Pyroraptor, and the entire cast facing off with the massive Giganotosaurus, seen for the first time in glorious, full animatronic form!




Needless to say, this new Jurassic World: Dominion featurette is fantastic, and showcases multiple new moments and pieces of information that demonstrate the deep connection this film will have to the original: Jurassic Park. It also showcases how definitive the franchise has been for generations of people, and how fortunate we are to be witnessing the continuation of incredible stories 30 years in the making. Be sure and take this featurette in, share your thoughts with us below, and join us in the exciting run up to the sixth Jurassic film, in theaters June 10th!

Tickets Now Available to ‘Generation Jurassic’ Event at Universal Studios Hollywood!

UPDATE: Thank you for your interest in the Generation Jurassic event! Unfortunately, we have reached full capacity for this event. Please follow us for more details including on how to watch the event unfold.

Tickets are now available to the recently announced ‘Generation Jurassic’ event occurring at Universal Studios Hollywood on April 28th, 2022! RSVP here or read on for more information.

Working with Universal Brand Development, we’re excited to be part of the upcoming after hours fan-event occurring at Universal Studios Hollywood on April 28th, 2022. The event is limited capacity RSVP only – read on for more details about what to expect, and additional information on ticketing.

TICKETS:

TICKETS NOW AVAILABLE – RSVP NOW
Due to the limited capacity of this event, tickets will be at a first-come-first-serve basis here.

Generation Jurassic is a free after hours event, and tickets do not include general admission into the park. Valid photo ID matching name on RSVP required. Universal Studios Hollywood follows all current Los Angeles County COVID protocols. Please refer to the additional info on ticket form here.

ABOUT:

Generation Jurassic Event – April 28th – Presented by Universal and Target

Universal and Target, along with super fan site, Jurassic Outpost, have come together to create an exclusive event for Jurassic fans of all ages – Generation Jurassic will be held on April 28th from 7:30-10pm at Universal Studios Hollywood. Against the backdrop of “Jurassic World—The Ride” within the theme park, fans will get to celebrate all things Jurassic and experience a variety of activities, including:

  • Participate in a LIVE “Jurassic World: Beyond the Gates” panel discussion, plus Q&A with toy designers from Universal, Mattel and Funko, including reveals of all-new Target-exclusive items
  • Explore product displays of the latest and greatest toys, apparel, collectibles and more
  • Experience the thrills on Jurassic World: The Ride, including coming face-to- face with the stunningly realistic dinosaur Indominus rex
  • Explore DinoPlay, a fun interactive area for kids
  • Take part in photo opportunities with fan-favorite dinosaurs and vehicles (thanks to the Jurassic Park Motor Pool!)
  • Try your luck with giveaways of awesome Jurassic World products!
  • We’re excited to bring ‘Beyond the Gates’ alive in an all-new way, showcasing the talent of artists creating the numerous Jurassic World products. This is a unique opportunity to dive deeper than ever into the making-of process, let fans ask their burning questions, and of course, feature some exciting exclusive reveals.

    More details about what else to expect will become available as we inch closer to the event .

    As always, be sure to stay tuned to Jurassic Outpost for more information coming soon. We hope to see you there!

    Advance Review Of The Upcoming ‘Jurassic Park: The Original Topps Trading Card Series’ Book!

    Back in the early 1990s, things were very different. The internet was still in its infancy and cell phones weren’t available. People read books, played board games, watched a lot of cable TV, and played outside. I know, it’s a time for many that is as foreign as the time of the dinosaurs.

    ‘Jurassic Park’ came out in June 1993. But it wasn’t available for home viewing (via VHS and Laserdisc… which is a whole other topic to explain to some people) until October… 1994! Yes, nearly a year and a half after the film was released in theaters! Back then, theatrical releases for big movies really could last that long to make as much money as they could if popular. And as a kid who saw it during its original release, it was popular. But for me, the wait was painful. Excruciating. I had seen what to me was the greatest thing I had ever laid my eyes on… and waiting almost a year and a half to see it again (my allowance at age 6 couldn’t afford that many tickets) felt like an eternity. I wanted to endlessly watch it, rewind it back to the beginning, and watch it again. But no. We all had to wait.

    The Topps Trading Cards, that were on store shelves as soon as the movie was, were a godsend. For ‘Jurassic Park’, they had dozens and dozens of wallet-sized cards that had fantastic stills from the film, concept art, behind the scenes images, and more. And if you got them all, you essentially had the entire story of the film that could fit in your pocket. I remember flipping through them, soaking in every image, reading every detail. For that long wait, those cards were the film. Only the comic book adaptation came as close to truly filling the void as those cards (also produced by Topps).

