In a new interview with People TV, Jeff Golblum gave viewers some insight into how production for Jurassic World: Dominion was progressing as the first major studio film to resume shooting amidst the pandemic.
When asked how the story of the new film had to adapt to our current reality, Goldblum responded:
“…there are [elements of the film] we are finding are already apropos, but there are some sensitive things that [the filmmakers] are tweaking and adjusting that might make it right for now and contributive and nourishing for right now.”
It also appears Ian Malcolm will be holding steadfast to the principles he’s attempted to convey in previous installments. Goldblum says:
“As it happens, there are things my character talks about, and has always talked about, like the fragility of our species and the global cooperation that’s needed . . . to unite us in trust and connectiveness as a family and to do right by ourselves and this glorious planet. As you can imagine those things are now more relevant than ever.”
Well said Jeff.
In true Goldblum fashion, Jeff knows how to tease fans just enough to keep us at peak excitement levels. He also spoke briefly about some scenes he’s already filmed, indicating a “thrilling” reunion with Laura Dern and Sam Neill in a sequence taking place in a Jeep. No doubt familiar territory for Mr. Goldblum.
Be sure to watch the interview at the KCTV website.
What do you think about the potential story impacts Covid-19 might have on Dominion? Do you think a Blockbuster franchise like Jurassic has the potential to give us some insight on how we should handle science and unity under the current circumstances? Let us know what you think in the comments below.
The Dilophosaurus is arguably one of the most interesting dinosaurs seen in Jurassic Park, and while it doesn’t hold up as well scientifically as some of the other dinosaurs, the colourful frill and poisonous venom make it one of the more terrifying and unique encounters in the movie.
While the dinosaur has only appeared once in the franchise, a revival of this species is something many are hoping for in Jurassic World: Dominion. Until we see it on screen once again, we can only look back at original concept art and it’s original appearance and that is exactly what Jurassic Time have done.
And they’ve discovered something new. Hidden beneath the mouth of the juvenile Dilophosaurus that Dennis Nedry encounters is a venom sac, that was intended to inflate before the dinosaur spits the venom.
The original creator and puppeteer recently spoke with Bernard from Jurassic Time, revealing more about this mechanism that unfortunately failed on set. They had intended to film a close-up of the Dilophosaurus that showed the expansion of the frill and the mouth opening, the venom sacs filling up, and then the venom actually leaving the mouth. Instead, the shot cut away to a close-up Nedry’s face as the venom hit.
“When the Dilo spit, it worked but we tested in hot, dry air in our Van Nuys studio. Compressed air cools down rapidly as it expands during the ‘spit’. This cooling created a visible cloud of gas and gave away the gag in the cold/humid stage at Universal. They cut the film around it. But the mouth would open wide, the venom sac would sell up in its throat and the tongue would lift up like a serpent revealing the spit openings.“
He also detailed the mechanism behind the dinosaur’s tongue which originally would be seen moving.
“The tongue was a two stage tentacle mechanism and the base was on an ‘up/down’ pulley, too. The tentacles would allow the two sections of the tongue to move up and down and left and right independently of each other making it very serpent-like. Then, the base would rotate the tongue up to the top of the mouth to reveal the venom pits beneath.”
The full interview with Rick dives into the Dilophosaurs’ design and concepts through the production of Jurassic Park, which you can read here. Bernard has also put together a video that tells this story and showcases some of the concept art showing the venom sacks:
It’s a really interesting feature that never fully made it to the screen. The venom sacs can be hard to spot but are seen briefly on the Dilophosaurus when inside the car. The sacs can be seen on most of the concept art and storyboards too!
What do you make of this discovery, and had you noticed the venom sacs yourself? Are you hoping the Dilophosaurus returns in Jurassic World: Dominion? Let us know in the comments section down below, and a huge thanks to Jurassic Time for sharing this discovery with us!
Star Wars, Marvel Cinematic Universe, Harry Potter and Fast and Furious are all major live-action Hollywood franchises that not only entertain and shape generations of moviegoers, but also dominate at the global box office. But despite all those franchises’ success, there is only one live-action film franchise (with 2+ films) that averages $1 billion worldwide per film and it might shock the average person of which franchise that is: Jurassic Park.
