‘Jurassic Park: The Official Script Book’ From Insight Editions Is Loaded With Annotations & Concept Art!

The ‘Jurassic’ film franchise has received several fantastic behind-the-scenes books over the years. The original ‘Making Of’ books from the 1990s for ‘Jurassic Park’ and ‘The Lost World: Jurassic Park’ are regarded as some of the best ever made. In 2021, Insight Editions produced ‘Jurassic Park: The Ultimate Visual History,’ featuring stories and never-before-seen imagery from the original trilogy, including ‘Jurassic Park 3’ for the first time. Their fantastic chronicle was followed by ‘Jurassic World: The Ultimate Visual History,’ wonderfully detailing the making of all three ‘Jurassic World’ films.

All these books discussed the various scripts that were written: a vital part in creating a strong skeleton to support the body of each film. It’s a process that can take a lot of time, and a lot of drafts, to get just right. Their creation is more interesting and complicated than people may realize, making a whole book dedicated to the subject something ‘Jurassic’ fans have wanted for some time. Each of the six films in the franchise (so far) undoubtedly has fascinating stories behind their screenplays. However, the original film, adapted from the bestselling novel by Michael Crichton, had perhaps the biggest challenges.

Thanks once again to Insight Editions, a documented history of this process, with the final screenplay by David Koepp, is finally told in ‘Jurassic Park: The Official Script Book.’

Jurassic Park gave moviegoers an unforgettable thrill ride. Now, on the film’s 30th anniversary, fans can experience Jurassic Park in an all-new way with this deluxe, annotated edition of Michael Crichton and David Koepp’s script. This script book is annotated by franchise expert James Mottram (Jurassic Park: The Ultimate Visual History, Jurassic World: The Ultimate Visual History), offering commentary and insight into the behind-the-scenes story of the film. Fully illustrated with film stills, concept art, and other key visuals, this is a must-have collectible for Jurassic Park fans and a fitting tribute to a landmark film.

There is a lot more to this book than simply David Koepp’s script. To discover what’s beyond the cover, join me on a grand adventure at Isla Nublar via the video below (or an abridged version)! For an even more detailed look, continue reading this article!

WHAT’S INSIDE?

               DAVID KOEPP’S 12-11-1992 FINAL CONTINUITY DRAFT

The book features the 12-11-1992 draft by David Koepp, known as the final “Continuity Script.” What sets it apart from a more polished final draft are some beefier descriptions and the inclusion of some alternate dialogue for sequences that director Steven Spielberg would have to choose from. This gives the reader an additional “alternate universe” for certain scenes. The script also includes some moments that were filmed but cut, such as the reveal of why the Triceratops was only sick “every six weeks” and not all the time.

The only part of the script not included are the “Appendices.” These were two pages at the end of the script that had John Hammond’s dialogue heard during the lunch scene as a slide show played behind the characters. Most copies of the script didn’t include these pages, so their absence isn’t exactly inaccurate to what the majority of cast and crew members had. Thankfully, they do at least get mentioned in one of the book’s many annotations, featuring a summary of what they consisted of.

               INTRODUCTION & ANNOTATIONS BY JAMES MOTTRAM

The author of both Insight Editions ‘Jurassic’ Visual History books returns to provide additional content alongside the script. A lengthy introduction details the overall history of the film’s screenplays, before unveiling Koepp’s draft itself. Nearly every spread features an annotated section on the side, containing information that ranges from details exclusively revealed by David Koepp himself, comparisons to earlier drafts, alternate ideas from the previous screenwriters, and other behind-the-scenes intel. The added material James Mottram provides is written in a clear and engaging way that greatly stirs the excitement of the reader as they delve into the film’s script. One of the many exclusive quotes from Koepp explains why his original draft did not include Ian Malcolm; the mathematician who constantly is at odds with what ‘Jurassic Park’ is trying to accomplish.

“Honestly, it was because it was too hard,” he admits. “If you read the book, he talks a lot. He talks about math a lot, and he talks and abstracts a lot. And I just couldn’t figure out how to make it visual. I couldn’t figure out how to. And I thought about all sorts of things.”

               INSIGHT ABOUT THE PREVIOUS SCREENWRITERS AND THEIR DRAFTS

As mentioned, the annotations not only cover Koepp and his various drafts but also the screenwriters who tackled the film before him. Michael Crichton was the first to adapt his own novel into a screenplay, producing a pair of completed drafts. One detail James conjures is how a Crichton draft opened with a scene that would later front Spielberg’s film adaptation of ‘The Lost World: Jurassic Park.’

