Jurassic World Rebirth Another Financial Success for the Franchise

Jurassic World Rebirth has now been released in all countries around the world after opening in Japan on August 8th. Domestically, while it is still making money in theaters, the film has been available to purchase/rent on digital for almost two weeks. With the theatrical run in its final stretch, the question is: Was Jurassic World Rebirth another financial success for the franchise? The answer is a resounding yes, and it might even be better than it looks on the surface.

As of August 17th, Jurassic World Rebirth has amassed a domestic total of $332.1 million and an international total of $496.5 million for a combined worldwide total of $828.6 million. The domestic and worldwide totals rank as the 5th best in the series behind Jurassic World, Jurassic World: Fallen Kingdom, Jurassic Park and Jurassic World Dominion. Rebirth is likely to finish its worldwide run somewhere in the $850 million range.

One might look at the franchise that has four films grossing over a billion dollars each and see this installment falling short of of that exclusive club as a result of diminishing returns. While there has been a slow decline for each movie in box office since Jurassic World made $1.67 billion in 2015, there are many factors at play. Three of the biggest reasons are the slow recovery of the film industry post-pandemic, the recent introduction of short theatrical windows before digital release, and the continued decline of success for films in China.

Post-pandemic, Hollywood films are very capable of still joining the billion dollar club. The last installment, Dominion, did just that in 2022, but it is not as attainable as it once was. In 2019, pre-pandemic, there were 9 films that crossed the billion dollar mark, but post-pandemic the average is now only 2-3 films per year. Eight months into 2025 and only one film so far, Lilo & Stitch, has joined the club. The new reality of the decrease in the amount of films reaching this mark has led one agency head, according to Borys Kit of the Hollywood Reporter, to say that “$800m is the new billion”.

Exclusive theatrical windows for films continue to decrease in frequency and length. In 2015 for Jurassic World, the time from date of theatrical release to digital availability was 130 days. 10 years later Rebirth‘s exclusive theatrical window was only 35 days. While Rebirth continues to play in theaters (and continues to make good returns) there is no denying that a shorter window is going to have a direct impact on how many people were able to see it in theaters. Some people might even forgo seeing it in a theater with the knowledge that they can watch it at home sooner. The debate over diminishing theatrical windows extends past just Jurassic World Rebirth and has become a frequent conversation for Universal Pictures. Other companies like Warner Brothers are also opting for the short theatrical exclusive windows. Their new Superman film hit digital streaming August 15th, also after just 35 days in theaters.

The Chinese market has always been the second biggest market for Jurassic films after domestic, and that was no different for Rebirth. Its total gross from China was approximately $78 million, which is the top-grossing Hollywood film of the year in that market. Though even with Rebirth topping all other Hollywood films, the market itself is not what it was a decade ago or even just three years ago when Dominion was released. In 2015 Jurassic World made $205 million, in 2018 Jurassic World Fallen Kingdom made $261 million, and in 2022 Jurassic World Dominion made $158 million. The Chinese market has rejected more films from Hollywood over time and is on track to no longer be the second biggest market for the industry. While $78 million for Rebirth is impressive in the new climate of the market, it still is a major decrease from previous films. Most Hollywood films have begun to see less success there. For example, Superman only grossed approximately $9 million and was pulled from theaters after roughly two weeks.

This is without even mentioning the fact that domestically Rebirth didn’t have an IMAX release and couldn’t benefit from the extra dollars those premium screens would have brought in. These things might seem like excuses for failing to reach a billion dollars, but are in fact legitimate reasons for reaching the box office numbers it did. All that being said, is this to be considered a major success for the franchise? Despite those factors playing against Rebirth, it still made a massive amount of money, will finish as the #2 highest grossing film of the summer, and is currently the #3 highest grossing Hollywood film of the year.

The “Big 3” battle of July between Rebirth, Superman, and The Fantastic Four: First Steps wasn’t even close in the end. While Superman will slightly win the battle for domestic gross, Rebirth is going to clear Superman by more than $200 million worldwide. The Fantastic Four: First Steps will be further behind in 3rd place in both domestic and worldwide numbers. A lot of box office experts made projections that Rebirth would have a hard time competing with those two superhero films, but in the end they were a footnote to Jurassic’s run.