That is right, the Jurassic Park franchise, which currently stands at 5 films (with the 6th film, Jurassic World: Dominion currently in production for a June 11, 2021 release), is the only live-action movie franchise to reach this amazing feat. With the Covid-19 re-release of Jurassic Park and Jurassic World: Fallen Kingdom this Summer in multiple countries and some theatrical showings of Jurassic World, the franchise global total has finally crossed the $5 billion mark ($5,069,589,335 to be exact as of this writing).
One might argue that the re-release of those films to push it over the top is unfair, but most major film franchise’s see re-releases from time to time, including other big ones like Star Wars and the Marvel Cinematic Universe. So how does this all break down for the Jurassic films compared to the others? Well lets start with Jurassic Park.
Before 2015, the Jurassic franchise consisted of only three films, Jurassic Park (1993), The Lost World: Jurassic Park (1997) and Jurassic Park III (2001). The worldwide grosses of those three films are $1,033,756,460, $618,638,999 and $368,780,809 which totals $2.02 billion, or about $673.7 million per film. So how did the franchise go from averaging $673.7 million to $1 billion? In 2015 the release of the fourth film in the series, Jurassic World demolished box office records at the time on the way to a massive global haul of $1,670,400,637. Three years later the fifth film, Jurassic World: Fallen Kingdom, while not as massive as it’s predecessor, was still one of the biggest film’s of all-time with $1,378,012,430. Add those all up and you have a franchise that makes it to the $1 billion per film average.
So if you are still surprised or asking “Well what about Star Wars or Marvel, they have to be at or close to an average of $1 billion also”. Those are indeed massive franchises with at least one film in each that has made over $2 billion individually, but overall still behind Jurassic in terms of averages. Star Wars has 11 theatrical films that average $937.4 million per film and if you include 2008’s Star Wars: The Clone Wars as the 12th film, the average drops to $859.8 million. The Marvel Cinematic Universe currently has 23 films that average $982 million. Some other major franchises that are near the top of the list include the Harry Potter/Fantastic Beasts films ($923.8 million average), Pirates of the Caribbean ($904.9 million), The Hunger Games ($742.0 million) and (Fast and Furious ($654.9 million).
But there has to be a catch right, is Jurassic REALLY the highest grossing franchise in Hollywood on average? Yes, and well, also no. It is the highest grossing live-action film series per film, but it is not the highest grossing film series per film overall. There is one other franchise that can claim that title: Disney’s animated Frozen films. Currently sitting at two films, the series is averaging a very impressive $1.37 billion per film.
While Jurassic might be the only current $1 billion per film live-action franchise it will be interesting to see if a series like Star Wars or Marvel can ever reach those heights too since they are not that far off. It will also be something to watch if Jurassic can maintain that level with the series adding Jurassic World: Dominion next Summer. If Dominion can earn at least $1 billion itself it will obviously stay in the exclusive $1 billion per film club. Based on past results, the movie going audiences love for new films in the series it is a no-brainer that the new film would reach those heights. However, the wrench in the whole thing is the current world climate with the Covid-19 pandemic and the complete uncertainty of the film landscape going forward. Will the virus be gone, or at least contained enough that normalcy resumes? Will theaters be open at 100% capacity? Will some theaters even fail to re-open after their financial losses, especially in a very big box office market in China? There are a lot of rough waters that a blockbuster like Dominion will have to navigate.
The other thing Jurassic has proven and earned is the right to exist as a franchise. Not everyone loves all the films, and people will always question certain choices by the filmmakers and not everyone will always agree with with the direction the movies take. Like any other film series though, some absolutely love every aspect of it, and there are people that hate everything too. You can’t please everyone and every series will have its positives and negatives. But you can’t deny that there is a global thirst and want for these films. It is a franchise that if a new film is released, people will flock to see it. You might see people on social media or even national movie critics ask things like “Why are they making another?”, “Jurassic is not a franchise”, “It is time to let the series die”, “No one asked for another Jurassic movie”, yet what they fail to realize is that how well these films do, people do want more films and they don’t want the series to end. If you don’t want to watch another Jurassic film, then don’t, no one is forcing you to, but it is still going to have a major turnout, excitement and box office haul.
