Category: Theme Parks

An Interview with Bob Shreve, Show Producer for Jurassic Park at Universal’s Islands of Adventure

Posted on by J. Malone

“Aye, aye, aye, why didn’t I build in Orlando?”

-John Hammond

Islands of Adventure Concept Art (Behind the Gates)

During the pre-production of Jurassic Park, Steven Spielberg already had teams conceptualizing and planning Jurassic Park The Ride, at Universal Studios Hollywood, before the first film was in production. Upon opening in 1996, the attraction was met with high praise and acclaim for its thrilling experience and immersive storytelling.

But Universal parks weren’t finished with Jurassic just yet. During this same time, on the other side of the country, Universal was hard at work expanding their operation in Orlando. And not just a little expansion like a singular new ride or show, no. They were in the process of creating a whole new theme park that would allow guests to enter their favorite literary worlds. Universal’s team was developing a park where guests would be able to skip around with Whos in Suess Landing, explore ancient ruins in Lost Continent, make a splash with their favorite cartoon characters in Toon Lagoon, save the world in MARVEL Superhero Island. It would also be decided that the final land, “rounding” out the park, would be where guests could come face to face with the greatest animals that ever walked the planet in a fully realized Jurassic Park.

Promotional Artwork of Jurassic Park at Islands of Adventure (Universal Destinations & Experiences)

At this new Jurassic Park, guests would be able to come face to face with dinosaurs like never before and be immersed in the world of Jurassic. There was the Discovery Center where raptor eggs would be seen hatching throughout the day, and Triceratops Encounter (later renamed to Triceratops Discovery Trail) where guests could experience one of the majestic three-horned creatures up close. In Camp Jurassic guests can traverse various pathways, explore caverns, or sail through the air like pterosaurs at Pteranodon Flyers. Of course, in the center of it all, would be the main attraction- the Jurassic Park River Adventure (Orlando’s version of Jurassic Park The Ride.)

With all of these pieces integral to “selling” this world, it became apparent that Universal would need a team to help maintain a cohesive vision for what they were attempting to create. Enter Bob Shreve.

Image of Bob Shreve from promotional material of Islands of Adventure

Shreve was brought on to be Show Producer for the entirety of the Jurassic area at Islands of Adventure (or IOA.) With a Masters in theatrical design and years of experience working and designing for theatres and other theme parks, like Walt Disney World, Shreve moved to Universal to take on this titanic project.

We reached out to Shreve to reflect on his work at Islands of Adventure, the process of bringing Jurassic Park to life, and changing the theme park world forever.

JO: To start off, if you could take us back to the beginning of Jurassic being a part of Island’s of Adventure that’d be wonderful. At one time Jurassic Park The Ride was expected to be near where Men in Black now is, but then it was opted for a full land. What did that happen? What was the key moment when Universal said “YES, all in on Jurassic,” and what did that mean for Islands of Adventure?

BOB: I came to the project in 1995 after the IOA project was fully in development and well into the design development phase.  As I understand it, once Universal made the decision to develop IOA, JP became a cornerstone for the project, and the idea to develop it like the Hollywood attraction was tabled in lieu of a full-fledged land.  All of that occurred before I joined the team.

JO: How did you get the Show Producer title for the Jurassic area at IOA specifically? Was it something about the brand that pulled you or was it assigned? Where does that journey begin?

BOB: In 1995 I was working for Imagineering, living in FL, handling SQS for EPCOT along with Patrick Brennan.  I was contacted by Robin Reardon, who I had worked with on projects at WDI.  Randy Prinz had brought onto the IOA Project as the Executive Producer and she reached out to me as she felt I would make a good producer.  Initially, I was offered SUESS LANDING but, once Lisa Girolami agreed to join the team, they felt she was a better fit for SUESS and transferred me to JP.  All of this occurred before I moved to LA to join the team in person.

JO: The Jurassic land, until the inclusion of Harry Potter, felt like the centerpiece. The majestic Discovery Center stands in the center focal point when you enter, demanding your attention. IOA’s original “castle” as it were. Was that intentional?

BOB: Yes, it was very intentional.  It was felt that the JP brand was the most iconic as it related to the public at large and would be the central gate driver for ticket sales.  By placing it at the center point on the far side of the lagoon, it would drive guest utilization through all the other islands in the park.

JO: How closely did you work with other departments like marketing, promotions, etc. I mean, Island of Adventure was promoted in a Jurassic Park video game, there were exclusive toys, and then everything in park that had to fit the world’s aesthetic. Was collaboration “Universal,” as they say, between you all?

BOB: There was very little integration with marketing at that time at Universal, which, frankly, was one of the downfalls of the project.  Most of the brand development was simply lifted from the film efforts.  It should be remembered that Universal changed ownership during the development of the project and it had a ripple effect on the development process.

JO: A lot of the production and planning was happening while Crichton released The Lost World, and then The Lost World: Jurassic Park was subsequently filmed, marketed, and released. Were there any changes in the plans for the land/ride/attractions from when it started to when it ended that we’re because of the sequel?

BOB: No, by the time LOST WORLD came out, we were well into construction so no changes were tolerated.

JO: There are several attractions hinted at and teased still throughout the land that unfortunately have not come to be (as of yet.) Helicoptour-tours, Jeep Safari, and several more. Can you recall any rides, attractions, shows, or experiences that we’re on the table but shelved?

BOB: Both Helicoptours and Jeep Safari were developed at a conceptual level, however, further development was placed on hold to allow focus on completion of the IOA project.  It was anticipated that, should IOA be successful, these would be some of the first expansion projects undertaken.  Sadly, due to underperformance in attendance for the park, this did not happen.