With a reported budget of $225 million (before marketing), Jurassic World Rebirth needed to reach approximately $563 million to break even. In that case, it should finish its run with a profit of almost $300 million, another win for the franchise and Universal Pictures. Also, the budget and marketing combined for this film is reportedly less than what the studio spent on Jurassic World, Jurassic World: Fallen Kingdom, and Jurassic World Dominion. Meaning that even with a lower total gross, it might be on par or even slightly more successful than some of the previous installments.

Let’s take a look at where things stand not only for Rebirth but also the franchise as a whole for Universal Pictures. Rebirth‘s current domestic gross of $332.1 million makes it the 14th highest grossing film domestically (unadjusted for inflation) in Universal Pictures’ history. By the end of its run it should be be able to push pass 2015’s Minions to take the 13th spot. That would make 5 of the top 13 films domestically in Universal Pictures’ history belong to the Jurassic franchise. Worldwide, things are also impressive as Rebirth is currently 15th and will end its run in this spot. Similar to Universal’s domestic box office history, 5 of the top 15 films in their worldwide box office history belong to the Jurassic franchise. This just goes to show that while Universal has a few very successful franchises, such as the Fast and Furious saga and the Despicable Me franchise, Jurassic is the top franchise for the studio. Grossing $6.86 billion as of today as a franchise (for an average of $980 million per film) blows all the other Universal properties out of the water.

With another financial success for the franchise, the question is no longer if there will be a Jurassic 8, but when. I personally enjoyed Rebirth greatly, but it should be noted that this film received pretty mixed reviews and reactions. As of today the critic score on Rotten Tomatoes is 51% and the audience score is 71%. Jurassic fans themselves seem to trend more in the mixed-to-positive range. All that being said, the hope is that an 8th Jurassic can hit the right notes for even more people and be a high quality film. But when should we realistically expect to see it? My personal opinion is that there will be minimal to no news for probably a year, maybe two before an announcement. I would expect the film to hit theaters Summer of 2028 or 2029.

I hope you enjoyed this Jurassic franchise and Rebirth box office update and want to send a big congratulations to the cast, crew, and Universal Pictures on another successful installment in the franchise! We fans look forward to what the future will bring. What are your thoughts on the box office run for Rebirth? Please share your thoughts in the comments below!

Scenes from the Sydney Premiere of PRIMITIVE WAR

Australian independent dinosaur film Primitive War had its Sydney Premiere this week and will premiere in Los Angeles next week! We were fortunate enough to attend the festivities in Sydney – check out photos and videos from our time there below.


We’d like to extend massive thanks to the folks at Platform Public Relations as well as director Luke Sparke and everyone involved in bringing this film to life. Dinosaur fans are having a great 2025! Will you be seeing Primitive War? Let us know in the comments!


Jurassic World Rebirth Now Available Digitally

Just over four weeks after its release in theaters on July 2nd, Jurassic World Rebirth is now available to own digitally and watch at home! There are numerous behind-the-scenes special features and deleted scenes included on the home release as well. Will you be purchasing the film and watching soon? Let us know in the comments!



Everything Jurassic at San Diego Comic-Con 2025

Welcome to SDCC 2025! San Diego Comic-Con will commence at the San Diego Convention Center July 24 – 27, 2025. There will be tons of Jurassic at the con with Jurassic World RebirthMattel, and Jurassic World: Chaos Theory at the forefront of the franchise at the moment. Plenty of Jurassic creators and merchandise will be present as well, not to mention the numerous Jurassic-adjacent dinosaur, paleontology, and film-related opportunities. Jurassic Outpost will be on-site and have you covered on all things Jurassic and dinosaur!

From paleodioxin to paleontology, read on for everything Jurassic happening at San Diego Comic-Con 2025:

If you’re heading to SDCC this year be sure to download the Comic-Con app. Click here to download the SDCC 2025 Exhibit Hall map.