In his revised draft, Crichton opened with a variation on the novel’s second major sequence, where a young vacationer, Tina, is attacked on a deserted Costa Rican beach by a Compy. He also includes another early scene from the novel, set at New York’s Tropical Disease Lab, in which one Dr. Richard Stone and his technician Alice examine Tina’s sketch of the Compy, with Stone reaching the conclusion it’s a lizard.

This book is the first official publication to reveal that Rick Carter, the production designer of ‘Jurassic Park,’ also created his own unique “working document” draft. He wrote and assembled it during the production’s downtime when Steven Spielberg left to film ‘Hook.’ Jurassic Time created an epic “illustrated audio drama” version of his take on the film, which includes a unique item most fans would certainly love: a Spitter umbrella that squirts water from its “mouth.” Rick details the inclusion of this gag, among many other new notes.

“The idea of an umbrella squirting water is pretty ridiculously funny,” says Carter. “You have this thing designed to keep the water out. It’s actually squirting water!” The concept of a branded novelty umbrella came up during brainstorming sessions, adds Carter, when he and others on the team began to consider, “How would the dinosaur experience be commercialized in that park, and that Visitor Center?”

James also had an exclusive conversation with Malia Scotch Marmo, the penultimate screenwriter brought on board. While she only penned a single draft as well, her ideas were still an important part of the screenwriting process until Spielberg ultimately chose another direction. Scotch Marmo even contributed to a vital casting recommendation that became a reality!

Described in the book as “twenty-four and darkly tanned,” with her blonde hair tied back, Dr. Ellie Sattler proved to be a difficult role to cast. “Steven sent me clips of young actresses to play Ellie,” recalls Scotch Marmo. “The clips showcased the actresses in previous film roles. I noticed they were all ingénues. They had youth and a certain naïveté and freshness. I kept thinking they were missing the mark. Ellie is a scientist. Perhaps because my father was an astrophysicist, I couldn’t buy the actors he was showing me as realistic in any way . . . in a science fiction movie like Jurassic Park believability was essential. Steven is very open to push back, and he asked, ‘Who would you like?’” The writer made a case for Laura Dern, who coincidentally had impressed Spielberg in the 1985 film Smooth Talk.

               LOADS OF CONCEPT ARTWORK, STORYBOARDS, & OTHER IMAGES

While both ‘Jurassic’ Visual History books were filled with production artwork and other images from the entire franchise, this book is only focused on the first film. Despite the included script being essentially the film that made it to the screen, the pages are filled with seemingly endless concept art, storyboards, and blueprints that cover many iterations. These materials transport the reader into the film’s art department during the creative process that helped shape the story just as much as the scripts did. This includes early designs by John Bell for lead characters before the actors were cast, never-before-seen storyboards of the famous Main Road attack sequence by David Lowery, a pair of slides from the lunch room scene by Caroline Quinn, and numerous artwork showcasing the omitted river and helicopter attack sequences. Peppered throughout are wonderful stills and other photographs from the film itself. Overall, much of the amazing artwork is not present in the other Insight Editions volumes, or any book.

Countless artists worked on the film, for a much longer period than most get these days. All the concept artwork is credited to each artist; however, the storyboards were tricky to identify given several artists often worked on just a single sequence. The final page of the book credits those artists who were able to be identified, but the entire art department should be forever applauded for their immense contributions to this film.

It wouldn’t be an honest article without referring to the “dinosaur in the room”: the front cover of this book. The artwork used was not made during the production of the film, but a recent selection of “key art” provided by Universal. To put it nicely, it’s definitely not the cover I would have chosen. It doesn’t appear inside the book itself, although a small selection of other recent artwork to celebrate the film’s 30th anniversary is present. They are, thankfully, quite a bit more appealing.

               FAN CONSULTATION

To be completely transparent, I (Derrick Davis) consulted on this book! I’ve been a massive fan of ‘Jurassic Park’ ever since I saw it at my local drive-in when I was 6 years old (which featured a sign that looks suspiciously familiar to those who have seen the extended cut of ‘Jurassic World: Dominion.’). I went on to create Jurassic Time, producing various programs and conducting interviews with people who worked on the films. I’ve also written many articles for Jurassic Outpost since 2021. I was also a consultant for Criterion’s release of Karel Zeman’s classic prehistoric film ‘Journey To The Beginning Of Time’ and the re-release of the ‘Jurassic Park’ soundtrack from La-La Land Records.

However, being asked by James Mottram to join him in the production of this book was a dream come true. I have always been entranced by the many scripts of ‘Jurassic Park,’ as well as the thousands of artwork that was created before cameras ever rolled. After I read the original ‘Making Of Jurassic Park’ book, I was obsessed with peeking further behind the curtain to see the creative process of how it was all done. Over the years, I collected hard to find documents and artwork that would have otherwise been lost in time. Several of these materials, along with my own insights, enhanced this book’s content. To be associated with a book like this, for my favorite film, is something I will be eternally thankful for.