JO: Also, the AMAZING scale model at the entrance of River Adventure (which shows several of these canceled attractions,) it’s to see anything like it! Was there a thought that prompted showcasing it so prominently?

BOB: Frankly, we needed something to fill the queue for guest engagement and we were on a tight budget.  Dan Torres, the Production Designer for RIVER ADVENTURE, came up with the idea to simply use the model that was constructed during the design of the IOA project.  Each of the lands was modeled in great detail as this was before you could use CGI.  Each land and attraction was constructed so it could be removed from the master model for study.  Since it was already built and paid for, it was a great idea to use it as a queue prop, especially because we felt it was something John Hammond would do to promote his new Park.

JO: On a similar note, were there any dinosaurs or moments from the opening day attractions that were cut?

BOB: Not that I recall.  We took great pride in delivering all of the things we were asked to provide.

JO: Was there talk of building the same River Adventure as Hollywood, or when/why were choices made to change moments in Orlando’s?

BOB: Yes, the project team was initially told to deliver the Hollywood version of the ride intact as a “cookie-cutter” attraction.  However, Hollywood was having significant issues with their jeep drop effect so our team was asked to come up with an alternative, so we developed the raptor cage drop. 

JO: How did you develop the story for the areas of the land and which characters were “involved?” Many many elements of the island reference or are lifted straight from Crichton’s novel. Some of them really “deep cuts.” What elements from the novel, film, and expanded material were most useful and important to you to include? What material did Amblin and Universal say was most important to include?

BOB: I was not involved in the initial development of the attraction (concept phase), so I do not feel I can properly answer this question. It would be better to direct this question to Dale Mason, Phil Hettema or Gary Goddard.

Interior Nursery of the Discovery Center at Islands of Adventure

JO: How important was it for there to be educational aspects of the area? At its core Jurassic is sci-fi that is grounded in real science. Paleontology, geology, genetics, animal behavior and zoological sciences, and more. Perhaps more than any other offering at IOA or Universal, Jurassic at IOA originally had a sense of adventure and discovery meets learning and inspiration (especially with attractions such as all of the original Discovery Center, and Triceratops Encounter.)

BOB: We felt it was very important to have an educational aspect to JP as it reflected John Hammond’s and InGen’s mission and goals.  We were very aware that pretty much every 9-year old would know a lot about dinosaurs when they arrived at the park, so we needed to feed that curiosity and expand on it.  We engaged Eisterhold Associates, a leading museum design company, to develop concepts for the Discovery Center and to make it as interactive as possible.

JO: Was the island ever almost Isla Nublar or was it always going to be Isla Aventura? Do you feel like the inclusion of the Jurassic World property with VelociCoaster and Raptor Encounter affects the world originally created at IOA?

BOB: The working title for the project was Isla Nublar but marketing would never have agreed to let it be marketed as anything other than Jurassic Park – too much brand recognition.  As for the inclusion of Jurassic World, I think this is a natural evolution of the brand and is fitting. TRICERATOPS ENCOUNTER was always plagued with technology issues – it was far too complex to exist in a theme park environment – and its replacement with the coaster was a good idea to revitalize the area.

Maquette of the Triceratops from Triceratops Encounter (Behind the Gates)

JO: Do you know much about who produced the dinosaur maquettes / sculpts? Stan Winston School of Character Arts recently posted an article about their Stegosaurus and it showcases both the [The Lost World’s] AND [Jurassic Park The Ride/River Adventure’s] stegos (which have differences from one another.) Were the designs for the [new] dinosaurs in-house or did some of them come from partnering with Winston’s team? And did the sculpting and building of them change or evolve as the films were made?

BOB: The dinosaur maquettes were developed for the Hollywood attraction and, I believe, were developed by Winston Studios.  I have no explanation for the difference between the two stegosaurs.  We developed the maquette for the Triceratops.  All design for it was executed by Hall Train, who was recommended to us by Winston Studios when they decided they were too busy to take on the project.  Hall deserves a lot of credit for the development of the Triceratops, its functions looks, and manufacture.  He was amazing in his skillful talents and the ideas he brought to the attraction.

A section of the mural in the basement of the Discovery Center at Islands of Adventure, showcasing a plesiosaur, stalking tyrannosaurs, and a family of sauropods.

JO: Do you recall much about the story of the murals in the Discovery Center? Apparently, the originals were rumored to be missing or were missing when making IOA from their original usage in Hollywood?

BOB: I seem to recall an issue with the murals, but I do not remember exactly what it was.  They may have been missing and we had to recreate them for the IOA attraction, but I honestly do not remember.

JO: How much thought was put into foliage / “no grass” throughout the land?

BOB: A ton. Under the brilliance guidance of Mark Kuskowski, the landscape was a critical component of the design.  Due to budget concerns, he was challenged to deliver a believable “jungle” experience using prehistoric plants from day one.  Mark traveled extensively to find the perfect specimens for the attraction.  I think he succeeded brilliantly.

Fencing inside of Camp Jurassic. You can see that Universal “spared no expense” when it came to the lush foliage that fills the Jurassic area of Islands of Adventure.

JO: What, for you, was the most challenging aspect of bringing Jurassic to life? I mean, it’s probably challenging enough to bring dinosaurs back to life, but were there any surprise problems, hiccups, or changes along the way that wouldn’t have been expected when preparing to showcase creatures dead for 66 million years?

BOB: Several.  Mark Kuskowski found a five palm cluster we wanted to use as the icon landscape element as the entered the area.  It was placed in front of the Discovery Center adjacent to a central filtration pond that we engineered to clean and circulate all the water in the main lagoon.  To get it installed (it was huge) without destroying the surrounding area development, we had to plant it very early in the project.  It was the first tree planted on site and we had to take many precautions to protect it as the area grew up around it.  I think the pond did not work as well as intended and the landscape around it took off, obscuring the five palm cluster that we so laboriously planted.