So what do you think of the Jurassic franchise being the only live-action film franchise to average $1 billion per film globally? Please share your thoughts in the comments below.
It was a digital landscape that sometimes we think time wishes it could forget. Before Facebook or Twitter, Instagram or Tumblr, even before Myspace. It was an age when the internet wasn’t quite in its infancy, but more of an awkward transitional phase, as everyday it seemed new sites, forums and chat rooms came and went.
Today the graveyards of Archive.org are littered with the remnants of this now bygone era and provide a fascinating insight into the Jurassic Park fandom. Full of forgotten fanfics, early rumors of a “Jurassic Park 4” and maybe if you’re lucky some old screencaps and fan art, there is one page in particular that stands out. A place many once heard of and few probably remember, it was only recently that it was rediscovered.
Almost lost forever and forgotten by most, Jurassic Park: England (or “JP:UK” as it was also known) was a website chronicling a labor of love undertaken by British fan Andy Simpson and his quest to create a patch of prehistoric paradise in his own garden. Seemingly inspired by “Jurassic Park: The Ride” and then then recent Jurassic Park III, you can guarantee no expense was spared.
With some reports estimating that Andy spent about £4,000, the attraction included a 20ft. river safari through primeval overgrowth, smoky banks and of course a 15ft. recreation of the infamous “King Kong gates” that loomed over guests in the movie. All of this ending in a home theater where guests could join its creator in a private screening of his favorite films. “I’ve seen Jurassic Park over 300 times!” Simpson told reporters back in 2001. “I watched the films over and over ’cause each time I’d notice new things to re-create.” he also commented.
The attraction itself was by no means easy to build. According to Andy, besides the two years and countless hours needed to construct the massive attraction, it was also required to meet certain standards from the local council in order to entertain guests. Luckily for him however, “Jurassic Park: England” came just short of the required dimensions for some serious urban planning. As, if that wasn’t enough to consider, Simpson had to reach out to Steven Speilberg and Universal themselves for their blessing to use the Jurassic Park name and iconography. With little in his favor and probably as much chance as the cast of Jurassic Park had escaping the jaws of a hungry t-rex, Universal and Speilberg’s company actually reached out to the teenage fan, providing him with everything he needed to properly represent what they created.
Unlike the fictional park, which was only previewed to six selected guests, “Jurassic Park: England” opened to 40 and was met with critical acclaim for such a humble attraction. People gasped with delight as they were towed through the torch lit river and amazed as they came face to face with simulated dangers waiting along the banks. Simpson went on to be featured in countless news outlets including radio, tv, magazines and newspapers. In addition his site showcasing the ride briefly went viral with thanks from an avid community of fans.
What happened to “JP:UK?” Well truth be told, nobody really knows. In a time before social media as we know it today, it was easy for it all to fall into obscurity. The last time anyone heard from Simpson was in 2008 when he last updated his webpage. Perhaps somewhere in a British suburb, in an overgrown garden adorned with plastic skulls are the ancient ruins of this once proud attraction. A real lost world, waiting to be rediscovered, to be explored and maybe even entertain guests once again.
It’s hard to think that anything this huge could be forgotten, but if it’s one thing dinosaurs like the ones in Jurassic Park have to teach us, it’s this: Even the biggest things can be lost to time and reclaimed by the Earth. That’s why it’s important that we make our mark and tell the world who we are. The dreamers, the innovators, the people who do the impossible, keep pushing forward, shine bright and leave your legacy.
This article was written with love and with cooperation from “Big Razzie” and “Jurassic Outpost”.
Hold on to your butts! Jurassic Park, The Lost World: Jurassic Park, and Jurassic Park III are now available to stream on Peacock TV (no expense required)!