Exhibitors

Mattel & Mattel Creations: Booths 3029 and 2945

Cryptozoic Entertainment: Booth 115

DinoArtPrints / Jurassic Park Collectibles: Booth 1301

Funko: Booths 5045, 5137, 5145, 5341, 5339

Jada Toys: Booth 4145

RSVLTS: Booth 1835

Factory Entertainment: Booth 2743



Panels

Thursday, July 24th


10:00AM PDT, Indigo Ballroom – Hilton San Diego Bayfront

11th Annual Musical Anatomy of a Superhero and Other Heroes

Award-winning composers Ryan Lott (Thunderbolts*), Laura Karpman (Captain America: Brave New World), Brandon Roberts (Andor season 2), and Mick Giacchino (The Penguin) discuss their scores with clips. Moderated by Oscar Award–winning composer Michael Giacchino (The Fantastic Four: First Steps, Jurassic World trilogy). Intros by Ray Costa (Costa Comm. producer/consultant).


6:00PM PDT, Grand 12 & 13 – Marriott Marquis San Diego Marina

Jurassic Park: Liability for Dinosaur Attacks Never Goes Extinct

Law finds a way… for amusement parks with dinosaurs to be liable for employee safety, injuring guests, and invasive species. Can dinosaur DNA be patented? Could Jurassic Park be insured? Would parents sue for children left at a youth camp to fend for themselves against dinosaurs? Could injured guests sue as a class action? Featuring Magistrate Judge Stacie Beckerman, Magistrate Judge Stan Boone, Kathy Steinman, Christine Peek, Stephen Tollafield, and Micheal Dennis for their analysis of Jurassic Park, Jurassic World, and Camp Cretaceous. Moderated by Joshua Gilliland, Esq. Organized by The Legal Geeks.

For more on Jurassic law, check out our very own blood-sucking lawyer Corey‘s expertise here.


6:00PM PDT, Seaport Ballroom – Manchester Grand Hyatt San Diego

The Her Universe Fashion Show 2025

Hosted by founder Ashley Eckstein, The Her Universe Fashion Show 2025 Presented by Universal will showcase emerging designers from across the country dazzling San Diego Comic-Con from a new location within the Manchester Grand Hyatt. In celebration of this year’s theme: “Defying Fashion: Fashion That Defies Expectations,” the selected finalists will debut their designs inspired across Universal Pictures franchises including WickedJurassic World and Universal Monsters as well as DreamWorks Animation franchises such as How To Train Your Dragon and Trolls. Each designer has been carefully selected for their talent to blend fandom with fashion. They will unveil their one-of-a-kind creations to the show’s largest audience to date from the Seaport Ballroom at the Manchester Grand Hyatt. 


Friday, July 25th


12:00PM PDT, Room 29AB

Spotlight on William Stout

William Stout has had the amazing good fortune to work with Kurtzman, Elder, Eisner, Kirby, Moebius, Harlan Ellison, and Russ Manning. He co-founded the Comic Art Professional Society (and was its 10th resident), shared a studio with Dave Stevens and Paul Chadwick, and has attended every single San Diego Comic-Con. Bill has 14 murals at the San Diego Natural History Museum and the San Diego Zoo. His newest publication will be a three-volume Flesk Publications box set of all his comics-related work, due this October. Come see a preview of this momentous work!

William Stout worked on the canceled Escape From Jurassic Park animated series, and will also be in Artist Alley for merchandise sales and signings.


12:00PM PDT, Ballroom 20

PRIMITIVE WAR

Film adaptation writer/director Luke Sparke (Occupation Rainfall) will be joined by cast members Ryan Kwanten (True Blood), Tricia Helfer (Battlestar Galactica), Nick Wechsler (The Boys), and Jeremy Piven (Entourage) to premiere exclusive footage from Primitive War, a Vietnam War thriller where the Vulture Squad realizes they are fighting both men and dinosaurs.