    That’s why the upcoming ‘JURASSIC PARK: THE ORIGINAL TOPPS TRADING CARD SERIES’ book (available April 26th) is such a fantastic compilation of that time for me. And even if you weren’t around to enjoy the cards the way I had, you can still appreciate them as pieces of the film’s rich merchandise history. They are an artistic joy to behold.

    Journey back to where it all started in this deluxe collection showcasing the classic Topps trading cards from 1993—timed for the theatrical release of Jurassic World: Dominion.

    When Jurassic Park was released almost 30 years ago, it was an immediate blockbuster and went on to become one of entertainment’s largest multimedia franchises, with five more films, theme park attractions, and a robust consumer product program—including a set of trading cards released by Topps in 1993 to tie into the film. This comprehensive collection of the original trading card series—timed to publish alongside the release of Jurassic World: Dominion—includes the fronts and backs of all of these classic cards, plus the special chase cards and rare promotional material. The book also includes text and commentary by Gary Gerani, editor of the original series, and an afterword by Chip Kidd, who created and designed the cover of Michael Crichton’s Jurassic Park, which became the iconic logo for the franchise.

    The book begins with a foreword by Gary Gerani, who happens to have been the co-writer of the film ‘Pumpkinhead’ (directed by the same animatronics legend who brought the dinosaurs of ‘Jurassic Park’ to life: Stan Winston). Before and after that time, he worked for Topps. The ‘Jurassic Park’ cards were all written and edited by him. Before the film was released, he was able to see a myriad of storyboards & fantastic photos of the amazing on-set dinosaurs. Another thing he was privileged to see was the film’s super-secret script; required reading to make the text for all the cards.

    Gary goes on to explain how the cards became organized into themed sections and how they gained their appearance & layout. After he selected the images and text, they would be taken to the art department at Topps and turned into their final form.

    Speaking of layouts, the main sections of the book feature one side of every card on its own page. Personal commentary is provided by Gary on select cards. He shares his views on certain parts of the film as depicted in the cards and why he made certain choices. Gary clearly had admiration for Stan Winston’s work on the animatronics, likely heightened from his time associated with ‘Pumpkinhead’. It’s always nice to see the animatronics of the film still getting love all these years later.

    The first main section of the cards begins with everything from “Series One”: all 88 cards of the original set. This is followed by its 11 sticker cards (which put together would create a cool single picture on the other side), 4 hologram cards, & 4 promo cards. The first series essentially tells the entire story of the film, in a reduced form of course. But it also has cards that focus on certain characters, places, dinosaurs, and some behind the scenes information. There is even a selection of cards that focuses on Crash McCreery’s famous artwork for the film.

    From there, we go into everything from “Series Two”, which continues from the first series with card 89 through 154, followed by its 11 sticker cards. This second series was released a few months after the first one and featured a looser approach to conveying the film instead of trying to tell a story. It featured many behind the scenes quotes from people who worked on the film. This series is also the only one that features ILM-produced CGI shots, since Topps did not have access to them until after the first series had to be completed.

    The final main section of the book showcases the fantastic 10 art cards that were part of the “Gold Series” (a special gold-embossed version of the cards that was produced after “Series 2”), making for a very showy finish. While the backs of these art cards are for some reason not represented, the artists for each one are all credited with text.

    However, that’s not all. The book features an afterward by Chip Kidd, the creator of the ‘Jurassic Park’ novel cover (which later was literally converted into the film’s logo). He details how the cover of the novel came to be, and how he was told to make it be as iconic as the cover for ‘Jaws’. This afterword also includes a note from Michael Crichton that was inscribed to Chip.

    The book is about the size of my entire hand, bound in a sturdy hardcover with a thin bubble gum wrapper-style sleeve (which is made to look slightly distressed around the edges). The pages are thick and printed with high-quality vibrant color. The cards represented on each page are about 30% bigger (rough estimate) compared to the actual card size, which is nice to see a bit more detail.

    As the cover promises, the book includes four promotional cards, taped to the inside of the back cover in sealed plastic. Luckily, removing the cards from the book did NOT leave any kind of blemish and was easy to do. The four cards are exclusive to this book. Two of the front designs are from actual cards in the series, but the others are new additions. One resembles the cover of the 2011 ‘Jurassic Park’ Blu-ray, while the other features a top view of the retail display box. All four of their backs are the same, but numbered. Overall, this book is even better seeing it in person than it would be as an eBook (in my opinion).