Peacock is the new streaming service from NBC Universal that launched today! You just have to create an account with email and password and the first three Jurassic movies are yours to enjoy. A ton of other shows and movies are available for free, but Jurassic is the most important obviously.
Xfinity and Cox customers may be eligible for a free upgrade to Peacock Premium, which includes additional content not available with the free account. RUN over to Peacock to see some dinosaurs!
A new Kickstarter has launched for an upcoming dinosaur survival horror game known as Deathground. The game is described as a solo and co-op survival horror game that throws players into a desperate battle for survival against deadly AI dinosaurs.
The Jurassic Park franchise has unfortunately been a stranger to survival horror video games, with efforts in the past often being cancelled before completion. Jurassic Park: Survival was a cancelled Playstation 2 video game that was third person and similar to Tomb Raider in gameplay style. It was set on a mysterious third island and for its time appeared to be the horror survival game fans had wanted.
In more recent years, Universal Pictures had trademarked Jurassic World: Survivor, which was known to be an open world third or first person survival game taking place on Isla Nublar. It was being developed by Cryptic Studios but ceased development at some point in 2017.
This year, Universal Pictures trademarked Jurassic World: Aftermath, which we believe could be the same game, perhaps under a new developer. So far the game has not been officially discussed.
And that brings us to now. Five movies into the franchise and not a single, modern (we can’t forget Trespasser) survival adventure game. Nothing with a similar style to The Last of Us, or Alien: Isolation, which are arguably two of the most defining in that genre.
Based on the trailer, Deathground promises to be the survival game Jurassic fans have been looking for, mixing deep jungles with InGen looking facilities, it does appear to be heavily Jurassic Park inspired. Check out the video below:
The game already looks very promising and has strong Dino Crisis vibes, and it’s hard to argue with the beautiful imagery that it isn’t Jurassic inspired.
As huge dinosaur fanatics and experienced game developers, we’re building a game that we’re extremely passionate about and believe this is a game people would love to play. For years, we’ve spotted all types of requests and comments across the internet for this game type. We’ve heard your calls and this is our answer! We’re a collective of experienced game development professionals and specialists in Unreal Engine. Beyond this, we have a wide range of talented collaborators we frequently work with who can help us create something incredible. So we feel we’re in a great position to develop a game like this and we’ve come to Kickstarter for your support on this journey!
The game aims to fully immerse you in its world, using dynamic weather changes and unpredictable AI dinosaurs to create a suspenseful and challenging experience for the player.
They are using Unreal Engine 4 to create beautiful environments that scream Isla Nublar/Isla Sorna, and currently there are four main dinosaurs in the game, with more to be added.
The team behind the game are looking for £80,000, and with their experience of 10 plus years working in the industry, they believe reaching that figure will allow them to get the game into early access.
Jaw Drop Games have worked on a number of AAA games, including Alien Isolation, Lego Star Wars, Dirt 5, and more. They share a lot of experience in various forms of gameplay which, when put together, will help make this ‘independent’ game feel as real as it can.
With Universal showing no signs of filling this gap in the video game market, Deathground is worth looking at, and if you’re impressed with what you see then please consider donating to this game. Even a small donation goes a long way, and personally I’m excited to see what the team can really do once they reach their Kickstarter goal.
The campaign ends on August 7 and there are many rewards that come with your pledge, so be sure to go check it out and if you like what you see, donate what you can!
Let us know what you think of this game, and what Jurassic Park game you’d like to see in the comments section below!
Jurassic Park’s groundbreaking special effects are often the topic of conversation when the movie is discussed. So often in fact, that sometimes it can overshadow many other elements of the production that were fundamental in their own way, to creating the movie we know and love.
The production of Jurassic Park began with an adaptation of Michael Crichton’s novel, and those involved with the production considered many different ideas and concepts before landing on the final screenplay. This exploratory phase of development and pre-production has been skimmed over in the movie’s official ‘behind the scenes’ documentaries and books…
Until now. Jurassic Time have launched a new project, one to showcase all of the myriad of ideas that could have been realised if they survived the development stage of Jurassic Park. Jurassic Memoirs dives into these un-seen concepts, sometimes with the aid of personal recollections from those involved with the production.