Another fan is given special mention for helping with this book: Astrid Vega (pictured with me, above, in 2018). She once ran The Jurassic Park Collection, until she sadly passed away in 2019. Astrid was a collector of many production materials that she shared with fans for years, and thanks to her, some of those are now showcased in this book.

               DIGITAL E-BOOK EDITION ALSO AVAILABLE

While the physical hardcover edition is my preferred way to possess this unique book, there is also a digital e-book version available separately. This is a departure from both “Visual History” books, since those featured additional inserts that were referenced in the text that couldn’t be adapted in this format. Some may prefer a digital version for the cheaper price point and to avoid high shipping costs in certain areas of the world. E-books are also handy for quicker research, with the ability to find text in seconds. The way I see it, having a digital edition also available ensures all ‘Jurassic Park’ fans have a fair chance to seek a copy of this book!

THE PERFECT WAY TO CONCLUDE THE 30TH ANNIVERSARY!

This year’s 30th anniversary of ‘Jurassic Park’ is coming to an end, and what better way to celebrate it than by experiencing every word of the film in this fully illustrated form? Yeah, I know, I may be a little biased in this endorsement. However, I hope this detailed article on what the book consists of, with some exclusive first-look images, will entice you to seek a hardcover or digital copy today! This is the kind of book I have always wanted for ‘Jurassic Park!’ James Mottram, and the staff of Insight Editions, have gone out of their way to make this new entry in their series “spared no expense.” Perhaps someday the other films in the series will get script books of their own? There are definitely more stories to uncover, and artwork that deserves to be unearthed, before becoming extinct.

For an even deeper look at how this book was created, check out an engaging conversation with annotator & author James Mottram and consultant Derrick Davis.

Do you plan on checking out the first script book ever for a ‘Jurassic Park’ film? Would you like to see Insight Editions tackle ‘The Lost World’ next? Share your thoughts in the comments below and stay informed with Jurassic Outpost for the latest!

Production Designer Rick Carter Celebrates The 30th Anniversary Of ‘Jurassic Park’ With A New Art Exhibit & Prints!

The 30th anniversary of ‘Jurassic Park’ is nearing extinction. While there was sadly no major fan event akin to Universal Studios Hollywood’s 25th anniversary celebration, there were at least smaller opportunities throughout the year; such as theatrical screenings and an elaborate tribute store in Orlando. However, for those near Los Angeles, California, there is one final event to commemorate the third decade of ‘Jurassic.’

Production designer Rick Carter’s new art exhibition in Los Angeles, “Trip Outs & In”, is a showcase of his recent original paintings, cinematic collages, and A.I. inspired collages. It includes Rick’s “cinema room,” featuring artworks that reflect his production design process and film memorabilia from ‘Jurassic Park’ in honor of the film’s 30th anniversary! This special exhibit was created by Rick’s son, Jim Carter, through his Artist Agency Legacy West Media. Sponsored by The Container Yard, Excel Image Group, Sierra Nevada, The Lapis Press, & Jurassic Outpost!

Rick Carter’s production design process has been instrumental in bringing classic films to life for decades, such as ‘Forrest Gump’, ‘Back To The Future 2’, & ‘Avatar.’ They all get a spotlight in the “cinema room”, but Rick’s ‘Jurassic’ art features unique collages he created during ‘Jurassic Park’ and ‘The Lost World: Jurassic Park’. For the first film, he cobbled together ideas for the now-iconic Visitor Center, and for the sequel he depicted dinosaurs on and off Isla Sorna.

During this time, prints of some of these collages from the ‘Jurassic’ films are on sale at Rick Carter’s Art site! These limited edition prints are numbered and signed by Rick himself, making for a unique and special addition to any fan’s collection!

The exhibit also features original art by Rick that is not related to any film, including portraits of faces that come to his mind. This collection of art, with prints also available, details Rick’s personal connection to faces of the world.

Rick Carter’s “Yellow Woman.”

“As an artist I have attempted over the years […] to express the spirit of the many people who now travel within me as I continue my journey [around the world]. […] Many of the people I now paint or draw have come from my imagination. I don’t know who will emerge when I begin. But I do know where most of them come from. They are derived mostly from the people I encountered while traveling. Over time, some of them have become embedded and then embellished like pearls into almost real characters within my soul. They resonate as a group inside of me – creating a dialogue amongst my inner collection of people.”