    If you remember collecting these cards, or never got to have them, this book offers the perfect way of showcasing them. I must warn you that if you’re like me, you will be overridden with nostalgia. Topps would go on to do cards for the first sequel in the franchise, ‘The Lost World: Jurassic Park’. Thankfully, Gary teases the possibility of more of that story being told. So, keep your fingers crossed that we get a second book!

    You can pre-order the book right now so it can come home to you on April 26th! I can’t recommend it enough.

    (Note: Some images are from Amazon’s preview of the book.)

    Did you collect any of the Topps cards when the film came out? Were you ever able to get a complete set on your own? Share your thoughts in the comments below, and as always return to Jurassic Outpost for the latest!

    ‘Generation Jurassic’ Event Presented by Universal Brand Development and Target Coming to Universal Studios Hollywood April 28th 2022

    Update March 28th, 2022 at 9pm EST: Tickets now available.

    UPDATE 2: Thank you for your interest in the Generation Jurassic event! Unfortunately, we have reached full capacity for this event. Please follow us for more details including on how to watch the event unfold.

    If you missed the recent episode of Beyond the Gates then you may have missed the news about an upcoming exclusive event occurring in California. So what are you waiting for? Check out the episode below, and then read on for all the important details:

    Working with Universal Brand Development, we’re excited to be part of the upcoming after hours fan-event occurring at Universal Studios Hollywood on April 28th, 2022. The event will be limited capacity RSVP only – read on for more details about what to expect, and information on how to lock your tickets in.

    ABOUT:

    Generation Jurassic Event – April 28th – Presented by Universal and Target

    Universal and Target, along with super fan site, Jurassic Outpost, have come together to create an exclusive event for Jurassic fans of all ages – Generation Jurassic will be held on April 28th from 7:30-10pm at Universal Studios Hollywood. Against the backdrop of “Jurassic World—The Ride” within the theme park, fans will get to celebrate all things Jurassic and experience a variety of activities, including:

  • Participate in a LIVE “Jurassic World: Beyond the Gates” panel discussion, plus Q&A with toy designers from Universal, Mattel and Funko, including reveals of all-new Target-exclusive items
  • Explore product displays of the latest and greatest toys, apparel, collectibles and more
  • Experience the thrills on Jurassic World: The Ride, including coming face-to- face with the stunningly realistic dinosaur Indominus rex
  • Explore DinoPlay, a fun interactive area for kids
  • Take part in photo opportunities with fan-favorite dinosaurs and vehicles (thanks to the Jurassic Park Motor Pool!)
  • Try your luck with giveaways of awesome Jurassic World products!
  • TICKETS:

    TICKETS NOW AVAILABLE – RSVP NOW
    Due to the limited capacity of this event, tickets will be at a first-come-first-serve basis here.

    Generation Jurassic is a free after hours event, and tickets do not include general admission into the park. Valid photo ID matching name on RSVP required. Universal Studios Hollywood follows all current Los Angeles County COVID protocols. Please refer to the additional info on ticket form here.

    We’re excited to bring ‘Beyond the Gates’ alive in an all-new way, showcasing the talent of artists creating the numerous Jurassic World products. This is a unique opportunity to dive deeper than ever into the making-of process, let fans ask their burning questions, and of course, feature some exciting exclusive reveals.

    More details about what else to expect will become available as we inch closer to the event, and we hope to make the attendance RSVP available ASAP.

    As always, be sure to stay tuned to Jurassic Outpost for more information coming soon. We hope to see you there!

    Interview with Funko Games and Prospero Hall – Inspirations Behind NEW Jurassic World: The Legacy of Isla Nublar Game!

    Earlier this month we were fortunate to be able to participate in a playthrough event at Funko Hollywood HQ with Funko Games and Prospero Hall for their new game: Jurassic World: The Legacy of Isla Nublar!

    During this event we had the immense privilege of interviewing two of the top minds behind the development of this brand new tabletop legacy game: Deirdre Cross, Vice President of Funko Games, and Ruby Wishnietsky, Editorial Lead for Prospero Hall. These two are big fans of the Jurassic franchise and have done an incredible job with this game. Read on to hear how they injected their passion for Jurassic and tabletop gaming into Jurassic World: The Legacy of Isla Nublar!