Another issue was the Banyan tree for Camp Jurassic.  Mark searched long and hard for the perfect tree, which he found in South Florida.  We made arrangements to have it transported to Orlando, but the contractor hacked so many branches off the tree that, when it arrived, it was pathetic looking.  Mark was distressed and had it planted at the end of Scene 1 in the RIVER ADVENTURE just before the JP gates and found a new tree, which we carefully transported to Orlando and installed in Camp Jurassic.   Comically, it did not flourish as well as the original tree.

JO: For you, what was the moment it all came together? Was it riding River Adventure opening day? Getting sneezed on by one of the Triceratops? Seeing a baby raptor hatch? What moment gave you that classic “[We] did it…” Malcolm moment.

BOB: It all came together during the soft opening of the Park.  All our attractions, except Triceratops, were fully operational and the guest reactions were very gratifying.

JO: Similarly, what did you find to be the most impactful or important element of the land?

BOB: Without a doubt, it was, as intended, the architecture and landscaping.  We purposefully did not want the guests to engage with any dinosaurs as they walked the land.  This was to encourage them to enter the attractions to see the dinosaurs.  So the area development needed to convey the grandeur of the movies, which I feel it did magnificently.

Old “animal tracker” unit that was in front of the Discovery Center, before being removed for VelociCoaster. A reference to the motion sensor tracking system used in Crichton’s original novel.

JO: Are there any favorite “Easter Eggs” of yours in the land? Are there any that you believe people haven’t discovered yet or aren’t well known? There are literally SO many littered throughout the island.

BOB: We buried a lot of easter eggs in the queue for Triceratops – too many to recount and I am not sure they remain.

JO: If you could see the Jurassic land grow, change, or evolve further- what kind of offerings would you hope to see? More stories told through rides? Shows? More edu-tainment type offerings like the Discovery Center? What do you think should be focused on?

BOB: I think, in synergy with the film franchise, the area needs a lot of “thrill”.  I think the VelociCoaster attraction is the right direction for the area.

JO: What is your favorite dinosaur?

BOB: Hands down, it would be the Triceratops.

This Triceratops fossil replica served as the entrance for (the now closed) Triceratops Encounter attraction.

JO: If there are any other details, anecdotes, or thoughts you would like to share during your time as the Show Producer for Jurassic.

BOB: I consider myself fortunate to have been selected to be part of this project.  It is one of the highlights of my career and afforded me an opportunity to participate in theme parks at a level I had previously only dreamed of.

JO: What would you say to others who may be interested in a career in themed entertainment?

BOB: I would encourage a career in this industry.  It is engaging, challenging, and fun.  Developing the proper tools is a pre-requisite for participation in today’s industry and requires a mastery of computer graphics and pre-visualization tools as well as creative talent.

Shreve makes an appearance in this early promotional footage for the island that originally aired on USA Channel in the 90’s, which you can watch below:

With the park opening in 1999, these mighty creatures were no longer merely trapped in museums, books, or movies- they were brought to life right in front of us. With the world of Jurassic Park fully realized, fans of the franchise, dinosaur lovers, and thrill seekers alike finally had a place to live out their own prehistoric adventures.

While the initial opening of Universal’s Islands of Adventure was rocky, the park has since gained great acclaim and notoriety over its twenty-five years of operation, with multiple awards for attractions, restaurants, entertainment offerings, and more. The Jurassic area, specifically, is still considered one of the main pulls for guests visiting the resort. VelociCoaster is considered one of the best rollercoasters ever made, the Discovery Center was used in several Jurassic Park 30th Anniversary marketing videos last year, and River Adventure (even with it showing its age) still has boats filled with people screaming and laughing their way through surviving an encounter with the park’s dinosaurs.

Jurassic to be Included in NEW Universal Orlando Shows Coming this Summer!

Posted on by J. Malone

On Monday, April 29th, Universal Orlando officially announced a plethora of new attractions and entertainment offerings coming to the resort this summer, several of which will include Jurassic characters and scenes.

Three new shows, one new themed land, and an all-new tribute store are all set to open throughout this summer. On June 14th, 2024 there is the simultaneous opening of an all-new DreamWorks-inspired land, the CineSational: A Symphonic Spectacular (both on the Universal Orlando side,) and Hogwarts Always nighttime show (on the Islands of Adventure side.) Then, on July 3rd, Universal will debut its newest parade, the Universal MEGA MOVIE Parade.

At the new DreamWorks Land, you’ll ‘let your imagination soar as your favorite characters from Shrek, Trolls and Kung Fu Panda come together in one colorful new land at Universal Studios Florida. Meet Shrek and splash in his swamp. Scream with laughter on the Trollercoaster. Learn kung fu with Po. Plus, ignite your sense of wonder with the new live show DreamWorks Imagination Celebration.’

For Hogwarts Always, guests will experience ‘a journey through iconic moments of a year at the beloved school of witchcraft and wizardry, all set against the majestic background of Hogwarts™ castle in The Wizarding World of Harry Potter – Hogsmeade™. On select nights.’

The CineSational: A Symphonic Spectacular lagoon show will feature 228 fountains that reach heights up to 131 feet, new 4K projection mapping, an original composition featuring newly arranged scores meticulously crafted to each scene, and more than 600 drones. The show will also highlight past, present, and future Universal attractions including “Jurassic World,” “Jaws,” “Shrek,” “Ghostbusters,” “Trolls,” “Back to the Future,” “Universal Monsters,” “Transformers,” “How to Train Your Dragon,” “E.T.,” “Fast and Furious,” “The Super Mario Bros. Movie,” “Minions,” “The Mummy” and “King Kong, and “Harry Potter and Fantastic Beasts” films.