The first release, Michael Crichton’s Adaptation of Jurassic Park, is a 5-part audio analysis series that explores the variations in Crichton’s own screenplay drafts, and the first part is available to listen to now:
And to follow the above, Jurassic Time will then release Rick Carter’s Adaptation of Jurassic Park, which will be an audio drama with visuals.
Jurassic Time is known for it’s audiobook-style memoir of John Parker Hammond, featuring audio recordings of Richard Attenborough extracted from the video game Trespasser. The audio recordings unveil details about InGen and the islands, which Jurassic Time wanted to preserve. The ‘Definitive Edition’ of that is available in audio, video and book programs.
But aside from those audio recordings, founder of Jurassic Time Derrick Davis has also unveiled never-before-seen concept art and storyboards from Jurassic Park which shed light on ‘The Many Deaths of John Hammond‘, this image below was recently uncovered to help illustrate one of the concepts:
The Jurassic Memoirs website also includes a number of interviews with key people associated with the franchise, including John Bell (Art Director), John Gurche (Concept Artist), Gary Goddard (creator of Jurassic Park: The Ride), and Austin Grossman – the writer of Trespasser.
The website really is filled with a heap of resources and content to further your love for the original movie, so be sure to go check it out, and follow Jurassic Time’s Facebook and Twitter pages for more!
Dodgson, Dodson, we’ve got Dodgson here! Breaking just now from Collider, Campbell Scott has joined Jurassic World: Dominion to play the iconic role.
Jurassic fans know we haven’t heard a word about the fate of Dodgson since 1993’s Jurassic Park. Even then, all we got was a few minute cameo where we find out he works for an unnamed company and is trying to acquire Ingen’s dinosaur embryos via Dennis Nedry’s shaving cream CryoCan. Fans of the novel will recall Dodgson plays a much larger role in Crichton’s original story: He plays the head of rival genetics corporation, BioSyn, and ruthlessly attempts to further his agenda of putting his company at the top of the industry.
It’s been confirmed that Dodgson has since been promoted to the CEO of BioSyn, and as an audience we will be re-introduced to him as an “Inspirational, Steve Jobs-type” of industry leader.
Scott’s casting as Dodgson means big implications for the direction Dominion is heading. A confirmation of Dodgson inevitably means Biosyn will play a large role in driving the story forward. Could Biosyn representatives perhaps attended the dinosaur auction in Jurassic World: Fallen Kingdom? Have they progressed to human cloning and need Maisie for some reason? Did they obtain the assumed lost CryoCan in 93, and have then been creating their own dinosaurs all along? The possibilities are endless, which leaves us excited to see what Colin Trevorrow and Emily Carmichael will present on screen.
Dodgson was originally played by Cameron Thor in Jurassic Park – the role has been recast for Jurassic World Dominion due to Thor’s conviction as a sex offender.
Campbell Scott is an American actor best known for his roles as Mark Usher on House of Cards, Joseph Tobin on Damages, and Richard Parker in The Amazing Spider-Man and The Amazing Spider-Man 2. We can’t wait to see what he brings to the character of Dodgson in the Jurassic universe!
What do you think Dodgson and Biosyn have been up to all this time? Are they still after dinosaur embryos or has Biosyn already obtained them long ago, and moved on to even more nefarious plans since the fall of Ingen?
Mattel and Entertainment Earth are back at it again to celebrate San Diego Comic Con, even if this years convention has gone online only due to the ongoing COVID19 pandemic. Following 2019’s John Hammond figure, the 2020 exclusive is none other than Dennis Nedry himself, from his meeting with BioSyn’s Lewis Dodgson, packaged in the iconic CryoCan – which is electronic, says phrases from the film, and has lighting for dramatic display.
Jurassic Park Barbasol Dennis Nedry Action Figure – 2020 Convention Exclusive – $19.99
● Capture an iconic moment in Jurassic Park with this exclusive action figure!