    From left to right: Jennifer Durst (Jurassic Jen), Brad Jost (The Jurassic Park Podcast), Deirdre Cross (Funko Games), Ruby Wishnietsky (Prospero Hall), Nima Neemz Nakhshab (JurassicYourWorld), and Caleb Burnett (Jurassic Outpost).


    What is your relationship with Jurassic Park and Jurassic World, and how did that influence developing this game?

    Ruby Wishnietsky:

    “My relationship with Jurassic Park and Jurassic World was definitely deepened through the development of this game. I am a huge amusement park fan. So honestly, my clearest relationship to them is riding the ride in Florida – going through that wonderful boat ride and getting freaked out by dinosaurs.”

    Deirdre Cross:

    “My relationship with the Jurassic World franchise is, I would say, very deep and quite intimate. I reread the book every year and I don’t even know how many times I’ve seen the first film. But really, I celebrate the whole thing. I’m so into Jurassic World that I have two cats at my house – one of them is named Dr. Grant and the other one is named Dr. Malcolm. And they’ve both grown too big to fit in our game box.”


    That is so awesome. So the word “legacy” – it feels like that’s important. How does the word legacy connect with the franchise, this game, and everything that’s going on with the new films?

    Ruby:

    “Well, the, the word ‘legacy’ in the title of the game, Jurassic World: The Legacy of Isla Nublar, has a few different meanings. One of the meanings of course is that the whole story is John Hammond’s legacy, right? As it goes, you know, from the inception of the park, his dream of the park, and then carries on through the whole Jurassic story. The whole thing is his legacy.

    The other meaning that it has is that legacy is a type of gameplay, which means that the game changes over time. As you make decisions, it changes permanently as you and your playgroup explore the stories and the adventure and build your own park. That’s really the meaning of legacy for us in this context.”

    Deirdre:

    “And as you may have noticed playing the game, and as you will continue to notice, it has even deeper meanings as you play through our particular game. Not just Hammond but other characters will leave their legacy on the island and on your part. And so you’ll see how that plays out as you continue your adventures.”


    What themes from the Jurassic franchise, whether it’s the books or the films, were important to you to put into this game?

    Ruby:

    “I have a couple that relate to some specific aspects of the game that I love to talk about. One of the big themes that played a big role in our art direction is the early fear of how technology is going to affect the natural world. In the art direction of the game, we went very much from the perspective of what influenced the creators of the Jurassic stories: 1950s and ’60s pulp comics, monster movie posters, and even scientific textbooks. Thinking about how this exciting new technology field of genetics is going to change things for the better or for the worse – who knows?

    One of the other themes that I think we play on a lot in the gameplay sense is the wonder at the unknown and learning with our new scientific knowledge – learning some aspects of what used to be and what was extinct, but not having the whole story.”

    Deirdre:

    “I mean, we’re filling in the gaps. You know, there’s still gaps in the code, the DNA. And we’re sort of guessing at what it was. And in the mechanical gameplay of our game, there are gaps there and the players can guess – maybe they’ll guess right and be a little more prepared, or maybe something’s going to go very differently than what they expected.

    I also feel like a theme is ‘you can’t put it back in the box.’ Like, there are things you can’t undo.”


    The artwork is gorgeous. Can you talk a little bit more about what it was like developing the artwork and all of the stickers and game pieces and everything?

    Deirdre:

    “Like Ruby was saying about where we went to look for our inspiration for the art style and everything – back to the fifties and sixties, pulp and scientific textbooks, scientific magazines. But beyond that we also had this great opportunity to do these sculpts in the game, the sculpted miniatures. And we worked very closely with Universal and Amblin to get their files for 3D dinosaurs and stuff. We’re getting all this amazing stuff and we start to realize, well, yeah, we can just make the dinosaurs.

    A lot of games just have dinosaurs in them, but what if our game had a more immersive sculpture that tells a story on its own that is also a really beautiful storytelling piece? So when you look at our sculpted velociraptor game piece, it’s two raptors coming out of the door of the kitchen. It’s so cool.

    It’s so great to get to really pour so much creativity into those tiny pieces that are on the table. And I think as you look at the whole product, from the stickers to the card art to even the liner of the box, everything is bespoke and original to the product.”


    Last question: You said you read the books often. Was there anything from those that influenced this game at all?