Capping off the summer fun in July, the highly anticipated new parade show debuts. At the Universal MEGA MOVIE Parade ‘your favorite characters will leap off the screen and onto the streets for a daytime parade. Feel the roar of the T.rex, enjoy the adventure of E.T., embrace your true colors with Trolls, and more. On select days.’ The parade is said to be Universal’s biggest daytime parade to date, combining 13 brand new floats, nearly 100 performers – including dancers, skaters, stilt walkers, performers and more – and special effects to create a jaw-dropping experience where guests can relive classic film moments in a whole new way.

While we don’t have official images of any of the floats or characters that will be present, we encourage everyone to check out videos online of past parades from Universal parks in Japan and Singapore.

In conjunction with the new parade will be this summer’s tribute store, themed to the various movies and characters that will be brought to life in the show. Will this mean that, for the third time, Jurassic will be present in a tribute store? Time will tell!

Tell us, are you excited about the new summer offerings coming to Universal Orlando? What scenes and moments from the Jurassic franchise do you hope to experience in the new parade and nighttime show?

Universal Planning New Theme Park for Great Britain

Posted on by J. Malone

News, first reported by Park Stop, broke on Monday that Comcast (Universal’s parent company) purchased nearly 500 acres of land in Bedford, England. This coincides with multiple website domains being registered under ‘Universal Studios Great Britain.’

Following this news, the Company released a statement the following day confirming the land purchase and that they are “…[in] the early stages of exploring its feasibility for a potential park and resort at this site.’ The company also stated that it would be months before a final decision would be reached about whether to move forward or not.

While there has not been a confirmation of what rides or properties will be present at this new park, it is speculated that the park would be closer in style to that of Universal’s newest destination, Universal Studios Bejing, which features mostly indoor attractions to help combat the concerns of weather hindering guest experience. If that’s true, perhaps the UK could be seeing the award-winning Jurassic World Adventure dark ride come to its new park.

No official timetable has been released regarding the project, but needless to say Universal is on the cusp of a big destination boom with EPIC Universe set to open in Orlando in 2025, a new family park in Texas, Horror Unleashed in Las Vegas, and now this new park in the UK. We can only hope that our favorite dinosaur-filled franchise is a part of this expansion, as Jurassic has continually been an incredibly popular property for rides and experiences at their already established parks around the world.

‘The Lost World: Jurassic Park’ Soundtrack By John Williams Gets A New 2-CD Release!

Posted on by Derrick Davis

‘The Lost World: Jurassic Park’ may not have the same cultural impact as ‘Jurassic Park,’ but it features one of composer John Williams’ most intense and exciting music scores. Loaded with percussive action, memorable jungle rhythms, and alluring atmosphere, this score holds a strong identity for the entire franchise. Now, over 25 years after it premiered, this incredible music score gets a definitive release in a brand-new 2-CD set from La-La Land Records. But how definitive is it, and what sets it apart? To find out, let’s embark to this “lost world” together!

In 1997, the soundtrack was released on CD in the form of a 69-minute album via MCA records (also available on audio cassette). John Williams assembled this 1-CD release himself, combining some cues together to form certain tracks, and arranging it all in his own personal sequence. While this album featured a large chunk of the score it did leave off several cues that were heard in the film. Some of these were favorites of those who had seen the film, expecting to find them on the album but ending up disappointed.

Interesting to note is that the CD version of this album featured a pop-up foldout display and housed the CD within its cardboard assembly. It was called, fittingly, a “3D Dinorama”. Collectors often criticized the packaging due to it falling apart easily, but worst of all, it would scratch the CD if not removed carefully. The cassette version had a 2D paper foldout-only version of the same scene as well. A Taiwan CD release also included a digital “Tamagotchi-styled” dinosaur pet. While the 1997 CD Album is now out of print, it can at least be bought for relatively cheap prices in the secondary market and is also easily available for digital purchase.

This same music program was replicated in the year 2000 for a CD re-release of the score. It was included in a neat “Collector’s Edition” set with the films and soundtracks for ‘Jurassic Park’ & ‘The Lost World: Jurassic Park.’ It featured unique cover art that mimicked the DVD release at the time. Unlike the 1997 version, there is no 3D Dinorama and it is instead housed in a typical jewel case. For a long time, many collectors would seek this version of the album for this reason alone.

Finally, in 2016, La-La Land Records released a 2-CD expanded and remastered edition for the first time, as part of a 4-CD collection that had included John Williams’ score to ‘Jurassic Park’ (also expanded and remastered). Apart from the remastering, La-La Land Records also went back to the original elements and provided every cue of the score for the very first time. This was a godsend for fans after yearning for the missing cues for so long. This included “On The Glass”, when Sarah Harding is terrifyingly on the glass portion of the Mobile Lab as it hangs over a cliff; “Ripples”, when the T-Rex parents make their attack on the hunter’s camp; and the intense conclusion in the abandoned village as the raptors’ chase after our heroes in “High Bar and Ceiling Tiles”.

While many units of the 2016 set were produced, it did eventually go out of print. This led to second-hand sellers taking over the reins of offering this CD release to people online, often selling for well over $100. The perfect sound quality and the complete score presentation it contained was otherwise hard to find for fans of the score that wanted more than the 1997 or 2000 albums had to offer.