1:45PM PDT, Mattel Booth

Celebrating the Eras: A Crash Course In Jurassic World Toy Design

The Mattel Jurassic World Design Team will take fans behind the curtain of creating the toys based on dinosaurs from Jurassic World Rebirth and more. Designers Rafael Bencosme, Greg Murphy, Chandra Hicks and others will be on hand for product reveals, trivia, and giveaways.

Saturday, July 26th


2:00PM PDT, Fleet Science Center

Genius In The House / STEAM Fair

Cosplay for Science will have a pop-up museum focusing on the science of Jurassic Park franchise with emphasis on the most recent Jurassic World Rebirth and real-world connections to the recent “de-extinction” announcement from Colossal. Fossil casts from the Alf Museum will also be on-hand as part of the pop-up museum.


Sunday, July 27th


10:00AM PDT, Marina D, Marriott

Mixer for Science-Minded Geeks

A special panel mixer where guests can engage with scientists who are attending Comic-Con, complete with themed tables to begin casual conversations.


This page will be updated with additional panels and exhibitors as they are announced as well as any shared with us.

Are you headed to San Diego Comic-Con 2025? Let us know in the comments!


Jurassic World Rebirth roars to a 5-Day Domestic opening of $147.3 million!

The seventh film, Jurassic World Rebirth, which has been marketed as the “The New Era” for the franchise roared to an estimated domestic 5-day 4th of July holiday opening of $147.3 million. This total is in line with the 3-day weekend totals of the past two films and also goes down as the biggest 4th of July long holiday weekend ever. The previous top film was 2022’s Minions: The Rise of Gru, which made $123 million (note: That was a 4-day weekend, though Rebirth also topped its initial 5 day start).

Exclaimed Universal Domestic Distribution Chief Jim Orr this morning, “Jurassic World Rebirth is the perfect summer blockbuster … an epic, edge of your seat adventure with an incredible cast, visually stunning direction, a thrill ride that is the very best of what the theatrical experience can offer.”

Also, Rebirth saw another estimated $171 million come from international markets bringing the worldwide total to $318.3 million.

What are your thoughts on the domestic opening box office numbers for Jurassic World Rebirth? Please let us know your thoughts in the comments below.

Sources: Deadline

Jurassic World Rebirth is Here!

After numerous “world premieres” and plenty of early screenings… the seventh Jurassic Park movie has arrived!

Jurassic World Rebirth opened globally today, on July 2nd 2025 and is expected to do quite well at the global box office.

Zora Bennett leads a team of skilled operatives to the most dangerous place on Earth, an island research facility for the original Jurassic Park. Their mission is to secure genetic material from dinosaurs whose DNA can provide life-saving benefits to mankind. As the top-secret expedition becomes more and more risky, they soon make a sinister, shocking discovery that’s been hidden from the world for decades.

Have you seen it? Share your thoughts in the comments down below!

Unboxing Doctor Collector’s New ‘Jurassic Park – The Lost Memories’ Box + Designer Interview!

One of the coolest products in the last few years for ‘Jurassic’ fans have been the Doctor Collector boxes. This includes the ‘Jurassic Park – Welcome Kit’ & the ‘Jurassic World – Apex Predator Kit,’ but coming July 9th (available for pre-order) is the brand-new ‘Jurassic Park – The Lost Memories Collector’s Box!’

I received an early copy of this box and can confirm that Doctor Collector “spared no expense!” Fans of both ‘Jurassic Park’ & ‘The Lost World: Jurassic Park’ will absolutely love it. Before I reveal a closer look, here is a breakdown of what’s included:

Step into the Jurassic legacy with this exclusive collector’s box, inspired by the unforgettable events of Jurassic Park (1993) and The Lost World: Jurassic Park (1997).

This set brings you never-before-seen stories, iconic moments, and hidden details from the films that started it all.