This exhibit will run from December 2nd to December 11th, but the prints will remain online until they are sold out. Don’t miss out on your chance to see or own official prints of production artwork from ‘Jurassic Park!’ It’s amazing that even after thirty years there is still much to see and talk about regarding the original films from the franchise. Rick’s art is a capsule of special moments in time where his creativity gave birth to what we all know and love today. But his vision goes beyond the films he worked on, and this exhibit is an amazing tribute to his inspirational talent, and an amazing human being.

Rick Carter with a Stan Winston animatronic T-Rex during the production of ‘Jurassic Park.’

For a look at how Rick Carter also adapted the script of ‘Jurassic Park’ during the film’s production, watch Jurassic Time’s ‘Rick Carter’s Jurassic Park,’ an illustrated audio drama! Also check out the newly-released ‘Jurassic Park: The Official Script Book‘ that contains new quotes from Rick with a concept sketch he made for the Visitor Center’s rotunda!

Rick Carter’s sketch artwork featured on the page to the right.

(Exhibit photos by James Meledandri.)

Will you be able to visit Rick Carter’s exhibit? Interested in his art prints? Did you know collages like Rick’s are instrumental in the design process of films like ‘Jurassic Park?’ Let us know in the comments below and stay tuned to Jurassic Outpost for the latest!

Welcome to the Kingdom of the Planet of the Apes!

The first trailer for Kingdom of the Planet of the Apes is here, and it looks fantastic. Check it out below:

Director Wes Ball breathes new life into the global, epic franchise set several generations in the future following Caesar’s reign, in which apes are the dominant species living harmoniously and humans have been reduced to living in the shadows. As a new tyrannical ape leader builds his empire, one young ape undertakes a harrowing journey that will cause him to question all that he has known about the past and to make choices that will define a future for apes and humans alike.

In theaters May 24, 2024.

We’re excited for this one, what do you think?

‘Beasts of the Mesozoic’ Creator Launches CYBERZOIC – Sci Fi Dinosaur and Dragon Action Figures with Kickstarter Campaign

Indie toymaker Creative Beast has launched its first science-fiction IP via a Kickstarter campaign! Cyberzoic is created by toy industry veteran David Silva who’s known for the successful Beasts of the Mesozoic line of dinosaur collectibles.

David has worked with Neca, McFarlane, and on the 2009 Jurassic Park Hasbro toy line, and you can check out our 2021 interview with David about his work here.

Inspired by classic sci-fi and fantasy properties Dino-Riders, Transformers, Masters of the Universe, and Zoids, Cyberzoic follows humanity’s fight for survival on a distant planet in the future. Its intricate action figures and comic books feature armored dinosaurs, dragons, prehistoric mammals, alien wildlife, and warring human clans.

Those who want to back the Cyberzoic Kickstarter have until Thursday, November 2nd at 9pm ET. Check out the feature gallery below along with the full press release!

Read the full press release below:

HACKENSACK, NJ – October 3, 2023 – Creative Beast Studio today launched its first unique science fiction IP “Cyberzoic” with a Kickstarter campaign. Cyberzoic tells a compelling story about the near-extinction of humankind via a dedicated line of intricate action figures and comic book series depicting armored dinosaurs, fearsome dragons, prehistoric mammals, and various alien wildlife. Its singular narrative will engage sci-fi, fantasy, wildlife, and action figure enthusiasts. Fans can support the Cyberzoic Kickstarter campaign here.

Toy designer David Silva originally conceived the Cyberzoic storyline in college. Inspired by classic sci-fi and fantasy properties including Dino-Riders, Transformers, Masters of the Universe, and Zoids, but with a hard edge aimed at adults, Cyberzoic explores themes of power, technological innovation, environmentalism, conservation, culture, colonialism, and our place among the natural world. Leaning on 20 years of experience crafting figures for major entertainment brands including Star Wars, Jurassic Park, Godzilla, Spiderman, G.I. Joe, Terminator 2, Aliens, Predator, Spawn, and Pacific Rim,as well as launching a line of scientifically-accurate dinosaur action figures, “Beasts of the Mesozoic,” David is finally bringing his Cyberzoic vision to life as only he can. 

“I’ve been so inspired by sci-fi and adventure stories since I was a kid. I also loved natural history growing up, but the entertainment properties that catered to this passion never fully achieved the artistic potential of their premises, often compromising the wonder and beauty that true natural history has to offer in favor of more familiar trends and tropes. To finally put my own spin on a concept that brings together people, dinosaurs, and dragons is a dream come true,” said Silva. “I’ve had the foundation of Cyberzoic kicking around in my head for three decades. After the success of the ‘Beasts of the Mesozoic’ brand, it was time to develop a story on the opposite end of that timeline, bringing the dinosaurs into the science fiction genre and making Cyberzoic a reality. My goal is not only to present ideas and concepts that people have never seen together before, but also explore our connection with other forms of life, both familiar and alien.” 