Now seven years later, La-La Land Records returns with a brand-new 2023 re-release. Only this time, it is focusing on just ‘The Lost World: Jurassic Park,’ with some additional improvements to truly make this be the definitive release of this thrilling score:

La-La Land Records, Universal Pictures and Amblin Entertainment, Universal Music Group and Geffen Records present THE LOST WORLD: JURASSIC PARK, a limited 2-CD re-issue presentation of maestro John Williams’ (JAWS, E.T., JURASSIC PARK) original motion picture score to the 1997 blockbuster THE LOST WORLD: JURASSIC PARK, the first sequel in the legendary JURASSIC PARK franchise, starring Jeff Goldblum, Julianne Moore and Pete Postlethwaite and directed by Steven Spielberg. Maestro Williams’ sensational and powerful orchestral score thrills and awes, ranking as one of the composer’s most celebrated and unique works. Produced, edited and mastered by Mike Matessino, the 96k/24 bit master files utilized in our previous 2016 collection have been newly output and remastered, including minor sonic improvements throughout. Newly added to this 2-CD expanded reissue are never before released takes of “On The Glass,” “Rescuing Sarah” and “The Raptors Appear,” all featuring alternate instrumentation, plus the unique film version of “Ripples.” The 28-page CD booklet features liner notes by Matessino (adapted from our 2016 collection) and the new art design is by Jim Titus. This is a limited edition of 5000 Units.

This release’s additional new bonus tracks make or an appealing reason for super-fans of the score to seek it out! The first new track is a partial alternate (the second half) of “On The Glass.” It covers the section where Eddie is arriving and trying to figure out how to save the characters hanging over the cliff. It’s mostly just an alternate performance with some other unique touches. The alternate for “Rescuing Sarah,” the sequence where Eddie uses his car to pull the trailer as Sarah and the others attempt to climb the rope, is not only a quite different performance but also feels more subdued and eerie. The percussion feels less active, and features what the sheet music calls “a low animal moan” and “synth breaths” in prominent ways that add to this unique version.

The film version of “Ripples” is an interesting one. The middle of this cue is where the alterations happen, but not from an alternate performance. It was created editorially, using isolated elements of the orchestra and synths to create a unique version that removes most of the active percussion and instead builds on a rhythmic pulse-pounding escalation with strings into the T-Rex’s attack at the campsite. While John Williams apparently did not create this alternate version, it was memorable in the film for many people and was included this time since there is no viable way to re-create it without having access to isolated elements of the score. Lastly, the alternate for “The Raptors Appear” is a completely different performance and features unique mixing, the removal of certain elements (like the swelling gong when the first raptor attacks), but the additions of others (different wild percussion, slashing strings, and a different “crying sound”).

Overall, these new additions give fans of the score incredible new insight into the process of its creation! It is also noteworthy that some of these alternate versions have been featured at Universal Studios Islands Of Adventure theme park in Orlando! The overall sound quality of the entire release also sounds slightly better (although not as punched-up in the mastering, which may be a positive or a negative depending on how loud one likes the quieter moments of the score), and features some smoother transitional edits such as “To The Island” and the mid-section of “Rescuing Sarah.”

The booklet included in this release is very much the same as the one from the 2016 release, but only focuses on ‘The Lost World: Jurassic Park’ this time. The cover is of course different (with a striking cityscape against the Rex skeleton!), making it unique enough to stand on its own. There are some additional credits this time as well, including a special thanks to Jurassic Outpost friend Bernard A. Kyer!

By far the most important aspect of this release isn’t what is new, but simply the fact that it is available again. Generations of old and new film score fans, and even those who would like to study such a masterful score as this, should have a comprehensive presentation that is accessible. As good as the previous releases were for their time, having every single cue available, and now different variations of them, is integral for preserving this important milestone of music.

If you have never purchased the music score to ‘The Lost World: Jurassic Park’ before, this release is a massive no-brainer. It is a fantastic release, finally back in print and with some great new inclusions. If you only have the 1997 Album (on CD or digital), the additional music alone makes it worth the price. For those that have the 2016 CD set paired with ‘Jurassic Park’… I can understand skipping this, despite the improvements and some new alternate tracks. Those extra perks may not be enough to fully justify shelling out more money for it again, but that will just depend on who you are.

Since this is one of my favorite music scores of all time, from my favorite film franchise… the choice was pretty easy. This new edition is a must-have. And who knows, perhaps ‘Jurassic Park 3’ will similarly be revisited next? We can only hope!

But don’t just take my word for it. Listen to some of the clips for yourself below! Then, be sure to order your copy today from La-La Land Records!

TRACK LISTING (with select sound clips):

DISC 1

SCORE PRESENTATION

1. The Lost World 3:33

2. The Island’s Voice 3:34

3. Revealing the Plans 2:17

4. To the Island 3:39

5. The Stegosaurus (Extended Version) 5:28

6. Fire at Camp and Corporate Helicopters 3:20

7. The Hunt 3:35

8. Big Feet 1:40

9. Spilling Petrol and Horning In 5:06

10. Up in a Basket 3:24

11. In the Trailer 2:20

12. On the Glass 4:04

13. Rescuing Sarah (Extended Version) 5:09

14. Reading the Map 3:07

15. The Trek 5:24

16. The Compys! 4:29

17. Ripples 5:50

18. The Long Grass 2:29

Disc 1 Total Time: 68:58

DISC 2

SCORE PRESENTATION (Continued)