● Features movie-true deco, film-accurate accessories, and deluxe detail.
● Packaging lights up and speaks authentic Dennis Nedry dialog!
● Measuring 3 3/4-inches tall, it captures the spirit of the franchise legacy.
● Packaging is based on the Barbasol shaving can seen on-screen!
Mattel / Entertainment Earth Convention Exclusive! “Nedry! Nedry! We’ve got a Nedry figure here!” Based on the original Jurassic Park film, this Jurassic Park Barbasol Dennis Nedry Action Figure – 2020 Convention Exclusive is a must-have collectible for fans. In his splashy Hawaiian shirt and shorts, he measures about 3 3/4-inches tall and comes with film-accurate accessories that include the bag of money from Dodgson, a piece of pie, and the Barbasol can of embryos so you can reenact your favorite scenes. The 7 1/2-inch tall packaging is based on the Barbasol Beard Buster shaving can seen in the movie – it lights up and speaks authentic Dennis Nedry dialog! This exclusive figure is available for a limited time only, so grab yours before it goes extinct and you miss out. Colors and decorations may vary. Ages 8 and up.
This cool Nedry figure is hidden in a Barbasol can that holds him and serves as a display case. For extra fun, twist the base of the can package to trigger a dramatic light effect and reveal the figure! Press the top of the can to hear these iconic lines Nedry says in the movie:
“Ah, ah, ah! You didn’t say the magic word!” “Dodgson! Dodgson! We’ve got Dodgson here!” “Don’t get cheap on me, Dodgson.” “Ah, no wonder you’re extinct.” “I’m totally unappreciated in my time.”
Relive the exciting big-screen action of Jurassic Park with this highly collectible Dennis Nedry figure! The fan-favorite villain and devious programmer is inspired by the scene when Nedry meets Dodgson for the cash-for-embryos deal in the original film. As Nedry enjoys a nice seaside breakfast, Dodgson shows up with a bag of money and the modified Barbasol can to hold the embryos.
This toy is a must have for all Jurassic Park fans and collectors, and is especially surprising and appealing as Mattel has unfortunately all but discontinued human action figures within the core line at major retailers. Perhaps exclusives like this can help the human action figures within this expansive and exciting line continue to find new life and explore new characters. No matter what, we’re thrilled by what we see here, and can’t wait to pick ours up — make sure you do the same before this deal is extinct!
Will you be pre-ordering the 2020 SDCC Dennis Nedry toy, and what other exclusives like this would you like to see from Mattel and Entertainment Earth in the future? Sound off in the comments below, and stay tuned for all the latest Jurassic news!
27 years after the original release Jurassic Park has dominated the weekend box office in the US, hitting the number 1 spot for the fourth time since 1993.
Movie theaters have begun to gradually open up again, with some outdoor drive-ins across the country showcasing movies to eager film buffs. Jurassic Park was one of the movies shown, and earned a whopping $517.6K across 230 sites!
Deadline also reported that Spielberg’s Jaws was shown at 187 locations, earning $516.3K, making both Universal movies take the number 1 and number 2 spot!
Back in 1993 when Jurassic Park was released it held the number 1 spot at the box office for three weekends in a row, and with this weekends ticket sales the movie now sits on a total domestic intake of $404.3M.
This movie continues to entertain audiences and with the sixth Jurassic Park movie now back in production, it’s safe to say this franchise isn’t going away anytime soon!
We hope you’re enjoying Jurassic June so far and if you haven’t already make sure to follow Stan Winston School on Twitter who have been dropping some incredible behind the scenes content from the original trilogy.
And along with videos and photos of the dinosaurs we already know, the team at Stan Winston School shared with us never-before-seen photos of the Mamenchisaurus from The Lost World: Jurassic Park.
Such a beautiful sculpt! The dinosaur was unfortunately only seen in computer-generated form in the game trail sequence.
Did you catch Jurassic Park this weekend? Will it be coming to a theater near you? Do let us know in the comments section below, and be sure to check out some of our merchandise and Jurassic shirts now available in the Store!