The initial $205,000 Kickstarter goal includes all-new action figures of the two main characters, Dragolina and Argentues, a fan-favorite dinosaur (Allosaurus), the mighty Arctic Dragon, and the legendary Saber-toothed Tiger! There are four human clans planned to be represented (Tech, Fire, Dragon, and Desert), all living among dragons, dinosaurs, prehistoric mammals, and alien wildlife. Other popular dinosaurs not yet released in Creative Beasts’ “Beasts of the Mesozoic” series will be featured in Cyberzoic as stretch goal items, including Dilophosaurus, Deinonychus, Carnotaurus, Utahraptor, and Achillobator. And from their backward compatibility with several Beasts of the Mesozoic dinosaur figures, several of the new dinosaur armor units can convert into vehicles or robotic animals! 

The Kickstarter will also include an exclusive art print and concept art calendar for 2024, only available during the campaign. A comic book is planned to be included with the figures at release, telling the Cyberzoic story through vivid art and character-building storylines.If the initial Kickstarter goal is met, additional animals, human characters, and armor units will be unlocked as stretch goals. 

Set 1
– Allosaurus j. (1/18th) – $100 (MSRP $119.99)
– Dragonslayer armor unit- $40 (MSRP $49.99)
– Argenteus – 4″ pilot- $25 (MSRP $27.99)
– Allosaurus bundle – $155

Set 2
– Smilodon p. (1/12th) – $55 (MSRP $64.99)
– Saberbeast armor unit – $25 (MSRP $29.99)
– Dragolina – 3.75″ rider – $25 (MSRP $27.99)
– Smilodon bundle – $100

Item 3
– Arctic Dragon (Kuraokami) – $200 (MSRP $229.99)

Set 4
– All-In Launch Bundle – $450 (MSRP $550.93)

Cyberzoic Storyline
2170 AD. AI and synthetic ecosystems have solved the problems of overpopulation and hunger. Humanity has now turned its entire focus to exploring the cosmos. Soon manned space flights discover an Earth-like planet capable of sustaining life, which they name Gaea 2. The planet is home to a variety of alien wildlife — including highly-intelligent ‘dragons.’ As humanity studies and colonizes the planet, the dragons fight back, pushing these peaceful visitors to the brink of extinction. 

But all is not well on Earth either. One day, all communication with Gaea 2 stops. There are no more supply shipments and contact with their home planet is completely lost. Soon, the people of Earth are presumed dead except for Gaea 2’s scientific and military residents. But the humans won’t go down so easily. Using the research technology they brought with them, they create biological weapons of their own: genetically-engineered embryos that “birth” Earth’s mightiest prehistoric creatures. Programmed to obey their masters and outfitted in protective armor, these terrifying beasts help the humans push back against the dragon attacks while they terraform Gaea 2. This saves the human species, but destroys the world’s natural habitats.

With the threat of human extinction seemingly resolved, the colonizers split into factions. Each clan champions its own philosophy about ensuring the long-term survival of humanity. Bitter conflicts erupt, leading to power struggles, uneasy alliances, and devastating new technology.

Who will win the war for Gaea 2? Or will humanity eradicate itself?

What do you think of Cyberzoic and will you be supporting the Kickstarter campaign? Share your thoughts below!

‘The Hatchling’ – a Original Dinosaur Short Film – Bring’s the Jurassic World Vibes

An all-new original short film ‘The Hatchling‘ featuring plenty of dinosaurs has roared online! While it is not an official entry into the Jurassic World universe or a production by Universal Pictures, it is sure to be right up your alley. Drawing clear inspiration from Amblin classics such as ‘The Goonies’ and ‘ET,’ this short film transports viewers to a world reminiscent of Jurassic Park (and dare we say, a more grounded Camp Cretaceous), complete with numerous easter eggs for all the dedicated fans like ourselves.

The production comes from quite a few members of the Jurassic Park community (with full transparency: Chris Pugh, from our own website, is among them). Although it doesn’t formally position itself as a fan film, ‘The Hatchling’ offers a surprisingly high-quality experience despite its modest scale.

So what are you waiting for, watch ‘The Hatchling’ below (after all, it’s only 10 minutes long)!

“Introducing ‘THE HATCHLING,’’ an original short film that transports you to a world where dinosaurs and man coexist. Nestled within the picturesque outskirts of Pine Ridge, a tight-knit group is thrust into a thrilling adventure to help reunite a baby Deinocheirus with its family in the sun-soaked wilds. Alongside evading the wrath of prehistoric beasts, our heroes are entangled in a web of forces who wish to capture the infant for their dubious agendas.