1. Finding Camp Jurassic 3:04

2. The Raptors Appear 3:42

3. High Bar and Ceiling Tiles 4:10

4. Heading North 2:12

5. Ludlow’s Speech 3:14

6. The Wrecked Ship 2:22

7. Monster on the Loose 2:36

8. Visitor in San Diego (Extended Version) 7:40

9. Ludlow’s End 2:51

10. Tranquilizer Dart 3:00

11. Jurassic Park Theme (End Credits) 5:30

Total Score Time: 109:25

ADDITIONAL MUSIC

12. The Lost World (Alternate) 3:34

13. On the Glass (Alternate Excerpt) * 2:18

14. Rescuing Sarah (Alternate) * 5:07

15. Ripples (Film Version) ** 5:51

16. The Raptors Appear (Alternate) * 3:41

17. Tranquilizer Dart and End Credits (Film Version) 4:53

Disc 2 Total Time: 66:00

Total Additional Music Time: 25:33

Total Two-Disc Time: 2:15:00

*previously unreleased

**contains previously unreleased material

Still available from La-La Land Records is their 2-CD remastered/expanded reissue of ‘Jurassic Park’! Don’t miss your chance to own the ultimate version of that score as well, and if you haven’t already: check out my review on that soundtrack & its release history!

NOTE: At the time of posting this article, the soundtrack is temporarily out of stock directly from La-La Land Records. They are awaiting for the next pressing of discs to arrive. If temporarily unavailable there, it can also be purchased from other reliable soundtrack CD venues, such as Screen Archives and The MovieMusic Store.

Are you going to get this new release of music from ‘The Lost World’? Would you like La-La Land Records to tackle ‘Jurassic Park 3’ next? Share your thoughts in the comments below, and as always stay tuned to Jurassic Outpost for the latest!

Universal Re-Releases Islands of Adventure Soundtrack

Posted on by J. Malone

When Universal’s Islands of Adventure opened to the public in 1999, guests experienced fully immersive lands with unique characters, stories, and rides. Guests were literally thrown into unique and captivating adventures with many of their favorite characters and stories. An incredibly important part of the journey that the guests experience is the unique music for each land that could only be heard in the parks, or if you were lucky to snag a physical copy of the soundtracks (regular or the 2000 special edition.)

Until now, that is!

After teasing the release for several days, Universal officially released their Islands of Adventure soundtrack online for everyone to enjoy! Their playlist includes twenty songs, all of which serenade guests as they make their way through the various islands and attractions at the theme park. This includes specialty music written and composed for the Jurassic Park portion of the park!

The tracklist is as follows:

1. “The Call to Adventure / Main Theme”
2. “Confisco’s Grill”
3. “Ocean Trader Market”
4. “Welcome to Seuss Landing”
5. “The Cat in the Hat”
6. “Circus McGurkus Cafe Stoo-Pendous”
7. “The Lost City”
8. “Sinbad Bazaar”
9. “Merlin Woods Plaza”
10. “Jurassic Park Calypso”
11. “Camp Jurassic”
12. “Thunder Falls Terrace”
13. “Toon Walk”
14. “The Wacky World of Jay Ward”
15. “Popeye’s Sweethaven”
16. “The Funny Business” 2:00
17. “Marvel Super Hero Island Main Street” 2:47
18. “Doctor Doom” 2:31
19. “Banner’s Science Park” 2:07
20. “The Adventure Lives On” 3:39

While the digital album/playlist includes [most] of the original music that was made specifically for Islands of Adventure, it does not include licensed ambient music that is also present in the park. So, the music surrounding rides and lands like Reign of Kong, or the Wizarding World are absent, as well as all of the extended Jurassic Park and The Lost World tracks heard in and around the Jurassic area.

There is also no word, as of yet, if Universal plans on releasing the album on other digital outlets like iTunes or Spotify, or if they plan on having a physical copy re-release. We surely hope for all of the above! Especially with the very successful collectible Halloween Horror Nights vinyls that have been released over the last few years, a physical copy seems like a no-brainer!

Would you get a copy of the Islands of Adventure soundtrack if Universal released physical copies? Are you hoping that it comes to Spotify or iTunes? Let us know in the comments below!

Art Dept. Coordinator Caroline Quinn Recalls Her Adventures In ‘Jurassic Park’!

Posted on by Derrick Davis

Thirty years ago, ‘Jurassic Park’ roared its way into movie theaters. The film’s impressive special effects and incredible premise have wowed audiences for decades, cementing it as a true classic.

One vital member of the film’s creative team was Caroline Quinn, the art department coordinator. While her career would later evolve as a set designer on projects like ‘Buffy The Vampire Slayer’, ‘Curb Your Enthusiasm’, ‘Halloween Kills’, and Zack Snyder’s ‘Rebel Moon’; ‘Jurassic Park’ was where everything began. Join Jurassic Time as they discuss her role as an art department coordinator, and the adventure she went on to help bring ‘Jurassic Park’ to life!

Featuring never-before-seen photos and concept work from the film, as Caroline Quinn tells her behind-the-scenes stories! The perfect way to celebrate the 30th anniversary of ‘Jurassic Park’!

They explore her time assisting the film’s art department by assembling storyboard displays, models, and embarking on epic research assignments! Caroline even portrayed Lex Murphy in a “Raptors In The Kitchen” test video created by Stan Winston & Dennis Murren! Hear how she contributed to a famous joke in the film, helped create the memorable slideshow in the Visitor Center’s lunch room, and much more!

After thirty years, the film remains an incredible experience, thanks to the team of creative geniuses that brought to life an adventure 65 million years in the making…

It’s amazing how even after three decades we can learn new behind-the-scenes stories of ‘Jurassic Park’! What were some new details from this interview that you enjoyed the most? Share your thoughts in the comments below, and as always stay tuned to Jurassic Outpost for the latest!

Universal Studios Japan to Close Jurassic Park The Ride for ‘Major Refurbishment’

Posted on by J. Malone
Promo image for Jurassic Park The Ride in Japan, now sporting a Jurassic World render of “Rexy.”