This kit contains the following:

  • Official Jurassic Park Guide Book (Includes 3D images)
  • 3D Viewer Jurassic Park Googles
  • Staff Vehicle 004 ID
  • R.Muldoon Key Car
  • Jurassic Park Huge Flag (The Lost World)
  • “Danger” Metal Sign
  • Jurassic Park gift bag
  • Ingen Envelope
  • Lex, Tim & John Hammond photo
  • Dennis Nedry Ingen ID Pass
  • Allan Grant and Ellie Sattler photo
  • D.Gennaro Business Card
  • Snakewater Dig site Report
  • Triceratops Veterinary Report
  • Vehicle instructions and safety guidelines Brochure
  • Jurassic Park Map
  • San Diego Teller Newspaper spread
  • Isla Las Cinco Muertes Map
  • Ingen Button Badge
  • T-Rex Photo
  • Exclusive Mr. DNA Trading Cards (website exclusive)

Now, see for yourself the detailed items contained in the box by watching my unboxing video via Jurassic Time!

My favorite items have got to be the ‘Jurassic Park Official Guidebook;’ Donald Gennaro’s Cowan, Swain & Ross card; and the ‘Lost World’ mural banner!

To celebrate this release, I had the wonderful opportunity to speak with one of the box’s designers, Kiko Sánchez! Below is my exclusive interview with him that will give you a behind the scenes perspective on how these Doctor Collector sets are created.

Kiko Sánchez, you are an illustrator and graphic designer in Barcelona that makes detailed props and various film memorabilia. Which franchises inspire you the most for the art you create?

I draw a lot of inspiration from nostalgic franchises like ‘Back to the Future’ or ‘Jurassic Park,’ but ‘Harry Potter’ holds a special place in my heart. I actually started by creating maps and blueprints as a fan of that saga, and it was what pushed me to pursue this professionally. Thanks to ‘Harry Potter,’ I was able to reach a lot of people, and even though I’ve distanced myself from it a bit in recent years, it’s still very special to me.

How did you first get involved with Doctor Collector and what was your first assignment?

I’ve been working with them almost since the beginning. They saw my work and reached out to me for their first ‘Jurassic Park’ set, as they were recreating the famous yellow flyer from the first movie. They saw on my website that I had recreated it and got in touch with me.

Then, they started commissioning me for more specific projects, and we’ve never stopped collaborating. I’m happy to have started with them when they were still a very small company because I’ve seen them grow and carve out a niche in the market with their unique vision of merchandise, which is quite different from the usual commercial approach.

Several boxes and kits have been made by Doctor Collector for ‘Jurassic Park‘ & ‘Jurassic World.’ Which ones were you involved in, and in what capacities?

I think I’ve worked on all of them! My work is most prominent in the ‘Jurassic World’ sets, where I’ve contributed both as an illustrator and a graphic designer, as well as working on prop reproductions.

While the ‘Jurassic Park Welcome Kit‘ is one of my favorites, being related to the original film; the ‘Jurassic World Indominus Kit‘ is perhaps the one I like the most due to how comprehensively detailed it is. What did your work consist of for the ‘Indominus Kit?’

This was actually the project where I contributed the most designs. My most recognizable piece is the map of ‘Jurassic World’s’ Main Street, which was a very ambitious and detail-rich recreation. I loved working on that because maps and blueprints are my specialty as an illustrator, but I also did a lot of other work as a graphic designer.

For this set, I created many elements, like the welcome letter, tickets, coins, VIP passes, etc., but my favorite was the idea of the FastPass with different attraction tickets. I think that’s one of those props that only my colleagues at Doctor Collector would dare to make. I studied the ‘Jurassic World’ website and all the references I could find to understand exactly how a FastPass would work in that fictional world, adding little details that make it feel like a real object. I even studied the monorail stops to figure out how to get to the attractions on time. That’s always my goal—to make everything look as authentic and believable as possible.

Sometimes, there are small props that might go unnoticed, but I’m particularly fond of them. One example is the ‘Camp Cretaceous’ postcard. Initially, I suggested creating an illustrated map of the camp (I actually studied the camp thoroughly and even made sketches) that would unfold when opening the doors—a nod to the yellow flyer from ‘Jurassic Park.’ But in the end, we opted for a simpler version with a sign-up form for kids. It’s another example of an in-universe design that enhances a set, even if it might be overlooked among all the other materials.