THE HATCHLING features high-quality independent filmmaking and beautiful visual effects–all available to watch on YouTube. Starring Carrie Gibson (HBO’S Barry), April Consalo (Cannibal Mukbang), Lamonte Forte-Jordan, and Liam Krivcov. From director Tim Cianfano, producers Max Bellomio, Anthony Feliciano, Luke Lotardo, and Chris Pugh, and writers Bri Bollmann, Tim Cianfano, and Chris Pugh, viewers of all ages are guaranteed a thrilling ride.”

So what did you think? Be sure to let us know, and if you have a project you want featured here sound off. We hope to see more projects from all the independent filmmakers and storytellers out there tackle dinosaurs in the future!

https://collabs.shop/1bgnax

The MonsterVerse Continues in New TV Series: ‘Monarch: Legacy of Monsters’

The trailer for an upcoming television series based on the Godzilla property and “the sixth installment and the second television series in the MonsterVerse franchise” has arrived.

The plot: Following the epic battle between Godzilla and the MUTOs that leveled San Francisco and the shocking revelation that monsters are real, two siblings, following in their father’s footsteps, uncover their family’s connection to the secretive organization known as Monarch. Clues lead them into the world of monsters and ultimately down the rabbit hole to Army officer Lee Shaw, taking place in the 1950s and half a century later where Monarch is threatened by what Shaw knows. The dramatic saga – spanning three generations – reveals buried secrets and the ways that epic, earth-shattering events can reverberate through our lives.

Featuring a great cast, this looks like a lot of fun, and a great way to expand the Godzilla universe.

What would you want to see in a Jurassic series?

Mattel’s ’93 Classic T. Rex Joins The Dinosaur Roster Of Jurassic World Alive!

Jurassic World Alive players rejoice! A truly awesome new dinosaur is joining the game: Mattel’s ’93 Classic T. rex. Boasting the striking red color scheme of the classic Kenner toy, this ferocious dino is ready to join your Jurassic World Alive collection! You can unlock this iconic dinosaur all month long by entering in-game events and collecting DNA.




‘The Lost World: Jurassic Park’ Soundtrack By John Williams Gets A New 2-CD Release!

‘The Lost World: Jurassic Park’ may not have the same cultural impact as ‘Jurassic Park,’ but it features one of composer John Williams’ most intense and exciting music scores. Loaded with percussive action, memorable jungle rhythms, and alluring atmosphere, this score holds a strong identity for the entire franchise. Now, over 25 years after it premiered, this incredible music score gets a definitive release in a brand-new 2-CD set from La-La Land Records. But how definitive is it, and what sets it apart? To find out, let’s embark to this “lost world” together!

In 1997, the soundtrack was released on CD in the form of a 69-minute album via MCA records (also available on audio cassette). John Williams assembled this 1-CD release himself, combining some cues together to form certain tracks, and arranging it all in his own personal sequence. While this album featured a large chunk of the score it did leave off several cues that were heard in the film. Some of these were favorites of those who had seen the film, expecting to find them on the album but ending up disappointed.

Interesting to note is that the CD version of this album featured a pop-up foldout display and housed the CD within its cardboard assembly. It was called, fittingly, a “3D Dinorama”. Collectors often criticized the packaging due to it falling apart easily, but worst of all, it would scratch the CD if not removed carefully. The cassette version had a 2D paper foldout-only version of the same scene as well. A Taiwan CD release also included a digital “Tamagotchi-styled” dinosaur pet. While the 1997 CD Album is now out of print, it can at least be bought for relatively cheap prices in the secondary market and is also easily available for digital purchase.

This same music program was replicated in the year 2000 for a CD re-release of the score. It was included in a neat “Collector’s Edition” set with the films and soundtracks for ‘Jurassic Park’ & ‘The Lost World: Jurassic Park.’ It featured unique cover art that mimicked the DVD release at the time. Unlike the 1997 version, there is no 3D Dinorama and it is instead housed in a typical jewel case. For a long time, many collectors would seek this version of the album for this reason alone.

Finally, in 2016, La-La Land Records released a 2-CD expanded and remastered edition for the first time, as part of a 4-CD collection that had included John Williams’ score to ‘Jurassic Park’ (also expanded and remastered). Apart from the remastering, La-La Land Records also went back to the original elements and provided every cue of the score for the very first time. This was a godsend for fans after yearning for the missing cues for so long. This included “On The Glass”, when Sarah Harding is terrifyingly on the glass portion of the Mobile Lab as it hangs over a cliff; “Ripples”, when the T-Rex parents make their attack on the hunter’s camp; and the intense conclusion in the abandoned village as the raptors’ chase after our heroes in “High Bar and Ceiling Tiles”.