According to Universal Japan’s website, Jurassic Park: The Ride will close for a major refurbishment in September of 2023. 

As of right now, the parks website reads that the ride will close on September 4th, 2023, indefinitely, but also states further down on the same page:

‘The major refurbishment of Jurassic Park the Ride, which begins on Monday, September 4, 2023, is expected to take until early 2025. We appreciate your understanding and cooperation.’

This follows the ride being closed from June 6th to June 21st also of this year, most likely for normal yearly refurbishment and maintenance.

There is also no word as to if this is a refurbishment of the existing ride or if it means the ride will be getting the Universal Hollywood treatment and transforming into Jurassic World The Ride. 

Currently, Universal Studios Orlando and Japan are the only Universal parks to still have the classic Jurassic Park The Ride/River Adventure ride. Universal Singapore has its own unique Jurassic ride called Jurassic Park Rapids Adventure that has a circular raft vehicle rather than the long multi-rowed raft (making it close to Islands of Adventure’s Popey and Bluto’s Bilge-rat Barges or Disney’s Animal Kingdom’s Kali River Rapids.) Universal Beijing has the award-winning Jurassic World Adventure Ride (a dark ride in the vein of Amazing Adventures of Spider-man at Islands of Adventure,) as well as Jurassic Flyers. As previously stated, Universal Hollywood revamped Jurassic Park The Ride to Jurassic World The Ride, which opened in 2019. Sporting some new visuals, animatronics, and story, the updated ride has been well received, with many applauding the spectacular new animatronics and moments. Universal Orlando still has its original Jurassic Park River Adventure ride and opted for a brand new Jurassic World ride (instead of changing River Adventure) with VelociCoaster, which has been awarded Best Rollercoaster two years in a row. If Universal Japan is changing their Jurassic Park ride to Jurassic World though, we can theorize (“theorize, mind you”) that it’s most likely only a matter of time before Orlando sees its classic Jurassic ride go through a similar refurbishment. 


While closed, guests to Universal Japan can still visit the Jurassic Park area to experience The Flying Dinosaur, a steel flying coaster where guests soar through the air like pterosaurs (which, should be stated, are not dinosaurs,) and experience various dinosaur “meet and greets” throughout the land.

Universal Parks News Video of Jurassic Park The Ride at Universal Studios Japan

Queue Videos From Extinct ‘Jurassic Park: The Ride’ Hollywood Attraction Receives Newly-Remastered Presentation!

Posted on by Derrick Davis

‘Jurassic Park: The Ride’ at Universal Studios Hollywood may have closed forever to make way for ‘Jurassic World’… but something has survived, thanks to Jurassic Time! Experience the queue videos from the extinct original attraction in this edited & remastered production, preserving the entire fantastic pre-show! Click the title card below to watch it!

Starring Richard Attenborough reprising his role as John Hammond! Also featuring dinosaur expert “Dino” Don Lessem! This presentation uses a variety of the highest quality sources possible to recreate the original Hollywood attraction’s single-screen queue videos. Most of the footage presented in this video is sourced from a new Universal Studios Japan recording of the queue’s main screen by “USJ Informer L.C.A.STUDIOS” to present the best quality ever seen outside of the attraction!

It was then edited to match the original English audio and sequencing by using a Hollywood on-location recording from 2018 (with some elements from years prior). This audio is imperfect, with a lot of background noise at times from other video screens in the queue, but it is the best we could get under the circumstances. Some footage is still sourced from this recording, most notably the spinning “logos”, and other sources. Due to the sources available, there will be some inaccuracies & other editorial choices made to best recreate the experience.

In addition, two versions of the “boarding audio” bookend the presentation. Much of the music during the various spinning “logos” has been re-created to closely match the way they were originally edited for the videos to provide a better-quality experience. Some music remains unknown and uses the source audio.

A fun note: Steven Spielberg gets a brief cameo during John Hammond’s segment! They spared no expense!

In the queue, a set of three screens were joined together at each station, often having additional unique footage on the other screens (sometimes even interacting with each other). To see that version (including its unique alternate takes of certain moments), see the “MULTI-SCREEN Queue Videos” compilation.

‘Jurassic Park: The Ride’ was in development during the creation of the film itself. You will notice in several segments that sets, props, vehicles, and even animatronics are used from the film. The Visitor Center, for example, was used right before the set got struck down. For more about the creation of the original attraction, see Jurassic Time’s interview with its creator & other videos, including a storyboard recreation of the ride’s initial ideas!

Did you ever get to ride the original Hollywood attraction before it closed? What were some of your memories, and do you prefer it to other incarnations? Share your thoughts below, and as always stay tuned to Jurassic Outpost for the latest!

Exclusive Look & Review: Jurassic Park 30th Anniversary Tribute Store at Universal Orlando- Now Open!

Posted on by J. Malone

This morning Universal Orlando opened their Jurassic Park 30th Anniversary Tribute Store to excited guests at their resort! Located in the Hollywood section of the park, the store acts as a sort of museum dedicated to the production, release, and impact of one of the most influential films in all of film history. Featuring several rooms crammed with rare production archives and props, exclusive merchandise, and unique foods, it is going to be a must stop-shop for the summer months at the resort for guests.

The latest tribute store is the newest Jurassic offering of the Orlando destination. In the last few years there has been the opening of Jurassic World VelociCoaster (which was awarded Best Roller Coaster two years in a row,) a Jurassic World Tribute Store (which ran the summer months of 2021 in the previous Tribute Store location in the New York section of the park,) and the Great Movie Escape which features a Jurassic World themed escape room experience.