    Deirdre:

    “I think, like what Ruby’s saying about the exploration of science and the tension of the unknown… If you’ve also read the books, you understand what Steven Spielberg was doing when he created the films, because that was his source material. The story he’s trying to tell, when you also read the books as more backstory, there’s a lot more in there about that tension. Though our game does not technically cover the books, you can definitely feel their DNA.”



    We cannot thank Deirdre Cross, Vice President of Funko Games, and Ruby Wishnietsky, Editorial Lead for Prospero Hall, enough for taking the time to speak with us about their passions for Jurassic and this fantastic new game. It’s clear their love for all things Jurassic and board games has been woven into this product, and the beautiful result speaks for itself. Jurassic fans are going to love experiencing this game.

    You can still secure your copy of the game by backing its Kickstarter campaign here! What do you think so far about this game, its visual style, and the influences of the creators? Let us know in the comments below, and stay tuned to Jurassic Outpost for all Jurassic news!

    Jurassic World: The Legacy of Isla Nublar Kickstarter is now LIVE!

    The campaign for Jurassic World: The Legacy of Isla Nublar, the brand new tabletop legacy game from Prospero Hall and Funko Games, has launched today on Kickstarter! Click here to back the campaign and reserve your copy, and read on for more information and photos from this incredible game!

    From Prospero Hall and Funko Games:

    A Tabletop Game 65 Million Years in the Making – Jurassic World: The Legacy of Isla Nublar – Available on Kickstarter Today!

    “Hold onto your butts!”  After months of anticipation, Jurassic World: The Legacy of Isla Nublar is available on Kickstarter starting today from Prospero Hall, the acclaimed design studio of Funko Games. This marks Prospero Hall’s introduction to tabletop’s growing legacy game genre and the first-ever legacy game based on a major motion picture franchise.

    “This is the biggest and most ambitious project we have undertaken as a board game studio and it seems only fitting it is rooted in one of the most epic franchises of all time – Jurassic World,” said Deirdre Cross, Vice President of Sales, Marketing and Development at Funko Games. “We continue to push the envelope for what’s possible with licensed games, and Universal has always been an enthusiastic partner.  Now after two years of creative development, we can’t wait to bring Jurassic World: The Legacy of Isla Nublar to fans of tabletop gaming, legacy gaming and Jurassic World.”

    Jurassic World: The Legacy of Isla Nublar tells the franchise’s story in 12 one-to-two hour long adventures, encompassing the entire Jurassic World franchise from before the events in Jurassic Park all the way through Jurassic World: Fallen Kingdom and everything in between, including original stories that fill in the gaps between films and a spoiler-free ending for fans eagerly awaiting the premiere of Jurassic World Dominion in June 2022.  

    In Jurassic World: The Legacy of Isla Nublar, players have the chance to unlock up to 12 dinosaurs, and more than 21 new and familiar characters with unique abilities, knowledge and powers that can be unlocked as the campaign advances. Ultimately, players work together throughout the game’s entirety to shape their own Jurassic Park. From building placement to character selection and dinosaur development, every choice leads to a consequence – good or bad.

    Additional details for Jurassic World: The Legacy of Isla Nublar can be found in a series of behind-the-scene videos, including a First LookGameplay PreviewArt & Design and What’s Inside the Box. Visit the game’s Kickstarter page and pledge to receive a copy; fulfillment expected in Fall 2022.

    About Prospero Hall

    Prospero Hall is a collaborative game design studio in Seattle, Washington. Each project starts with a vision – the kind of game we want to make, the vibe, the look and feel, the reason for it to exist. Today, all games developed by Prospero Hall are published by Funko Games and deliver inventive game mechanics and engaging stories for shared experiences that bring fans and families back to the table again and again.

    About the JURASSIC WORLD Franchise

    From Universal Pictures and Amblin Entertainment, Jurassic World immerses audiences of all ages in a new era of wonder and thrills where dinosaurs and humankind must learn to coexist. Jurassic World is more than a film franchise. At every turn, this $5 billion film series delivers a larger-than-life destination for exploration, discovery, and epic adventure. Dinosaurs live again and they live in Jurassic WorldJurassic World Dominion debuts in theaters June 2022.



    The creative minds behind Jurassic World: The Legacy of Isla Nublar have created an absolutely incredible, visually gorgeous game that Jurassic fans will love. It is truly worth the support of their Kickstarter to receive your own copy. Be sure to check out the game and their campaign, and follow Jurassic Outpost for the latest Jurassic news!