While many units of the 2016 set were produced, it did eventually go out of print. This led to second-hand sellers taking over the reins of offering this CD release to people online, often selling for well over $100. The perfect sound quality and the complete score presentation it contained was otherwise hard to find for fans of the score that wanted more than the 1997 or 2000 albums had to offer.

Now seven years later, La-La Land Records returns with a brand-new 2023 re-release. Only this time, it is focusing on just ‘The Lost World: Jurassic Park,’ with some additional improvements to truly make this be the definitive release of this thrilling score:

La-La Land Records, Universal Pictures and Amblin Entertainment, Universal Music Group and Geffen Records present THE LOST WORLD: JURASSIC PARK, a limited 2-CD re-issue presentation of maestro John Williams’ (JAWS, E.T., JURASSIC PARK) original motion picture score to the 1997 blockbuster THE LOST WORLD: JURASSIC PARK, the first sequel in the legendary JURASSIC PARK franchise, starring Jeff Goldblum, Julianne Moore and Pete Postlethwaite and directed by Steven Spielberg. Maestro Williams’ sensational and powerful orchestral score thrills and awes, ranking as one of the composer’s most celebrated and unique works. Produced, edited and mastered by Mike Matessino, the 96k/24 bit master files utilized in our previous 2016 collection have been newly output and remastered, including minor sonic improvements throughout. Newly added to this 2-CD expanded reissue are never before released takes of “On The Glass,” “Rescuing Sarah” and “The Raptors Appear,” all featuring alternate instrumentation, plus the unique film version of “Ripples.” The 28-page CD booklet features liner notes by Matessino (adapted from our 2016 collection) and the new art design is by Jim Titus. This is a limited edition of 5000 Units.

This release’s additional new bonus tracks make or an appealing reason for super-fans of the score to seek it out! The first new track is a partial alternate (the second half) of “On The Glass.” It covers the section where Eddie is arriving and trying to figure out how to save the characters hanging over the cliff. It’s mostly just an alternate performance with some other unique touches. The alternate for “Rescuing Sarah,” the sequence where Eddie uses his car to pull the trailer as Sarah and the others attempt to climb the rope, is not only a quite different performance but also feels more subdued and eerie. The percussion feels less active, and features what the sheet music calls “a low animal moan” and “synth breaths” in prominent ways that add to this unique version.

The film version of “Ripples” is an interesting one. The middle of this cue is where the alterations happen, but not from an alternate performance. It was created editorially, using isolated elements of the orchestra and synths to create a unique version that removes most of the active percussion and instead builds on a rhythmic pulse-pounding escalation with strings into the T-Rex’s attack at the campsite. While John Williams apparently did not create this alternate version, it was memorable in the film for many people and was included this time since there is no viable way to re-create it without having access to isolated elements of the score. Lastly, the alternate for “The Raptors Appear” is a completely different performance and features unique mixing, the removal of certain elements (like the swelling gong when the first raptor attacks), but the additions of others (different wild percussion, slashing strings, and a different “crying sound”).

Overall, these new additions give fans of the score incredible new insight into the process of its creation! It is also noteworthy that some of these alternate versions have been featured at Universal Studios Islands Of Adventure theme park in Orlando! The overall sound quality of the entire release also sounds slightly better (although not as punched-up in the mastering, which may be a positive or a negative depending on how loud one likes the quieter moments of the score), and features some smoother transitional edits such as “To The Island” and the mid-section of “Rescuing Sarah.”

The booklet included in this release is very much the same as the one from the 2016 release, but only focuses on ‘The Lost World: Jurassic Park’ this time. The cover is of course different (with a striking cityscape against the Rex skeleton!), making it unique enough to stand on its own. There are some additional credits this time as well, including a special thanks to Jurassic Outpost friend Bernard A. Kyer!

By far the most important aspect of this release isn’t what is new, but simply the fact that it is available again. Generations of old and new film score fans, and even those who would like to study such a masterful score as this, should have a comprehensive presentation that is accessible. As good as the previous releases were for their time, having every single cue available, and now different variations of them, is integral for preserving this important milestone of music.

If you have never purchased the music score to ‘The Lost World: Jurassic Park’ before, this release is a massive no-brainer. It is a fantastic release, finally back in print and with some great new inclusions. If you only have the 1997 Album (on CD or digital), the additional music alone makes it worth the price. For those that have the 2016 CD set paired with ‘Jurassic Park’… I can understand skipping this, despite the improvements and some new alternate tracks. Those extra perks may not be enough to fully justify shelling out more money for it again, but that will just depend on who you are.