For the new ‘Jurassic Park Lost Memories‘ box, what’s the story behind its creation?

This box was entirely conceived by my colleagues. In this case, I designed some really cool retro-style vehicle blueprints, inspired by the aesthetic of the first movie’s materials. Since the idea is for them to be part of the attraction’s safety guidelines, I had a lot of fun incorporating little details and nods to the film—like small instructions for using the touchscreen display.

The other major prop I designed for this set is the Las Cinco Muertes map. Fans will recognize the reference—it’s one of those props that you blink and miss. I used that map as a base to create a slightly more realistic version.

Was it ever difficult to get licensed movie images, such as the Las Cinco Muertes map, or is Doctor Collector given free reign by Universal to have access to certain archives & requests?

In my case, as we say in Spain, I “throw the stone and hide my hand” — meaning I propose the designs, submit them for approval, and cross my fingers, hoping they get accepted.

Overall, Universal understands what we’re doing. They often provide us with style guides and pre-prepared materials, but since we handle the license differently than, say, a T-shirt company, we often can’t use their ready-made graphics. For example, Universal isn’t able to provide a Las Cinco Muertes map—that’s why Doctor Collector commissioned me to create one.

Once my work is done, it goes through the approval process, and if it meets all the requirements, it gets approved without any issues. Fortunately, I’m not the one handling approvals!

I love that in this new box, and even prior boxes, there are novel references as well as movie ones. The “Cowan, Swain, & Ross” card is a lovely nod to fans of the novel.

We always put a lot of effort into making the materials both canon and surprising. We usually start with what’s mentioned in the movies and then try to take it a step further. You can tell we’re fans, right?

What is your favorite piece in the new ‘Lost Memories’ box?

I think you’re going to love the safety guidelines for the Park Drive Tour.

Do you expect more ‘Jurassic’ boxes on the horizon? What are some ideas you’d like to tackle next?

Absolutely! I have so much fun coming up with ideas for these sets. Can you imagine a kit featuring the Bone-Shaker flyer or the Marine Facility blueprints [from 2011’s ‘Jurassic Park: The Game’]? I’d love to work on something like that. If my bosses are listening, I’m giving them these ideas for free!

I’d like to thank Kiko for his time in answering my questions! You can find more of Kiko’s work for sale at his Etsy store and fantastic displays on his Instagram.

Are you going to order this new collector’s box? Does Kiko’s work inspire you to be a graphic designer? Leave your comments below, and stay tuned to Jurassic Outpost for the latest!

Jurassic World Rebirth Early Tracking Indicates a $165-$185 Million Domestic Opening

With less than 6 weeks until the release of Jurassic World Rebirth, the seventh film in the franchise, we have our first Box Office tracking report of what the domestic opening might look like for the film. The film tracking service Quorum is reporting that their initial domestic opening projections show Rebirth coming in the range of $165-$185 million. Since Rebirth is opening on a Wednesday instead of the traditional Friday that the franchise is accustomed to (outside of Jurassic Park III) this tracking is likely for the 5 day weekend (Wednesday through Sunday). The three day weekend (July 4th through 6th) would likely be in the range of $100 million if these tracking numbers hold.

One other tracking service released their 6 week forecast and is a little less optimistic than Quorum is, Box Office Theory is forecasting a three day weekend of $75 million and a 5-day around $116-$135 million.


Here are the opening domestic box office weekends for the previous installments in the franchise, unadjusted for inflation (all are based on their 3 day openings):

1993 Jurassic Park – $47.03 million

1997 The Lost World: Jurassic Park – $72.13 million

2001 Jurassic Park III – $50.77 million

2015 Jurassic World – $207.44 million

2018 Jurassic World: Fallen Kingdom – $148.02 million

2022 Jurassic World Dominion – $145.08 million


What are your thoughts on the early tracking numbers for the domestic box office opening weekend? Do you think it is low, high, or right on track? Let us know your thoughts in the comments below!