While most of the additions to the park have been centered around the Jurassic World brand, the new tribute store transports us back to the 90’s and centers entirely around the film that started it all- Jurassic Park. Acting as a sort of museum that harkens back to the vibes of the “Dinosaurs of Jurassic Park” traveling exhibit, the store is divided into several different rooms that takes guests on a journey through the production of the film all the way through to its release and impact.

Before entering the store, the guests come face to face with the infamous sick Triceratops lying on its side, which is absolutely breathtaking (and I fully admit to tearing up upon seeing it up close.)  Just before entering the store you’re surrounded by scaffolding, stage lights, and banners sporting the Jurassic Park logo and the classic sunset imagery. Many noted last week, when signage started going up, that the signage sported a “Making of Jurassic Park,” rather than just Jurassic Park. This tribute store being more of a shine to the overall production of the filmsets it in contrast to the 2021 JW Tribute Store which had more of an “in-universe” feel, and I’m sure it also offered a bit of a creative change for all of the incredibly talented Team Members of Art and Design, fabrication, carpentry, and painters who are involved on the project.

The first room has a focus on the “Pre-Production” (and a bit of “Post-Prod”) of Jurassic Park. It is filled to the brim with concept art of the dinosaurs and characters, film props, maquettes, and footage. It also has sections where they showcase and explain how Go-Motion was going to be the way they brought the dinosaurs to life in the film and how, as we all know now, it was abandoned in favor of computer-generated dinosaurs which revolutionized the film industry forever.

Moving on to the second room, we are now in the “Production” stage of the film. There are several photo-ops where guests can stop and put themselves into key moments of the film. Guests can either get down and hide behind kitchen counters from a stalking Velociraptor, try to appease an agitated Dilophosaurus, or quake in terror while sitting on a toilet in the middle of a rainstorm beneath Rexy herself. There are also lots of production documents and images as well for guests to gaze at and read as they make their way through, including a part that discusses Hurricane Iniki. Just before heading into the next room, guests can come face to face with another Velociraptor in the shed while they can attempt to return power to the island!

Rounding a corner, the guests are able to pass through the legendary Jurassic Park main gates and snag some unique and delicious treats before heading into the final room which illuminates the legacy and impact of the film upon its release. This, personally, had to be one of my favorite rooms in the whole store as it was just like walking into a sanctuary of classic Jurassic Park memorabilia. In display cabinets sits many different Kenner Jurassic toys, posters, magazines, buttons, bookbags, and loads more of vintage Jurassic Park merchandise. For fans of this franchise, whether you were able to experience the Jurassic craze in the 90’s or only wished you were able to, you can relive it here. If the first three-quarters of the store were the “Making of Jurassic Park” documentary come to life, this room perfectly embodies the “Dinosaur Dream Team” Marketing Video, tying the whole experience together.

The Jurassic Park 30th Anniversary Tribute Store proves to be an amazingly well executed, and immersive experience that is filled with fun easter eggs and beautiful set pieces sure to awe everyone who steps through the entrance. As soon as you enter it’s impossible not to feel the love put into this experience by everyone involved, and for fans it will be even harder not to be overwhelmed by it. The exclusive merchandise and collectables lining the walls harkens back to the feeling of shopping in the 90’s and seeing endless shelves and racks dedicated to Jurassic, and a lot of the new offerings are sure to be “must haves” for many.  Some of the merch can be found throughout the entire resort at different stores (like Jurassic Outfitters and the Dino Store in the Jurassic Park section at Islands of Adventure,) the store sports of a wider variety of the 30th Anniversary merch as well as the special snacks.

The limited time JP30 Tribute Store is now open at Universal Orlando, during park hours. While there is no word on exactly how long the store will be there, in the past the “summer” tribute store typically runs until the first few weeks of August, at which time it will be closed and construction on the Halloween Horror Nights tribute store will begin. The store is just one of the few ways the Orlando resort is celebrating the 30th anniversary of the film. Guests can also get exclusive food, treats, and drinks at the Thunder Falls Terrace Restaurant at Islands of Adventure (again, no official word on how long the offerings will last,) and June 9th, 10th, and 11th the Cinemark at City Walk will have screenings of Jurassic Park (tickets are not up yet, but keep checking Cinemark/Fandango,) along with possibly some other potential surprises along the way!

Mattel wants to send you and three others on a Universal theme park vacation in Hollywood or Orlando – Enter the Sweepstakes Now!

Posted on by Chris Pugh

If you’re hoping for a fun Jurassic themed getaway this Summer, then you may be in luck! Just announced in the May episode of Beyond the Gates, Mattel is hosting a new sweepstakes that could send you and three others on a theme park vacation to either Universal Studios Hollywood or Universal Orlando Resort!

There are a number of other prizes to be won alongside this trip, so be sure to check out the details below!

Mattel wants to send you and three others on a Universal theme park vacation in Hollywood or Orlando!

Enter Mattel’s Jurassic Park Sweepstakes for a chance to win an experience that brings you face-to-face with thrilling dinosaurs and rides! The Grand Prize Winner could win a vacation at their choice of either Universal Studios Hollywood or Universal Orlando Resort, a Jurassic Park Prize Pack, and a $100 Target gift card from Mattel! The vacation includes a trip for 4 including round trip airfare, hotel accommodations, ground transportation between airport and hotel, and theme park admission.

5 additional winners will receive the Jurassic prize pack and a $100 Target gift card.

Visit shop.mattel.com/legacysweeps to enter and learn more through July 4th!

With so much to see and do at either park there really isn’t a better way to celebrate Jurassic Park’s 30th Anniversary! So what are you waiting for? Visit the sweepstakes website for your chance to win!