Since this is one of my favorite music scores of all time, from my favorite film franchise… the choice was pretty easy. This new edition is a must-have. And who knows, perhaps ‘Jurassic Park 3’ will similarly be revisited next? We can only hope!

But don’t just take my word for it. Listen to some of the clips for yourself below! Then, be sure to order your copy today from La-La Land Records!

TRACK LISTING (with select sound clips):

DISC 1

SCORE PRESENTATION

1. The Lost World 3:33

2. The Island’s Voice 3:34

3. Revealing the Plans 2:17

4. To the Island 3:39

5. The Stegosaurus (Extended Version) 5:28

6. Fire at Camp and Corporate Helicopters 3:20

7. The Hunt 3:35

8. Big Feet 1:40

9. Spilling Petrol and Horning In 5:06

10. Up in a Basket 3:24

11. In the Trailer 2:20

12. On the Glass 4:04

13. Rescuing Sarah (Extended Version) 5:09

14. Reading the Map 3:07

15. The Trek 5:24

16. The Compys! 4:29

17. Ripples 5:50

18. The Long Grass 2:29

Disc 1 Total Time: 68:58

DISC 2

SCORE PRESENTATION (Continued)

1. Finding Camp Jurassic 3:04

2. The Raptors Appear 3:42

3. High Bar and Ceiling Tiles 4:10

4. Heading North 2:12

5. Ludlow’s Speech 3:14

6. The Wrecked Ship 2:22

7. Monster on the Loose 2:36

8. Visitor in San Diego (Extended Version) 7:40

9. Ludlow’s End 2:51

10. Tranquilizer Dart 3:00

11. Jurassic Park Theme (End Credits) 5:30

Total Score Time: 109:25

ADDITIONAL MUSIC

12. The Lost World (Alternate) 3:34

13. On the Glass (Alternate Excerpt) * 2:18

14. Rescuing Sarah (Alternate) * 5:07

15. Ripples (Film Version) ** 5:51

16. The Raptors Appear (Alternate) * 3:41

17. Tranquilizer Dart and End Credits (Film Version) 4:53

Disc 2 Total Time: 66:00

Total Additional Music Time: 25:33

Total Two-Disc Time: 2:15:00

*previously unreleased

**contains previously unreleased material

Still available from La-La Land Records is their 2-CD remastered/expanded reissue of ‘Jurassic Park! Don’t miss your chance to own the ultimate version of that score as well, and if you haven’t already: check out my review on that soundtrack & its release history!

Are you going to get this new release of music from ‘The Lost World’? Would you like La-La Land Records to tackle ‘Jurassic Park 3’ next? Share your thoughts in the comments below, and as always stay tuned to Jurassic Outpost for the latest!

[UPDATE:] Now also available from La-La Land Records is their 2-CD remastered/expanded reissue of ‘Jurassic Park 3! Check out my review & its release history!

New DEATHGROUND Trailer – The “Not Jurassic Park” Dinosaur Survival Horror Video Game

Back in 2020 Jaw Drop Games launched their dinosaur survival horror video game Deathground via Kickstarter, and it has been in active development ever since.

Today, the studio unveiled a brand new trailer which utilizes pre-alpha gameplay footage and yes, it looks great. Check it out below!

There is no release date for the game but it’s looking as though the Jurassic Park inspired game is coming along just swell.

Did you support the Kickstarter? You can add the game to your wishlist on Steam.

Universal: why isn’t there a Jurassic Park survival horror game?

Dinosaurs & Prehistoric Creatures in ‘Life On Our Planet’ On Netflix – from Executive Producer Steven Spielberg!

“To understand life we must go back to the beginning.”

From executive producer Steven Spielberg and the Emmy® Award-winning team behind Our Planet, this is the story of Life on Our Planet.



Life spanning multiple time periods of earth’s history looks to be showcased in Netflix’s upcoming docuseries Life On Our Planet – narrated by Morgan Freeman! The 8-episode series’ logline reads:

“This is the story of life’s epic battle to conquer and survive on planet Earth. Today there are 20 million species on our planet, yet what we see is just a snapshot in time — 99% of earth’s inhabitants are lost to our deep past. The story of what happened to these dynasties — their rise and their fall – is truly remarkable. In partnership with Industrial Light & Magic, the series uses the latest technology and science to bring long extinct creatures back to life. Life on Our Planet reveals the incredible story of life on our planet.





The incredible story of life’s epic, four-billion-year journey on Earth comes alive in this series – streaming October 25th!